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Any motor vehicle equipped with a television viewer, screen or other means of visually receiving a television broadcast shall have the viewer or screen located in the motor vehicle at a point to the rear of the back of the driver's seat if such viewer or screen is in the same compartment as the driver and the viewer or screen shall be so located as not to be visible to the driver, while he/she is driving the motor vehicle. The operating controls for the television receiver shall be so located that the driver cannot operate them without leaving the driver's seat.


A ceasefire in 1994 ended the worst fighting, but tensions continued to simmer in the two breakaway provinces, which remained technically part of Georgia. Home to different ethnic groups, the Ossetians and the Abkhazians, they had been autonomous earlier in the 20th century, after the Russian Revolution, and they wanted their autonomy back.


Right now, the cable giants have a fairly well-defended empire. Verizon (VZ) FiOS, AT&T (T) U-Verse and satellite providers DirecTV (DTV) and Dish Network (DISH) have lured some cable customers away, but none are breakaway winners in usability, price, customer satisfaction or scale. (FiOS comes the closest.)



Third period, 10:21, 2-1 Bruins:
 Tuukka Rask really hadn't had to do a lot of tough work tonight, until just now, when Ryan Callahan broke free on a breakaway with a chance to tie the game. Callahan deked to his backhand, and Rask stayed square with him and made a blocker save to preserve the one-goal lead.


One Bruins player who's stood out has been Lucic. He has that extra pep in his step, so to speak, and he's made his presence felt all over the ice. He also seemed to perturb Dorsett, who's having a very perturbable night, when the lumbering left winger stick-checked Dorsett on a potential semi-breakaway. Dorsett, offended by the stick-check, turned and shoved Lucic, who promptly dumped Dorsett into the corner boards.



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candy glass
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edible glass
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breakaway glass
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Large Supports

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This sign has multiple posts supporting it when two are probably enough. Also, two horizontal braces cross the bottom. These increase the strength of the support greatly, but a small car hitting this is likely to stop suddenly, causing a severe accident. Larger posts with breakaway mechanisms at t

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Peach Panther has short pink hair with three white stripes in the middlemost bang. She has yellow irides with highlights, signifying that her "animal species" is not extinct.She has a white collar with a large, pink ribbon, a pair of pink elbow-length gloves with white underside, and a white frilled dress resembling a maid dress. The dress includes a white ruffled apron and a pink waistband tied with a ruffled pink ribbon at the back, with a pink strap to her shoulder. Unlike a maid dress, it has no skirt and a cherry pink leotard is visible. She is in pink stockings fade to white at the end, and she wear pink a pair of heeled Mary Jane.Like all other Friends, she has traits of the animal species she 'belonged' to alongside her body. That, in her case, would be panther's ears and tail. There is a white ribbon tied at the end of her tail.


Peach Panther draws reference to the popular fictional animated character, Pink Panther, who appears in a series of comedy-mystery movies of the same name. The name of the movies derives from a very valuable pink diamond, 'Pink Panther', which is the favorite target of theft in the stories. The jewel has flaw at its center resembling a leaping pink panther. However, there is no record such jewel exists in real life.


The materials in Kemono Friends 3 offer some hints to the movies and the fictional character. Unlike many other Friends, Peach Panther's Friend photo in the game does not describe her real-life origin but includes a diary written by Kako about a sparkling pink diamond found in a cave during a geological survey. The gem was gone and thought to be stolen from the research lab. Peach Panther was subsequently found in the park. Kako speculates the connection between the disappearance of the diamond and appearance of Peach Panther. The Friend photo in the game also shows a huge pink diamond and the image of a pink panther emerging in the jewel in the upgraded version.


Although the game nor the manga mention her origin, according to the Guidebooks she's likely related to a famous Pink Diamond that somehow ended up in Japari Park. The cartoon character Pink Panther was a personification of a fictional pink diamond of the movie series of the same name, which had an unique flaw in the center that resembled a leaping panther, which gave it the name "Pink Panther".


Below, you can watch the first trailer for RiFF RaFF's new movie, The Peach Panther. It is a truly odd 71 seconds that mostly features RiFF RaFF, bulked up, dressed in his peach suit, pretending he's a mash-up of campy 80s Batman, John Wick, and the RiFF RaFF-esque character that James Franco played in Spring Breakers. The movie will feature Perez Hilton, The Fat Jew, Sid from Slipknot, G-Eazy, and pornstar Evan Seinfeld, among others.


