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Fantom of the Beat Presents Audiodrome

Tuff Guys

Tuff Guys f/Chedda Bang (dirty)

Performed by King Just and Pop Da Brown Hornet
Produced by Fantom Of The Beat for Fantom Music/THEM Recordings
Video Directed by The Last American BBoy

We Came Here To Turn Up (CLEAN)

Fantom Won't Stop-2.mp3

Performed by @Rhymercka produced by Fantomofthebeat for Fantomusic/Them recordings from the upcoming album Audiodrome.

Fantom of the beat presents Rhymrcka the Autobiography

Fantom_GoodMan.mp3

Song: Bang Bang
Album: Audiodrome, SeeS Control
Producer: Fantom Of The Beat
Artist: SeeS
Label: FantoMusic/CT Corporate Takeover

Check out more SeeS Song www.seeshiphop.com

Fantom Of The Beat "Bang Bang" Feat. SeeS

Song: Kryptonite
Album: Audiodrome
Producer: Fantom Of The Beat
Artist: Calliope Muse, Chedda Bang
Label: FantoMusic

Fantom Of The Beat "Kryptonite" Feat. Calliope Muse and Chedda Bang

Song: A Good Man
Album: SeeS Between The Lines
Producer: Fantom Of The Beat
Artist: SeeS
Label: FantoMusic/CT Corporate Takeover

WWW.SEESHIPHOP.COM

Fantom Of The Beat "A Good Man" Feat. SeeS

First single off of Livin Proof's "Die for a deal" mixtape...

03 Cut The Check

Tha Hunga Mixtape Intro

Tha Hunga Mixtape Intro (feat. DJ VR)

Opening the door for Staten Island hip-hop, Carlos Evans started his music career as Haas G as part of the hip-hop duo UMC’s.  In the early 90’s UMC’s won acclaim for their first single “Blue Cheese.”   Soon after, the second single, “One to Grow on” became Billboard’s #1 rap single.  Fantom produced songs on both UMC’s albums “Fruits of Nature” and “Unleashed.”  

After the rap duo broke up, Fantom took some time for family prior to reinventing his career as a full-time producer in the late 90’s. 

His production credits, through Fantom of the Beat,  span many artists in the hip-hop world and include Ghostface Killah’s “Apollo Kids” track from the “Supreme Clientele” album.  This song helped turn Ghostface’s solo career around, with critics calling it his “street credible resurrection song.”  

Music, according to Fantom is the universal language.  He credits his exposure throughout his life to a variety of genres in his success as a producer.  

Fantom’s credentials also include “Magic Stick” which he produced for 50 Cent and L’il Kim.  Upon its release, this track was one of the most played songs in crossover urban markets and reached the #2 spot on the Billboard Hot 100 charts.

In addition, he produced “Take it Off” for Busta Rhymes on the “E.L.E” album which is widely considered Busta’s best effort for its sequencing and quality material.  

Fantom continues to stretch his production talents –to include his trademark style combining elements of the late ‘60’s and ‘70’s creating the sounds which represent the struggle and the voice of the inner city.  He takes his life experiences and applies them to music – creating sounds that, in essence, are capable of moving people to take action.  


“Music is a substantial part of my life; it’s how I express my fears, my sadness and happiness, my everything.  My music is raw emotion,” Fantom says.  “The passion I feel for music shows through in everything I create,” he adds.

In the music industry, everyone has a role model and Fantom is no exception.  “Strong role models in the industry, for me, include Quincy Jones, Paul Mauriat and Willie Mitchell.”

Fantom has also worked with artists such as Raekwon, Inspectah Deck, and Miss Toi.  In addition, he’s worked with some of the most well-known labels such as Def Jam Records, Aftermath Records, Koch Entertainment, Epic Records, and Universal Records, to name a few.

Fantom Of The Beat

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