Certainly enjoying the shifting time and interesting variations

the composition keeps my interest well, it's very well done

nice tune and sounds. Struggling with the mix a bit still during the fuller sections, maybe missing some warmth for me.

Here comes the movie? Nice song, I just feel the bass not integrated with the drums.

... and this offbeat rhythmic stuff, very interesting to listen to. nice job on this one, m8! 👍

Nice composition and control of Pendulate to make it all work. The patches all work quite well to serve the track as a whole.

One Synth Challenge #140: Pendulate

bh9090 - TWO [ODIN]

Wideoclip: https://www.youtube.com/watch?v=gCqW3zlZK3s

12/07/2020

Bandcamp

Machine Scout

Impressions 5 - Stygian Blue

OSC#139: Full Bucket Music's Fury-800

Instances: #20
DAW: MuLab (www.mutools.com)
FX: EQ, Level Compressor, Delays
3rd party: OTT, LoudMax64, Nova 67-p, DragonflyReverb

Taron - Length [Fury-800]

not dance but...

29 Pedulate synths in Ableton Live
+ Abeton Reverbs, Delays, Compressors, EQs

Desktop

World Mechanics

Part of the OSC 140 Competition
https://sites.google.com/site/kvrosc/osc-140-pendulate

Fese - Swings In Both Directions (OSC 140)

Pendulous

My submission for OSC140 using exclusively the synth "Pendulate" by Eventide. 
https://www.eventideaudio.com/products/third-party-plug-ins/chaotic-generator/pendulate

-Made on ArchLinux, DAW Ardour 6.3
-26 instances of Pendulate via the miraculous Carla Plugin Client (https://github.com/falkTX/Carla) and wine. 

Further effects used (all FOSS):
-x42 parametric stereo EQ
-TAP Tubewarmth
-Dragonfly Reverb
-Calf Gate
-Calf Limiter 
-Calf Stereo Tool
-Calf Vintage Delay
-Ardour a-compressor
-LSP Sidechain Multiband Compressor
-LSP Parametric EQ 
-Zam Dynamic EQ

Master Bus chain:
-Luftikus EQ
-LSP parametric EQ
-LSP Multiband Compressor
-ZaMaximX2
-LSP Limiter
-Calf Limiter

MyLoFy - Independulate

My submission for OSC #140
6 Instances of Pendulate synthesizer
1 * Reverb
All notes had been generated with a Bitwig Grid patch. The rest is mixing...

Tj - Shredder Generative Pendulate

Tried to make a cinematic soundtrack that is unsettling, yet emotional and hopefully provides some closure.

As always, everything is synthesized and MIDI; no samples were used.

DAW: Reaper 6
Pendulate : 23 instances
Native FX: ReaComp, ReaEQ, ReEQ, ReaGate, ReaControlMIDI
3rd Party Free FX: RandArp, Leveling Tool, SN03-G Tape Recorder, OrilRiver, SuperMassive, Cocoa Delay, GClip, LoudMax, W1 Limiter,  OTT, MAutopan, A1StereoControl
Mastering: JS: DC Filter, TDR SlickEQ, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Tempest

Tempest (OSC 140 Pendulate)

Music made for the OSC Challenge 140, using only Pendulate to create all the sounds.

DAW: FL Studio 20.6
Pendulate: 55 instances

FL Effects: 
Fruity Parametric EQ2, Fruity Compressor, Fruity Limiter, Fruity Balance, Fruity Reeverb 2, Fruity Delay 3, Stereo Enhancer, Fruity Send, Fruity Delay Bank

3rd Party effect: OTT

Three Movements Of A Complex Pendulum

Leo Amaral - Three Movements Of A Complex Pendulum

"Watch... as a young ambitious camel, dreaming of getting both very rich AND entering the Kingdom of Heaven, sets off on an epic journey in search of the Big Giant Needle. A tale of dusty plains, dazzling cities and, of course, genies and bottles. Will The Eye remain shut...or open to reveal it's wonders ?"

Entry for the One Synth Challenge 140 ( Pendulate by Newfangled Audio ) at kvraudio.com

EQ was not used for sounddesign purposes.
No transient processing was used to create percussion. 
All 100% Pendulate.

The main players are:
12 instruments  (  flute-ish, reed-ish, 3 plucks , mallet, brassy, brassy-stringy, bass - sustained, bass - pluck )
7 SFX  ( buzz, creaky, metallic, noisy trickle, not-noisy trickle, bubbly laser sweep )  
10 percussives ( kick, snare (2i), clap, cymbal, hat, crackly boom, hand drum, short tom ) 

The support caravan:
ReaControlMIDI ( transposing to get noise )
BlueARP (4)  ( on SFX and briefly on Mallet )
TAL Dub II as bus effect for some instruments and SFX )
Valhalla Supermassive ( insert for Brassy  ) 
ReaQ (5)  ( light EQ'ing, light HP-filtering ) 
TDR Nova 12 ( light EQ'ing, light HP-filtering and sidechaining of kick to bass, also on master bus)
Blue Cat's triple EQ 4  (2) ( stereo control for Sustained Bass )
Oril River (14) ( seven pairs of mono instances )
ReaVerb ( very, very  lightly on master bus ) 
Chebyshev LP  ( on master bus ) 
Ozone Imager 2 ( on master bus )
Limiter No6 ( on master  bus )
Signalizer
Voxengo SPAN
Voxengo Correlometer
Youlean Loudness Meter 2

ELEX - 1002 : A Desert Odyssey

My entry for the 141st edition of the OSC, a track made only from the Monoplugs synth Monique and some free effects processors. It started out as a tribute to the Ozric Tentacles and turned into an 8-bit dnb soundtrack to Street Fighter II: Tweety-Pie vs Godzilla.

Moniqosc - OSC 141

For OSC 143. Made using only the Bleep Labs Nebulophone.
https://bleeplabs.com/product/nebulophone/
47 separate tracks of audio containing 119 audio clips selected from 128 recordings totaling 325 MB.

No external processing was done to the recordings beyond volume adjustments, static panning, and adding fade-ins and fade-outs.

My Zoom H4N was used as the audio interface.

Twigs

All Grown Up

Leonard Bowman - All Grown Up

All sounds made with the incredible TAL J8 https://tal-software.com/products/tal-j-8. 

This is a recreation of the 1980s synth powerhouse the Roland Jupiter 8. For years I've salivated over owning one of these vintage beasts. Now at least I can harness the huge sound.

Created in Ableton Live 10. Using Ableton effects (EQ8, Compressor, Saturation, Reverb, Limiter) + TAL Filter, OTT, CamelCrusher, Valhalla Supermassive.

As If In Another Lifetime (OSC 143 TAL J8)

Join the challenge by going here: https://shorturl.at/bhBFQ

Fese - Swings In Both Directions (OSC 140)

formfisch

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