Infections with PRV in carnivores, ruminants, and rodents are typically fatal (Stalknecht and Howerth 2001). Reports of natural PRV infections in wildlife are rare and, among carnivores, include foxes (Alopex lagopus and Vulpes vulpes), wolves (Canis lupus), and raccoons (Procyon lotor; Sehl and Teifke 2020); reports in wild felids are limited to an Iberian lynx (Lynx pardinus; Masot et al. 2016) and a Florida panther (Glass et al. 1994). Glass et al. (1994) concluded that the effect of PRV on the panther population was unknown but could affect recovery. Only two additional panthers were diagnosed with PRV through 2012. One was an adult male that died acutely in 2010 of unknown causes. Encephalitis was not initially evident microscopically; attempts to isolate PRV from brain tissue were unsuccessful. Intranuclear inclusion bodies suggestive of herpesvirus infection (Jubb and Huxtable 1993; Sehl and Teifke 2020) were seen in the adrenal medulla, and subsequent virus isolation yielded PRV. These findings prompted our study, with the objectives being to describe the epizootio

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The campaign modes take place in the virtual battlefields of Korea and the Balkans, which can be configured based on historical data from 1999, 2005 or from how the area might appear in 2010. Each timeline will automatically change the type of weapons and sophistication of aircraft used in the campaign. The simulation includes the original Korean peninsula battlefield between North and South Korea. Here NATO forces support South Korea in various scenarios that can also involve China supporting North Korea. The campaigns can also be played online.


That was one of my favorite flying games in the late 90s before i found X-plane, i clocked so many hours in that sim its ridiculous! The graphics still are the same, i just bought the allied force again back in September. If anyone's up for a dog fight let me know ill be glad to play .


Both OF and RV require original Falcon 4.0 CD which is kind of hard to find now a day. Some people have been successful installing them over allied force but not sure if it is true. A lot of people had very different experiences with the mods. Some run RV because it runs better on their comp, some prefer OF.


i am flying free falcon 5.5 at the moment..its very good... install on to XP.. thou ..as it crashes some time with win7..ff5..is getting better, you can almost fly any aircraft ..graphics are good to ..


Yes its an old thread... thank you to all for giving input. I always played Longbow 2 during 1998 I heard of falcon 4 but never got to try it. I Just bought it online amazon. Allied Force. I will try open falcon soon. I'm sure plenty has changed since these last 2 years an this discussion. But I really want to see what this falcon is all about:)


An F-16C Falcon fighter jet assigned to the 64th Aggressor Squadron, taxis prior to a Red Flag-Nellis 21-3 mission at Nellis Air Force Base, Nev., Aug. 4, 2021. Aggressor pilots are highly skilled in U.S. and adversary tactics. They provide realism to U.S. and allied forces during training exercises. (U.S. Air Force photo by William R. Lewis)


An U.S. F-16 Fighting Falcon flies towards Rimini, Italy to join with the Italian air force in a training mission. U.S. Air Forces from the 510th Fighter Squadron, Aviano Air Base, Italy and Italian Air Forces from the 83rd Combat Search and Rescue Squadron, Rimini, Italy, participated in a 4-day training mission from Feb. 5 to Feb. 8, 2001. The mission involved U.S. F-16 aircrews locating and authenticating survivors and coordinate pickup with Italian rescue crews. F-16s were also tasked with escorting helicopters to protect them from air and ground threats. This is the first ever tasking of a full-time combat search and rescue mission for F-16s from the 510th Fighter Squadron. (U.S. Air Force photo by Tech. Sgt. Dave Ahlschwede)


Allied parajumpers participating in Falcon Leap 2021 float over a drop zone in the Netherlands, Sept. 18, 2021. During the exercise, U.S. forces conducted a series of integrated parachute drops alongside NATO allies from Belgium, the Czech Republic, France, the United Kingdom, Germany, Greece, Italy, the Netherlands, Poland and Portugal. (U.S. Air Force photo by Senior Airman Branden Rae)


Recently, MicroProse announced the successor to the Falcon series, Falcon 5.0. The Falcon series was one of the most sophisticated combat simulators of its time. Falcon 4.0 was released over 25 years ago and focused on a detailed, accurate simulation of the F-16 Falcon. Some rated it as close to 90% system accuracy. MicroProse was ahead of its time by coding the complexity of the "Vipers" flight systems, avionics, flight characteristics, and PvE AI combat. The simulator campaign is based on a South Korean/North Korean conflict with allied forces such as the United States providing military support and aiding South Korean defenses against invading North Korean aggression. You take

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Good evening everyone, I'm trying to use the plugin twixtor in after effects, but I don't get how anything works.
I'm a regular vegas pro user and just installed afetr effects for the first time. I've been looking at turorials and didn't understand a thing. It's like every tutorial assumes that you already how after effect works. Why the use of keyframe to create new frames in twixtor? Why isn't there a proper timeline like in vegas where you know actually see the pictures in the timeline itself, stuff like that...


