20250426 Liliblue DJ mix from 1:30

Opus 04 by Liliblue

Wheel recordings by @Interpretationsofreality

The Magic Water Wheel INSTRUMENTAL - Raw Tracks version

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

C/ Authenticity Then Trust

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Alphabet-echo-

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

Session found in the folder: audio exam, contains several files that I am (finally) examining from a backup disc scan.
There is a lot of interesting material in my opinion.
The first few minutes suggested the title of the track (the original file name was 10.04.23.112023_04_10 11_49_41 2).
I'm not sure if it's really material from 2023, and I haven't yet checked if I have a folder containing this session.
The only editing done so far has been mid panning of the tracks and a cut of equal length, as it was about 17 minutes long.
Listening to it, I can assume that I used AAS's Chromaphone software, probably triggered by Mooges software via MIDI.
Chromaphone is an excellent physical emulation tool, very interesting for creating timbres and samples.

Further refinements may be made in the future.

Translated with DeepL.com (free version)

morse code *pay attention to your hears

douter de l'atome

29Sep25
Created 10 years ago. This is a slightly more polished version of the track 😊

Vaucrek

BONJOUR
Merci de votre écoute.
Merci à nos fidèles abonnés.
J'aimerais travailler avec vous pour essayer de créer autrement. Si, comme moi, cette aventure vous inspire, je suis partant.

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Cénélius

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