This track was sent to me by Yannick Pozo Vento, aka Réelle, who was a dear friend of mine and who unfortunately passed away in 2018. I always kept it as a treasure. This track means the world to me and I believe Yannick once said that this is their favourite piece they have ever produced. It was up on their SoundCloud once but disappeared very quickly. I never knew what I wanted to do with it. I still don't know. It felt like alot of pressure, but I now decided to upload it here because I think it needs to be out there for people to listen. I hope you will treat it with respect. 

Lilith is a figure and symbol of feminism and femme sexual liberation. However, in medieval Europe, she was often portrayed as the wife, concubine, or grandmother of Satan. She is best known as the first wife of Adam, who she demanded equality with and, failing to get it, left in anger. The numerical value of Lilith’s name equals the Hebrew word for “screech.” Thus, Lilith is the “Demon of screeching” and “the princess of screeching” and is personified as a screech owl. Astrologically speaking, she represents the power and desire that's hidden within us like our deep arousals, instincts, and dark (sometimes uncomfortable) truths.

I always considered this one Réelle's masterpiece. It's very different from their other releases and works with their signature graphic synthesized, theremin like sound, that weeps alongside a pizzicato cello - creating a serious atmosphere of strength and glory accompanied by a notion that for me just sounds and feels like pride in both a femme appearance and experience. Like a femme figure with 10 inch heels walking up a huge spiral staircase out of glas, leaving behind and looking down on what only could be described as patriarchy.

I miss you, Réelle. I love you forever.

Réelle - Ode To Lilith

hey arnold- iknoīmu

YOU BUY: https://hyperlinkfr.bandcamp.com/album/minoyimn-the-land-of-no-time

From 'The Land of No Time', out January 10, 2024 on Hyperlink.

'Tits the season — to be honker'd to the gills. Need I say más? How's this for a stocking filler: a pile of undulating ropes alongside the Madjestic Kasual premiere of Minoyimn's 'Kitemaker', out on Hyperlink. Shared, reposted, liked, shared again, shared, shared, shared. The season, she's dawned.

@hyperlinkfr <3
@minoyimn <3

Minoyimn - Kitemaker [MK PREMIERE]

1 b2 4 b5 b7

taken from "Lolopianko"
bffmusicbffmusic.bandcamp.com/album/lolopianko

listen now, my little laddie.
I love and connect with Ewa’s music so hard I feel like have too many things to say. but let me start with this:

i’m a little coward and a chicken.
i tried playing „Yume Nikki” a few times and to make it even less disturbing I launched it on my PS Vita BUT STILL couldn’t finish it. Its edgy subtleness, cute gore, and liminal art style were pure nightmare fuel. but one thing has stuck with me - the soundtrack.

and here comes Ewa Sad with her new, obscure, hazy project „Lolipianko” which feels almost exactly like „Yuke Nikki” cult, classic OST. cozy although cold… vivid although liminal… a perfect freeware-Winamp-Soulseek combination filled with grotesquely warm ringtone-like melodies.

♤

〉music by Ewa Sad
linktr.ee/ewa_sad

〉artwork by Maria Stożek
www.instagram.com/ms0t0o0z0e0k

〉Ldz3.2 & tunnel ringtone artwork by Ewa Sad

〉master by paszka
www.instagram.com/pa.szka/

♫°007

support / Buy

Ldz3.2

Europa - PF-goodbye (with DÆMON and Puffy)

ex☆banding [inprlockplyingdedw65]

Push comes to shove, and the flashiness of new energies subdue. Seeking out other expressions results in an inner restlessness. Digitised, sputtering vocals break into millions of tiny shards and dissipate. When inner doubt takes over, thoughts flood the headspace and fly into every direction. Calling into the void, the answers and optimism goes into hiding; no longer are the answers reflected back at you.

stnvndijk* is an Amsterdam-based producer offering a unique subversion to electronic dance music as we know it. His growing presence has quickly been extending to radio stations, venues and online spheres across Europe and beyond. Creating fractures in rhythms and danceable energies, his hyper-surrealist take on soundscapes fuse his multi-instrumentalism with the world of digital, computerised music.

Exclusive merch and artefacts available soon.
Brought to you by double take records.
from Gi*que, released January 30, 2025

Written, produced, mixed by Stan van Dijk
Mastered by Traces
Art direction: Stan van Dijk
Creative direction: Dom Paulauskas and Sam Shepherd
Executive production, words: List Logins

Gi*que

stnvndijk* - Mi*nt Blo*om

SKRILLEX THE FUCKING BOSS (EIDA TOOL)

nu ne (skeletons dance I)

Recorded in 2016-
A Force meant to Break all Holding Hands-
DJNJD-

DJ NJ DRONE - COLLAPSE_SYN

wprttyknves

instagram (@/wprttyknves )📲
📨contact me: x44lurchedunderdaylite@outlook.com📲
ONLY ACTIVE SOUNDCLOUD ACCOUNT FOR 40LURCHER AND WPRTTYKNVES




ex☆banding [inprlockplyingdedw65]

wprttyknves

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