I have a 29.97fps 1080p 5 minutes 51second source video that I'm trying to use to make a song clip in Vegas. But the source video is both not slow enough to fit the song's mood and not long enough ounce cut some unsuasable parts of said source video. Using slow motion in vegas does solve both these problems, but introduces a new one : ghosting and jerkyness whatever resample I use. So vegas isn't very good at creating new frames.
That's why I got after effects and twixtor. I also got after effects because I've heard it has morepluggins you can work with.

So the idea is just to use twixtor inside after effects to transform a 29.97fps 5 minute video into a 29.97fps smooth and slow10 minutes video, by adding some good frames.




Do I need to import the whole vegas in after effects? There's only one mp4 file to process with after effects. I just want to double it lenght and get half speed. I have the video on the time line with the twixtor pluggin but I don't know how to use it I don't know what the settings mean. Also I don't see a "render" option in the after effects "file" menu.


Well I managed to do something else and overcomme the difficulty I had without after effect and twixtor. It's a pity Adobe doesn't make proper long explicit and univertsity-like courses on how to use their products. All I found was some quick youtubers' so called tutorials that last 5 minutes even sometimes 1 minute (no joke). It seems like a closed universe only accessible to initiated professionals (proud money makers).


Twixtor FX Plug in for FCP-$329.95 
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Upgrades from prior versions-$82.49 or $149.95Review by Steve DouglasTo be completely honest I received Twixtor version 4 a few years ago. Unfortunately, I was so busy with traveling demands, reviews and projects that I never even got around to installing and using it. Re:Vision's Twixtor Version, Version 5, is now completely compatible with both Final Cut Pro and Adobe's CS5 but are separate purchases unless both the plug-ins for AE and FCP are purchased as a set. Twixtor does for time remapping whether for slow motion or speed remapping footage what the new time remapping functions in Final Cut Studio aspires to. This is not to say the Final Cut's speed tools were not improved in Studio 3 but, from what I can see and test, it does not perform quite as well as Re:Vision's Twixtor.At the same time, Twixtor can be a bit more complicated to utilize than the 'speed tool' features found in Final Cut Pro.For third party plug-ins like Re:Vision's Twixtor, Final Cut Pro can not enable the length of the clip on the timeline to reflect the change made to the speed of that clip. When using Twixtor to change the speed of a clip, the length of the clip on the timeline will remain the same. You will have to work around this limitation.
 All the settings you need to create slow motion or speeded effects are contained in the Twixtor FX plug in for Final Cut Pro shown here.
The Twixtor Pro plug-in has many more parameters for you to work with. 
Speeding up a clip by a specific percentage is quite easy. In the Twixtor parameters found in the Viewer's Filter's tab, you need only to adjust the percentage of the clip found under th

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Some cruise ship cameras are live streaming video cameras, those that aren't display static images which are automatically updated between once every 30 seconds and once every 15 minutes, depending on the camera.


It looks like you may be utilizing ad blocking software or another ad filtering technology while visiting Cruising Earth. Certain areas of this site may not work properly because of this, particularly live updates of ship trackers and webcams.


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Now, I was skeptical, to say the least. I was stuck, though. She lived only a few minutes away. I did not have the time to go all of the way home and get my shorts, so I decided to give her bike shorts a go.


Videos can be one of your greatest tools if you take advantage of it. Beyond offering an exhilarating live stream experience, 3-2-1 provides riders with the opportunity to acquire their professional event videos.


With the first rest day behind us and 12 stages left to race, we head into the second week with three hillier stages before venturing back into the high mountains at the weekend. 

Today's stage is a 167.2km test from Vulcania, a volcano-themed amusement park, to Issoire. The riders will have five categorised climbs to deal with in the sweltering heat of central France, and the parcours should suit the breakaway specialists.


There are four hopeful chasers trying to bridge across to Mohorič and Alaphilippe on this uncategorised section of climbing: Lilian Calmejane and Georg Zimmermann (Intermarché-Circus-Wanty), Oliveira and Neilands.


