A wonderful piano performance. I'm looking for something! I know the answer. I want to confirm it! It's a long-lasting wandering of sensations. That's the feeling I get. A wonderful atmosphere.

FLOW

Last Drop of Sun piano version by Richard Anthony Bean
Free download here: hypeddit.com/richardanthonybean/orientalhaze
Facebook - www.facebook.com/rabeanmusic
Instagram - www.instagram.com/rabeanmusic
Twitter - twitter.com/Richbeanmusic
Bandcamp - www.richardanthonybean.bandcamp.com
YouTube - www.youtube.com/channel/UCOkiTNBzTGKyekBarotLmiw?
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Last Drop Of Sun

free download

Last Drop Of Sun | Solo Piano | Richard Anthony Bean

Montauk Variations

VIII. Juliet

Music & Lyrics by Dame Géraldine
Clavier, vocals, drums : Dame Géraldine
Bass Guitar : Pierre Noblet
Mix, Mastering : David Tarabbia

Écrit et composé par Dame Géraldine
Arrangements : Dame Géraldine
Produit par Dame Géraldine
Auteur, compositrice, interprète:
Dame Géraldine : piano, voix, batterie.
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Ce titre parle des incertitudes en amour.
-------------------------------------------------------------
Paroles / Lyrics :

J'ai vu cette rivière, 	
Et la folie douce, 		
De ces réverbères, 	
Qui éclaboussent. 	

J'ai voulu les rimes, 	
J'y croyais encore, 	
Mais la nuit s'abîme, 	
Peut-être, à l’aurore.	

J'ai vu ce bonjour,        
Et le macadam,		
Un semblant d'amour, 
Et mes états d'âmes.	

J'ai perdu le Nord, 	
J'y croyais encore, 	
Peut-être, 			
Mon trésor.			

Peut-être,		
Seras-tu là ?			
Peut-être.				
Peut-être,				
Au fond de moi,
Je ne sais pas,
Peut-être.
Peut-être,
Seras-tu là?
Peut-être,
Au fond de moi,
Je ne sais pas.

Je ne sais plus l'heure,		
J'ai dû être ailleurs, 
Peut-être, 
Mon cœur.

Ce n'était plus moi,  		
Ce n'était plus toi, 
Peut-être, 
Cette fois.

Collée à l'asphalte,       
Embrumée d'amour, 
Fidèle est l'exalte, 
Niée à son tour.

Les étoiles autour, 		
Disaient qu'il songeait, 
La lune toujours,
N'osait plus briller.

Peut-être,		
Seras-tu là ?			
Peut-être.				
Peut-être,				
Au fond de moi,
Je ne sais pas,
Peut-être.
Peut-être,
Seras-tu là?
Peut-être,
Au fond de moi,
Je ne sais pas.

Je ne sais pas, 			
Je ne sais pas, 
Je ne sais pas,
Peut-être (x3)
Je ne sais pas , 			
Je ne sais pas,			
Je ne sais pas.	

Peut-être,		
Seras-tu là ?			
Peut-être.				
Peut-être,				
Au fond de moi,
Je ne sais pas,
Peut-être.
Peut-être,
Seras-tu là?
Peut-être,
Au fond de moi,
Je ne sais pas. 
Peut-être.

Peut-être

First single off of the upcoming album NINA. 

Violin by Milo Weil. Vocals by Ellyse Wagener. Produced by Brady Moen for Midwestern Records.

Spandrel

The Loneliness of Death Herself

SENTIENS

An emotional, cinematic sentimental piano music, featuring a heartfelt piano melody is perfect for your cinematic art projects, romantic, wedding videos, and films.
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If you like my music and would like to support me, you can buy me a coffee here:
www.buymeacoffee.com/melodrama
Thanks!

Buy License

Un Matin - Mélødrama | Sentimental Piano Music (Free Download)

Daze from "Back From Where You Came" (May 09 2025) by Kara-Lis Coverdale

Back From Where You Came

Daze

From Under a Familiar Sun
Listen / Buy:  https://lnk.to/rvngnl123

Follow The Vernon Spring
Instagram / https://www.instagram.com/thevernonspring/  
Bandcamp / https://thevernonspring.bandcamp.com/

Written by Sam Beste
Produced by The Vernon Spring
Piano and Juno by Sam Beste. 
FX pedal piano processing by Calum Duncan.
 
Published by BMG Rights Management Ltd & Copyright Control.
Mixed by Iko Niche & The Vernon Spring.
Mastered by Matt Colton. 

Visuals by Eric Timothy Carlson & Aaron Anderson

℗ & © 2025 Lanugo Fur under exclusive license to OPIA Community, RVNG Intl. and Inpartmaint


Requiem for Reem

Between fading skies and fragile whispers, time slackens and fades into silence. Lanterns breathe against the twilight, carrying echoes across maps that no longer guide. Ash and crystal glimmer in forgotten waltzes, while invisible veins pulse with a rhythm that transcends hours and years. In this stillness, a breath remains: timeless, weightless, infinite.

The Glow Beneath Ashes

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Unreal City II

Hang around the water and figure out the sun

Yana - Tender Surrender (Steve Vai Guitar cover)

Avril 14th

Aphex Twin - Avril 14th (Cover)

Lake Dreary

The latest from Cellar Door, a collaboration project with Nic Evennett and Philip Dupuis (Classical Glass).  You can find other tracks from Cellar Door here: https://soundcloud.com/cdoor

Lyrics:

If we're not one then let's be water,
If we're not flowing we're not real.
I love your colour when you falter,
You're glowing sapphire in the steel.

Step out your world and drape it round me,
I'll slide my arms through what's undone.
We are the could and would and should be,
Where rivers blush under the sun.
Where rivers blush under the sun.

And be that as it may, still, still...
There's something inexplicable
In finding all of me could be all of you.

Just for a while, don't speak.
Just for a while, don't speak.
Just for a while, don't speak
And listen...

I lost the girl in me but caught her,
Your boy was tired of everyone.
They bound together in the water
And shimmered silver in the sun.

If We're Not One Then Let's Be Water (Nic Evennett and Classical Glass as Cellar Door)

Born in Lima and now based on Ishigaki Island, Just You and the Moon creates music woven from ocean waves, rainforest whispers, the call of the crested serpent eagle, and her own voice. Her sound is a deep connection between nature, humanity, and the moon.

Live debut: Sept 7 at Total Lunar Eclipse 2025 (Ishigaki, Okinawa) with Christopher Willits
Debut single Where Did My Dreams Go? — Sept 8 (Total Lunar Eclipse)
Debut EP Inner Voice — Sept 22 (New Moon)

Neoclassical Artist / animist and lover of this fragile planet.
Rep:@mannersmcade 
one half of @pianofield.

SENTIENS

FRANCES SHELLEY

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