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Posteado en Cassette Blog! http://bit.ly/Nsjeu5 

Totally Enormous Extinct Dinosaurs is happy to be sharing a bunch of new music on The Lot Radio for his first time back since 2018.

 https://www.instagram.com/teedinosaurs/

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Totally Enormous Extinct Dinosaurs @ The Lot Radio 04 - 29 - 2022

salute b2b Barry Can’t Swim - Live at Lost Sundays 2024

Tristan Da Cunha Dimensions

This is Part 2 of my Mystery of the Motherbeat series of DJ mixes. I’ve wanted to record this mix for a long time as a follow-up to my 2018 mix by the same name. Both are a fusion of styles used to build a psychedelic hypnotic soundscape for deep listening and personal synchronization with the heart of Motherbeat. No big hands in the air moments to speak of here, just deep mixing and some of the most beautiful records in my collection. My Journal of the Motherbeat Substack explores the selections and intentions behind this 2 hour and 19 minute mix: https://journalofthemotherbeat.substack.com/p/notes-on-a-dj-mix. The track list is below.

1. LaTour - Blue (XX Records, 1992)
2. @geotaguchi - Deep Blue  (Coymix, 2023) 
3. Caldera - 30 Friends (Freude Am Tanzen, 2022)
4. Y.M.C. - Subway (Yoshitoshi Recordings, 1998) 
5. Brian Tanseau - Relativity (Carl Craig Urban Affair Dub, 1993)
6. @satoshi_tomiie - Un Peu (Abstract Architecture, 2023)
7. @edmondsonandon - On & On (Lissoms, 2023) 
8. Cris. P - Lemon (Psy Section, 2021)
9. @dreamcycleuk - All the Things (Idle Hands, 2021) 
10. Yaw Evans - Only Spirit (GD4YA, 2022) 
11. Todd Edwards - Winter Behavior (i Records, 1995)
12. Toka Project - One Day (Filter Flow, 1999)
13. Brian Eno - Fractal Zoom  (Mary’s Birthday Mix) (Opal Records, 1992)
14. Thurlow Joyce - Varial (NAFF, 2023)
15. Hoodwink  - Trip From The Hip (Mute, 1997)
16. The Heavyweight Kru  =  The Drea-mm (Not On Label, 1999)
17. @perkopair - Prang (Numbers, 2023)
18. Way Out West - The Gift (album version) (Deconstruction, 1997)
19. Anunaku @gu_tsvi - Celeste (WHYT, 2023)
20. Head High - Break Away (Power House, 2023)
21. Kenny Dope - Tom Beat (Dopewax, 2005)
22. S.R. - Dosemeter (Ruffset Records, 2022)
23. Knopha - Corundrum (Mood Hut, 2023)
24. Molen - Molecular Machine (Flight Mode, 2023)
25. Satoshi Tomiie - Proody-106 (Phonogramme, 2023)
26. DJ Tonka - Radical Noise (Force Inc., 1995)
27. Ruffneck Revival - My Knight VI (Not on Label, 1999)
28. Ruffneck Revival - My Knight VII (Not on Label, 1999)
29. Transformer 2  - Fruit of Love (Profile, 1992)
30. American Freedom Train - Cab Ride (Soundbird, 1975)
31. Way Out West  - Earth (Deconstruction, 1997)

Eris Drew’s Mystery of the Motherbeat Part 2

Rinse FM Podcast 

Patrick Holland: Jump Source live at Systèmè - 01 February 2024

Mogwaa is a Seoul-based DJ, producer and multi-instrumentalist who can seemingly do no wrong. Since his debut EP in 2017, he's developed a stellar track record of releases and live performances that have made him an in-demand name across East Asia and beyond. And he's only just getting started.

The South Korean artist's multi-genre palette and hardware expertise have earned him the description of boy wonder from peers and collaborators. His work is awash in bright textures and dreamy moods, whether it's electro-fused techno for Peggy Gou's Gudu Records, limber jungle for Klasse Wrecks or dubby dancehall for Sound Metaphors. At Wonderfruit festival in December, he played a thrilling live set of spacey techno and loopy acid, infusing rich sound design into elastic groove. His stamina and enjoyment of music is tangible—he could probably play all night long and still be raring to go.

After learning classical piano, guitar and trumpet in his early years, he taught himself to compose and produce. He's now determined to work with South Korean producers through Walls And Pals, a label he runs alongside Jesse You.