Here's a look back at Neilands on the attack almost 100km ago when the stage kicked into life. He's still in the breakaway of the day and alongside teammate Nick Schultz, they have a great chance to win back-to-back stage after Michael Woods' triumph on the Puy de Dôme on Sunday.


A disappointed Krists Neilands won the consolation prize of the combativity award, but it wasn't the stage win he fought so hard for over the final climb and descent. Here's what he said after the stage:

"It was a really tough stage. It was hard, it was hot, but it was great to be there on the road and we did a really good race as a team and we were always there in the moves and I think we raced really good and did the maximum we could do today. It just didn't work out."

"All eight riders from our team here are able to fight for the stage win from breakaways and that is how we manage it. Also, with Mike Woods' win two days ago this gave us more confidence and motivation."


Make sure you read Laura Weislo's full report from all of the day's racing and check out our growing gallery from stage 10.

Tour de France: Pello Bilbao scorches sprint from breakaway to win stage 10





That wraps things up for today's live coverage of stage 10 of the Tour de France. Check back tomorrow for Cyclingnews' live report of stage 11, and in the meantime make sure you read all the great Tour de France content as more news comes out from the day's racing.


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LoadData
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SaveData
 combine to form a simple mechanism to store small amounts of data on a local device. By using these functions, you can add simple offline capabilities to your app.


These functions are limited by the amount of available app memory because they operate on an in-memory collection. Available memory can vary depending on the device, the operating system, the memory that Power Apps Mobile uses, and the complexity of the app in terms of screens and controls. If you store more than a few megabytes of data, test your app with expected scenarios on the devices on which you expect it to run. You'll generally have 30-70 megabytes of available memory.


When you design offline scenarios, you should first consider how your apps work with data. Apps in Power Apps primarily access data through a set of connectors that the platform provides, such as SharePoint, Office 365, and Microsoft Dataverse. You can also build custom connectors that enable apps to access any service that provides a RESTful endpoint. This could be a Web API or a service such as Azure Functions. All these connectors use HTTPS over the Internet, which means your users must be online for them to access data and any other capabilities that a service offers.


In Power Apps, you can filter, search, sort, aggregate, and manipulate data in a consistent way regardless of the data source. Sources range from in-memory collections in the app to lists created using Microsoft Lists to SQL databases and Dataverse. Because of this consistency, you can easily retarget an app to use a different data source. More importantly for offline scenarios, you can use local collections for data management with almost no changes to an app's logic. In fact, local collections are the primary mechanism for handling offline data.


To keep the focus on the offline aspects of app development, this topic illustrates a simple scenario focused around Twitter. You'll build an app that enables you to read Twitter posts and submit tweets while being offline. When the app comes online, the app posts tweets and reloads the local data.


We hope this article gives you an idea of the capabilities that Power Apps has for building offline apps. As always, please provide feedback in our forum and share your examples of offline apps in the Power Apps community blog.


Hi all, 
I'm trying to get a very basic (tester) data collection app to be able to work offline. The usual code for submitting a new form in my app is very simple: 
SubmitForm(EditForm1) and this has been working fine. 

In order to try and get the app working offline I'm wanting to edit this in order to save data to the local cache if offline rather than trying to submit. To do this, after reading the page "Develop offline-capable apps with PowerApps", I've replaced the usual code with: 
If(Connection.Connected, SubmitForm(EditForm1), SaveData(EditForm1, "LocalForms"))

To make my issue easier to interpret, my understanding of the logic here/what I want this to do is, "if connected to the internet then submit form as normal, if not then save the data from the form in a new local data file named LocalForms."

The error message which I'm currently getting is, "Invalid argument type (Control). Expecting a Table value instead." 

Does anybody have any ideas where I may be going wrong? 

Thanks in advance, 
Dan





I followed your advice but it's still not working.

it just seems that I constantly overwrites the collection, instead of adding a new reocrd to the collection.

How can I get support on that? Im hitting a wall here.


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Érase una vez un niño que tenía muchísimos juguetes. Los guardaba todos en su habitación y, durante el día, pasaba horas y horas feliz jugando con ellos. Uno de sus juegos preferidos era el de hacer la guerra con sus soldaditos de plomo. Los ponía enfrente unos de otros, y daba comienzo a la batalla. Cuando se los regalaron, se dio cuenta de que a uno de ellos le faltaba una pierna a causa de un defecto de fundición.


