Damga and I remixed one of my old piano tracks.

Piano Topping For A Pineapple Sundae

Piano Topping For A Pineapple Sundae (Remix - Damga  & HyLGZ22)

Ambient/New age track for meditation. Technically I have used a minimalistic approach. A midi file is generated with a NodeJS/Typescript application I have written, rendered with timidity and mixed with audacity on very old laptop running puppy Linux. I have added two nature sound layers. All the rest comes from the generated midi file. Enjoy.

Meditation Three

Introducing 'Om Krim Kalikayai Namah' - the first single from my upcoming album 'Karuṇā' (Sanskrit: करुणा). Karuṇā, a word that beautifully encapsulates the essence of compassion, mercy, and spiritual longing. It's a journey into the depths of our emotions and a reminder to embrace the power of self-compassion.

The mantra 'Om Krim Kalikayai Namah' is a sacred chant dedicated to the goddess Kali, representing transformation, empowerment, and the fierce protection of our inner strength. When you listen, let the vibrations of this mantra envelop you, guiding you on your own transformative path.

Big thanx to Amanda for her epic clarinet playing that I totally are in love with, and also to Zandra for her awesome harmonies and outstanding and soulful vibes on this track <3 <3 <3

Karuṇā

Om Krim Kalikayai Namah

I'm not political, I'M A POLITICAL ATHEIST, I hold humanitarian views, which can easily be mistaken for political views because humanitarianism covers the same issues as politics.
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I criticise both Democrats and Republicans, LEFT, RIGHT & CENTRE, I'm not fool enough to trust either; nothing I can do about people confusing humanitarianism with politics, but I will never be silenced!
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I don't respond to likes, I only respond to feedback. Likes mean nothing, they achieve nothing, feedback is by far the best to give support, it increases and maintains the visibility of posts, which results in more visitors come to the page, and that, in turn, results in more feedback. To me a LIKE with no accompanying feedback is saying, your tunes isn't good enough for me to leave a comments, your music isn't as good as mine, so don't waste your time clicking like if you don't think my tunes are worthy of feedback because I will ignore it. 
A like without feedback could also mean, you never actually listened at all; either way, I find it insulting so ignore it, but if you do leave feedback I will show you the same respect, listen to your tunes and leave feedback!

TOXIC TRUMP OR GENOCIDE JOE (EITHER WAY YOU LOSE, AMERICA)

I call this my horny heartbreak song because I made this about a breakup I had that was weirdly enthralling. The lyrics referring to household items such as laundry are because the man I had been in a relationship with was my housemate at the time; a wreck-less but also fruitful time in my life for songwriting material. This song was the first where I decided to bring my violin to the forefront and it was really fun to create a disco inspired riff. I found this song really empowering to make and hope it makes listeners feel that way too.

NEVER BEEN BETTER

March Of The Desert

Analogue Deep House 2

Euphoric Psytrance Mix

https://hypeddit.com/sylvesterfox/freedownloadjunglecasiosylvesterstake2remix

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Free Download

Jungle - Casio (Sylvesters take 2 remix)

Almares

01 - Audio Imperia - Nucleus - Solo Cello - Legato Advanced
02 - Heavyocity - Intimate textures - Violas - Texture 2  - Long Release
03 - SA - Aperture Strings - Ensemble Tremolo
04 - Sonuscore - The Orchestra Complete - Choir Male Staccato - Choir Female Staccato - Viola Staccato Double Bass Staccato - Cello Staccato
05 - Sonuscore - The Orchestra Complete - Grand Piano Lib Open - Flute Staccato - Harp Plucked

On The Trail Of The Fairies

producer/songwriter/vocalist
Up and coming musician Sansha is a music graduate based in South-East London. A singer-songwriter at heart, she has written over 50 songs and self-produces them into electronic tracks in her bedroom studio. 
Live, Sansha has been described as a 'Victoria Wood meets Lilly Allen' hybrid who on the synthesiser, launchpad and trumpet delivers her unique original songs with a charismatic ease. She has also worked up a comedic routine alongside her songs, which originally came from a love for storytelling, and has written a one-woman show which she has performed at the Edinburgh fringe two times running.
Francesca lewis, the creator behind the moniker, was classically trained on the violin and trumpet as a child but now takes songwriting and production inspiration from a mixture of 80s bands and modern DJs like Denis Sulta and DJ Koze. Her crafty song-writing and bell-like voice have got her tracks aired on the radio numerous times, including Track of the week, performances live on air and numerous interviews on BBC three counties radio, Amazing Radio, spins on BBC radio 6 and two airplays on BBC radio one.
Having performed at events and venues such as the Montreux jazz festival, Ronnie Scott's, Omeara and Sofar Sounds sessions In 7 different cities around Europe, Sansha is comfortable on stage and loves engaging with the audience.
"A voice that could melt your heart if it wasn't preoccupied with rupturing your belly though laughter"-Sofar Sounds Denmark.

NEVER BEEN BETTER

Sansha

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