Mogwaa's RA Podcast offers a glimpse into his multi-faceted sound. It's full of club-ready heaters, from trippy house to breakbeats, that pack a serious punch.

Read more at https://ra.co/podcast/922

RA podcast

RA.922 Mogwaa

For the first time in our 25-year history, we are releasing a live solo recording by Craig Richards from the club. 

“This mix was recorded on the second of December at a Continuum party. I commenced just after five and finished at nine. The heady combination of nostalgia coupled with the past, the future and more importantly my daughter dancing next to me, resulted in a mix that I felt happy with. Historically, I have been very self-critical and have chosen not to release many mixes. Across nearly four hours this one seems to encapsulate the twenty five years of playing at fabric. In 1998 I was invited by Keith Reilly to play weekly at what was an imaginary nightclub. I had no idea that experience would continue for so many years. Playing vinyl on that sound system and mixer is highly exciting and a joy in itself. I am delighted that this has been my method of sonic communication and remain deeply grateful for my ongoing residency.” - Craig Richards


Craig will be joining us at the club on 30th March to celebrate his 25-year residency with a 25-hour Continuum party.

Event and tickets: https://ra.co/events/1801886

018 - Craig Richards - Recorded live from fabric

With a remarkable fourteenth season of their Mister Sunday open air parties just around the corner, @mistersaturdaynight's @misterjustincarter shares with us a special excerpt from his NYD sunrise set at Nowadays back in January, pulling out some definitive house and disco classics with heartfelt nods to NYC's deep-rooted dance music history.

Q. What inspiration did you draw upon when recording this mix at Nowadays? How would you describe the feeling in the room that day, and is there a sound, or time/place in dance music history that connects all the different moments in one way or another?

A. I know Nowadays' indoor dance floor intimately, and this slot in particular, starting around 5am on New Year’s Day, is one I’ve played for the past four or five years, so I came in with a very specific idea of what to do.

I knew that the party would be in full-tilt New Year’s Eve energy and that I’d want to hold the pace but move into a more liminal space, so I played records that are propulsive but dreamy. Once I established that headspace, the sun started to rise, so there was a natural energy shift, and I leaned into that. I stopped mixing and played Loft-style for about thirty minutes. Letting records play from beginning to end, playing music with vocals and live instrumentation, it’s grounding, makes it feel like a house party, reminds us that we’re connected with each other. That felt important to me, knowing that the dance floor had been in a more driving mode for eight hours. After that interlude, I built it back up, because there was still like twenty hours to go!

In general, I’m piecing together a few elements in my sets these days: deep, soulful elements that first drew me in when I arrived in NYC in the late 90s; psychedelic, minimal music that was coming from Europe in the 00s, when I first started to DJ; and then that Loft thing I referenced above.

Q. Are there any records in the set that are especially close to your heart, or old favourites that you had been keeping up your sleeve for the right moment?

A. I hadn’t played my 45 of “Be There In the Morning” by Renee Geyer in years. (It’s a record I found on my first Australian tour in Melbourne, at Licorice Pie, back in 2015, actually!) Good sunrise record, obviously. “Will you be there in the morning?” Yes! Here I am!

Q. With the winter months in NYC now behind you, how are preparations coming along for the return of your legendary outdoor Mister Sunday parties? Will you and Eamon be planning to do anything different for your fourteenth year? And after doing it for so long now, how do you guys continue to keep yourselves inspired?

A. We purposefully try to keep Mister Sunday consistent. Of course we’re always digging for music, and we always invite a couple guests who’ve never played, so there’s something that feels fresh for every season. But the consistency that comes from having a weekly party that’s been happening for such a long time, it’s something we consciously try to maintain – it’s one of the main ingredients for the community that has developed around the party. No one has to wonder where the party will be this week, whether it’s happening this Sunday or not, etc. That said, we’re going to be throwing our 500th(!) party this season, and we’ll do something special to commemorate that.