No obstante, mientras jugaba, colocaba siempre al soldado mutilado, sin pierna, en primera línea, delante de todos, incitándole a ser el más aguerrido. Pero el niño no sabía que sus juguetes durante la noche cobraban vida y hablaban entre ellos, y a veces, al colocar ordenadamente a los soldados, metía por descuido el soldadito mutilado entre los otros juguetes.


Así fue como el soldadito de plomo se convirtió en un navegante. El agua vertiginosa del riachuelo era engullida por la alcantarilla que se tragó también a la barquita. En el canal subterráneo el nivel de las aguas turbias era alto.


Después del naufragio, el soldadito de plomo creyó que su fin estaba próximo al hundirse en las profundidades del agua. Miles de pensamientos cruzaron entonces por su mente, pero sobre todo, había uno que le angustiaba más que ningún otro: era el de no volver a ver jamás a su bailarina...





De pronto, una boca inmensa se lo tragó para cambiar su destino. El soldadito se encontró en el oscuro estómago de un enorme pez, que se abalanzó vorazmente sobre él atraído por los brillantes colores de su uniforme.


¡Qué gran enemigo es el fuego que puede fundir a unas estatuillas de plomo como nosotros! Balanceándose con su única pierna, trató de mover el pedestal que lo sostenía. Tras ínútiles esfuerzos, por fin también cayó al fuego. Unidos esta vez por la desgracia, volvieron a estar cerca el uno del otro, tan cerca que el plomo de sus pequeña base, lamido por las llamas, empezó a fundirse.


A punto estaban sus cuerpecitos de fundirse, cuando acertó a pasar por allí el niño. Al ver a las dos estatuillas entre las llamas, las empujó con el pie lejos del fuego. Desde entonces, el soldadito y la bailarina estuvieron siempre juntos, tal y como el destino los había unido: sobre una sola base en forma de corazón.
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Once your email leaves the system, AMPScript is completely out of the picture. After the email has been rendered for a user, AMPScript has completely turned into a calculated result and is not physically present in mails that land in any inbox.


The only thing you could do with AMPScript / server side script (don't.) is to personalize based on the domain of a recipient's email address, but that doesn't help much. It's not the domain that's relevant, but also the device / email client (i.e. gmail app, gmail web, outlook, apple mail, thunderbird...) and you have no way of determining that before sendout. It's not even logically possible, as the same email can be viewed on multiple devices by the same person, at the same time.


If they are not official users of the app, create a public app, share the related sheet and table with this public app, create a slice from this table to only show the FILE type column in the form. With the email send the deep app link associated with this public app URL which will allow the users to edit that record but face the file upload part only, upload the file, save the record and change the status via a DATA CHANGE or WEBHOOK workflow.


If an email is sent to you and the senders email address has been spoofed, if you click reply the address changes to a fake email address. How do I monitor exchange logs to say if the "From" field in the email email is not the same as the "Return-path" field then alert me ?


X-Sender-Id - This is the real sender
The "Reply To" header is presented to the end-user but the actual reply goes to a field called "Return-Path" 
Return Path: This field is what the mail server would use if the end-user chooses to reply to sender
From: This is address from someone you know \ trust, the email address of the impersonated sender.


I was wondering about this as well but want to add an exclusion list into it due to known emails that come in from certain teams that the return path is a team inbox so it will show as sent on behalf and replies go back to the team inbox so that any replies don't get dropped say when they are not at work. Have you had any luck with what you were trying.,Trying to figure this one out myself but throw a curve ball at it as well because I know some emails come into my environment using a email sent on behalf. So would have a listed of exclusions I would like to build into the alert. Have you had any luck figuring this out.


These figures help explain why phishing is considered to be among the biggest cyber security risks that organisations face. With a single email, criminal hackers can steal our personal information or infect our devices with malware.


Thank you for this information. My 83 year old mother had some bad apps installed on her computer from clicking on an email article. She has virus protection but these people are very crafty. I hope if and when these people get caught, they are punished. Hopefully, someday, there will be even better ways to protect computers, identities, financial information and healthcare records.


When it comes to using the DetectLanguage function, the more text you can submit to it, in general the more accurate the language detection result will be. If you see that the subject and the body of emails are usually written in the same language, you could submit both the subject and body using an expression like this:





The other thing to take in to consideration is that you may want to do some pre-processing on the email message body string to try and get at the text you really want from it. For example, you could have the text of an email whose body is written in Spanish but also as part of that body the sender's signature has a big confidentiality notice written in English or another language. For something like that odds are you wouldn't want to p

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