2019_Mar

COY003

Sounds from the Echosystem

Gel Gidelim

Dublin born and raised DJ & producer DART (@darttrax) has been at the forefront of Irish electronic music for years, first establishing himself as a resident at Dublin's legendary Hangar club, before winning AVA’s coveted emerging producer program in 2018. Since then it’s been a wild ride, playing in venues from Glasgow’s Sub Club to the Warehouse Project, while stopping off at venues like Index to play a legendary b2b with Skream, a connection made the previous year having remixed his track ‘Sad Days’ on IFEEL.

Some of DART's most notable influences were passed down from his parents, both of which were immersed in Dublin’s ‘90s rave scene, where the sounds of trance and house could be heard across the city's evolving and ever-changing landscape. His love for progressive sounds has continued to be channeled through his work today and in DART’s own words sits “somewhere in between ‘90s progressive house, old school trance and modern techno.”

His latest release on New York mainstay HOMAGE is a nod to both his past and current relationship with dance music, using elements that span techno, progressive trance & house; continuing to be influenced by the records passed down by his parents.‘Get up’ kicks things off and could be likened to the energy-tingling productions of modern house producers like Sweely, coupled with a vocal sample and breakdown that wouldn’t sound out of place in a classic trance record. ‘Juice’ twists the template further, with squelching acid sounds and dynamic percussion leading the charge. ‘Juice’ is also remixed by New Zealand’s Eden Burns (@djedenburns), who turns in an emotional, introspective rendition as we make our way through peaks and valleys with endless curiosity.

Performance Enhancers

DART - Juice (Eden Burns Remix)

B From E - Amnesia (Vinyl, 12") (Forthcoming January 19, 2024)
Available on Bandcamp: http://tinyurl.com/mrx7x4ms
Label: Haŵs [HAWS024]

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Pre-Order

B From E - Prophecy

Kosmische Conga

Love this one hope youse enjoy listening man😎

JoeLav- down so long(FREE DL)

***FREE DOWNLOAD***

A super fun rave track, 🍭🍭🍭Candy🍭🍭🍭 features dirty middle-of-the-night synths, huge drums breaks, and a lighthearted vocal! Let me know what you think in the comments! If you enjoy it, please hit the like button! Or even share!

🍬 https://www.beatport.com/release/candy/4194002 🍬


Candy

From the Cold Shoulder EP

@cs-kreme

TTT074

@conrad-standish + @saywhen618

TTT SHOP

CS + Kreme – Eyes On Ceiling

CS - notjustbutalso

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM Spares: Compiled by Andras and Instant Peterson

B1 General Electrik Meets Andy Rantzen - Leather Lover 5:53 (ES009)

http://lyl.live/episode/mondo-fluxo-6/

Gossiwor - Oceana pt1
Conrad Schnitzler - Electric Garden
Tolouse Low Trax - Occulture Disco
Employee - DB3
Abu Ama - Marakesh Blue
Muslimgauze - The Last Tamil Tiger Skinned
Ultrafog - Scent
Soundwalk Collective - Kingdom of Kashi
De Leon - 04
DJ Neumann - Perfect Taxture
Palta & Ti - 12 Ø Dub
MGUN - K Art W Heel
TNT Roots - Gast Version
Iueke - Dem A burning
Various - Super Dub

Mondo Fluxo

Mondo Fluxo - Episode 6 - January 19

Vinyl + CDJ set
Tune into me and @kush_jones LIVE on @halfmoonbk every 3rd Friday 6-8PM EST! www.halfmoonbk.com
HalfMoon Archive: https://www.mixcloud.com/HalfMoonbk/dj-swisha-b2b-kush-jones-1182019/

SWISHA B2B Kush Jones LIVE on HalfMoonBK 1/18/2019

With a long spanning career under his belt, it's refreshing that Point G still manages to keep it fresh, this basis, mixed with the delicate rework and innovation of Leo Pol means that 'Nebula' is a tune of otherworldly delights.

The tune's a slap up treat for those who love the classic house sound, with soaring keys, conversational drums and a fidgety, refusing to sit still synth keeping it rolling. Expect the bassline to morph throughout the different forms of the song yet remain reassuringly similar; change is good sometimes, but we always need it to be incremental to remain palatable.



Artist: https://soundcloud.com/leo-pol
Label: https://soundcloud.com/point-g-3
Us: www.fourheadsmusic.com

Remixed By

PREMIERE: Point G - Nebula (Leo Pol Remix) [Point G]

As recently released on the Klasse Wrecks/Pelvis Records split EP with Roza Terenzi.

https://www.klassewrecks.com/all-records/kwxpr001

PREMIERE: Point G - Nebula (Leo Pol Remix) [Point G]

FH

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