Strange Dreams of a Turtle...laughing at us.

Strange Dreams Are Made Of This(NaviarHaiku488)

Disquiet Junto Project 0604: Heaven’s Gate
The Assignment: Use a picture of the clouds as a plan for adjusting your sound.

Step 1: Think about the use of a gate in music production. A gate can be described as an “on/off switch, allowing signals over threshold to pass while muting everything below.” (It’s likely that discussion will occur during this project regarding useful explanations of the concept.)

Step 2: Take a picture of some clouds.

Step 3: Think of how to interpret the clouds as a model of a gate.

Step 4: Record a track employing the approach you determined in Step 3 using the picture from Step 2.

I took the cover photo in Ashland, Oregon, earlier this year; no filters were employed. Regarding the title, I’m a Michael Cimino admirer.

Source: https://tapeop.com/interviews/33/noise-gates/ 6

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0604” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0604” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How fast are those clouds moving?

Deadline: This project’s deadline is the end of the day Monday, July 31, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, July 27, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 604th weekly Disquiet Junto project, Heaven’s Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

I am the Cumulus - disquiet0604

Disquiet Junto Project 0624: Fresh Pair
The Assignment: Combine two influences, however disparate they may be.

This piece of music is a fusion of two opposing philosophical influences: Immanuel Kant and Friedrich Nietzsche. The Kant motif is structured and simple, reflecting his emphasis on rationality and moral imperatives. It has a friendly tone consistent with Kant's belief in ethics. His motif also has a preachy element that is meant to remind us of Kant's belief in universal laws and also that his writings are frankly quite boring. In contrast, the Nietzsche motif is darker and wilder, reflecting his challenging and often provocative and mostly interesting ideas. The more chaotic (and randomnized) nature of his motif reflects Nietzsche's commitment to individual will and his rejection of social norms (or even his own ideas). However, they also had some things in common, such as a great interest in the emerging natural sciences or the fact that they struggled with the idea of a God. Ultimately, the Kantian theme prevails and has the last word, as Nietzsche is frowned upon for influencing the difficult to understand and often misunderstood "Ubermensch" idea, whereas today we (some of us) actually try harder to act according to Kant's theory of reason, even if a glance at the news teaches us that we as humankind simply don't succeed in doing so.

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This was fun, even to make the cover image with Dall-E 3, which in no way was able to make both philosophers really recognizable. The prompt: "A 19th-century style painting, more abstract than realistic, featuring a recognizable Immanuel Kant on the left and an older, recognizable Friedrich Nietzsche with a beard on the right, engaged in a passionate debate. Kant, shown in his middle years, is in 18th-century attire, exuding a calm and refined aura. Nietzsche, depicted in his later years with an iconic beard, is dressed in typical 19th-century clothing, with an intense and expressive demeanor. The setting is a music studio library, filled with books and modular synthesizers, blending a deep intellectual atmosphere with the spirit of modular synthesis."

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More on this 624th weekly Disquiet Junto project, Fresh Pair (The Assignment: Combine two influences, however disparate they may be), at: https://disquiet.com/0624/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0624-fresh-pair/

Kant - Vs - Nietzsche [disquiet0624]

Entre gangs et gangsters, la ville de Lyon n'a pas été épargnée en termes de banditisme. Au cours des années, la capitale des Gaules a été marquée par diverses figures criminelles. Viens, on te raconte !

Si pour toi les années 1960 riment avec boom démographique et chansons des Beatles, c'est que tu ne connais pas l'histoire de Jean Augé. Surnommé « P'tit Jeannot », cet homme a dominé Lyon pendant cette période. Il s'est impliqué dans diverses activités criminelles telles que des rackets, des braquages, des jeux, du proxénétisme, ou encore des trafics de drogue. 

Mais il n'était pas le seul gangster de cette époque. Lyon connait également le gang des lyonnais, auteur du célèbre « casse du siècle » à l'Hôtel des Postes de Strasbourg en 1971. Le gang a également planifié un braquage au Carrefour Vénissieux. Et on te fait découvrir tout ça dans le podcast d'aujourd'hui. Branche ton casque !

Retrouvez l'article de Lauryne ici ! : https://fragmentsbyiscpa.com/gang-lyonnais-braquage-historique/

Nos réseaux : Insta/threads : @fragmentsbyiscpa 
Youtube : @fragmentsbyiscpa 
Tiktok : @fragmentsbyiscpa

L’histoire des Gangsters à Lyon I Fragments sonores EP6

Une nouvelle semaine se présente et un nouveau sujet s’amène, on va parler de culture et de sport. On te propose un retour sur la rivalité entre Lyon et Saint-Etienne lors du derby.