MDC.295 Justin Carter

** You can buy a cassette or digital download of the mix on our bandcamp**
https://erisdrew.bandcamp.com/album/raving-disco-breaks-vol-ii-rock-the-house

T4T LUV NRG is about to rock your stereo this spring with a sequel to the label’s first release “Raving Disco Breaks Vol. I” (2018). Eris Drew wanted to create a new sound for the second volume of her acclaimed mixtape series instead of simply retracing the pure disco vibes of the original. Setting her sights and intentions on creating a rock ‘n’ roll infected house mix, Eris worked on building crates for the last five years, finally reaching an inflection point—a moment of concrescence—when she was ready to put the needle on the records and let the beats flow. “Rock The House” was born, a concept for Volume II built from musical fragments, memories, and synchronicities. There are no classic Big Beat tunes on Volume II, instead Eris kicks out the jams for this mix with non-stop house and breaks cuts featuring plenty of rockin’ vocal vamps, as well as the likes of Janis Jopin, Joe Strummer, Ramones, and Led Zeppelin—all sampled, scratched and dropped along the way. Both sides of the mix include some of her most personally coveted recordings. To gather these records, Eris spent decades identifying tracks from older mix cassettes recorded by her DJ heroes, such as Terry Mullan and Mystic Bill, as well as discovering many of the featured tracks through happenstance and countless hours digging through dusty bins and YouTube rips. Each of the tracks on Volume II are at least 20 years old—some much older—but fresh is the word here, and the word is freeeesh!

Now, as the snow melts and the flowers of rave romance start to bloom, T4T wants to know one thing…Are U ready to rock right?

Eris Drew's Raving Disco Breaks Vol. II - Rock The House

* Subscribe for more premieres: bit.ly/2igyosu
* Read more: https://boltingbits.com/kassian-yena-k7-records
* Listen on Youtube: https://youtu.be/Tnacee_9rW8
* Pre-order: https://kassiansound.bandcamp.com/album/supercontinent

London outfit Kassian continue their broadly-evolving yet highly detailed journey through and beyond sound towards something ever more expansive. Their second release for !K7 Records comes in the wake of creating a dedicated hardware-forward studio in a Northeast London container complex, where they have the freedom to interlink their machines. This renewed focus brought them to Supercontinent EP, named for the ancient geological era when Africa and South America were joined as Pangea.

A reformulation of rhythmic ideas inspired by South African Amapiano and South American Baile Funk governs the two hemispheres of the record. The pair examine and deconstruct dancefloor material, eschewing 4/4 for interlocking shaker patterns, searing acid lines, cracking breakbeats, and vocal samples in Zulu and Brazil Portuguese.

The immediacy of the restless rhythm and bass-led funk of “Yena” forms a sweet spot where double-time and half-time can coexist. The word Yena translates to ‘he / him / man’, and the punchy male vocal loop punctuates the track’s deep swing, enhanced by amapiano log drums sped-up to a glassy pitch.

“Yami” (‘mine’ in Zulu) is a slinkier proposition which sheds prominent percussion in favour of a weighty, fluid, acid-informed bassline undulating from below. Contrasted against its jutting female vocals and sharp synth pads, the track cultivates dancefloor anticipation, accented by skittering percussion and time-stretched acid disintegration.

An ascending percussive riff marks the arrival of “Pulgueiro Baile”, followed closely by break beats and the nostalgia of distinctly British acid electro. While pulguero translates as ‘flea market’ there is nothing random to be found; it is an intentionally future-forward retelling of a vintage sound, replete with a mind-melt breakdown of rave pads.

A dubbed-out groove dominates the bottom-heavy “Sistema Baile”, established by a leading Roland System 1 synth line. It is a groovy, steady roller that chugs and propels and chugs with head-nod hypnotism through an intricately minimalistic approach.

Supercontinent EP [!K7 Records]

PREMIERE: Kassian - Yena

This is the flow mix of my new single, Master of Time. This one is aimed at those jump-up, high energy party moments.

Featuring the vocal talents of Chicago-native, J-Dub (DFA, The Greenskeepers), the track was released on Sydney based label www.soundcloud.com/blotterartists and available now on Beatport.

Cover art comes courtesy of photographer Trevor King.

Like me on facebook: www.facebook.com/framesmusic
Follow me on soundcloud for more music.

Mastered by Polybonk Australia.

Frames ft. J-Dub - Master of Time (Flow Mix)

Frames a.k.a Like Glue

Like Glue 'Burner EP' out now: https://ffm.to/likeglueburnerep
'Tapes EP', out now: https://frameson.bandcamp.com/album/tapes-ep

Hipthrust house, handclap disco and letchairdown techno in London and Sydney.

Bookings -- djframes@gmail.com

1/2 of The Completely Boys (@completelyboys)

Frames ft. J-Dub - Master of Time (Flow Mix)

Frames / Like Glue

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