La rivalité entre Lyon et Saint-Étienne, distantes de 62 kilomètres, plonge ses racines dans des antagonismes historiques entre le comte de Forez et l'archevêque de Lyon.

Les distinctions sociales entre Lyon, vue comme "bourgeoise", et Saint-Étienne, perçue comme "ouvrière et populaire", ont intensifié la rivalité. Des incidents mémorables sur le terrain, comme en dehors, mais aussi des banderoles provocatrices, ont reflété les stéréotypes entre les deux villes.

Une anecdote amusante de 1969 révèle la première diffusion télévisée du derby. Les maillots arborant un sponsor commun ont interrompu la diffusion de la première mi-temps, obligeant les joueurs à porter des tenues neutres pendant la pause pour permettre la diffusion. 
Malgré le passage de l'ASSE hors de la Ligue 1, la rivalité continue de captiver les amateurs de football, soulignant l'importance durable de ce derby dans l'histoire du football français.

Nos réseaux : Insta/threads : @fragmentsbyiscpa 
Youtube : @fragmentsbyiscpa 
Tiktok : @fragmentsbyiscpa

Le Derby ASSE-OL, une histoire qui dépasse le football I Fragments sonores EP10

Another Banger As Come, Another Bad Guy As Come...Dm Now it's still available +2348054165842

Freebeat_Turn Me On [By, P.R.O.D.U.C.E.R_08054165842].mp3

Tickets en informatie op www.felix-en-sofie.nl

Nathanja van den Heuvel promoveerde aan de Universiteit Leiden met een proefschrift op het vlak van de continentale wijsbegeerte. Ze werkte als docent aan onder meer Universiteit Leiden, ArtEZ AKI en Willem de Kooning op het gebied van de feministische filosofie, postmodernisme, ecofilosofie en de filosofie van het spel. Sinds 2022 bekleedt ze aan de faculteit geesteswetenschappen van de VU Amsterdam de functie van PhD adviseur.

S6E03 // Het vertederende denken van Isabelle Stengers 1/3 - Nathanja van den heuvel

Alzira Bessa

https://www.youtube.com/watch?v=Em_5FoYX-BQ

(16/02/24) Jesus em casa de Zaqueu - Cap. XVI, Item 4 - Evangelho CAK

Featuring @blaaroed in the left channel. 

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 right 2 of 3 - suborbital hang glider ft. @blaaroed / tt16tt

Roughshark [with analoc] (disquiet0637)

This track is a remix and mash-up of different tracks of the Disquiet Junto Projects of the last three weeks.

The track https://soundcloud.com/blisterpop/four-variations-for-left-by-jimmy-lem-disquiet0636 created by Jimmy Lem (@blisterpop) is the initial track for all other compositions used in this remix.
The track https://soundcloud.com/triermusic/disquiet0636-oneplustwo by Nate Trier (@triermusic), https://soundcloud.com/hugh-g-stonah/wannabe-duetduet-with-jimmy-lem by @hugh-g-stonah and https://soundcloud.com/tannes-marrei/four-variations-tied-together-with-jim-lemanowicz-disquiet0637 by  AlvaroDeCampos (@tannes-marrei) are all duets based on the first track.
The track https://soundcloud.com/33per/six-variations-tied-in-a-knot-with-alvarodecampos-and-blisterpop by @33per was created based on the aformentioned track by  AlvaroDeCampos.

As climax of these series of Disquiet Junto Projects this track now was built from segments of all these 5 tracks. Additional effects were employed.

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Variatio Delectat [with Jimmy Lem, AlvaroDeCampos, Nate Trier, Hugh G Stonah, 33per] (Disquiet0639)

Fragments sonores, c’est le podcast de Fragments by ISCPA, qui te raconte les événements méconnus de l’histoire lyonnaise. Du lundi au jeudi à 18h, notre équipe va parcourir les archives de la Capitale des Gaules pour te révéler tous ses secrets.

Tu as une anecdote ou un sujet que tu veux qu’on traite ? Envoie-nous un DM sur Instagram, on te répond sous 24h ! —> @fragmentsbyiscpa

L’histoire des Gangsters à Lyon I Fragments sonores EP6

Fragments Sonores

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