Tech-House - Part 1

Shakedown "At Night" (Original Club Mix)

Available Online:
https://pro.beatport.com/track/the-giant-from-nibiru-original-mix/680679

Ida Engberg & David West - The Giant From Nibiru

Let's Go Dancing

Let's Go Dancing (Solomun Remix)

Sexor

You Gonna Want Me

Last year Rebirth Records celebrated 10 years with the release of the acclaimed compilation selected and mixed by Larry Heard. We are now happy to present 'Rebirth 10 Remixed': a special collection, available on a limited 2x12” vinyl edition, and three digital parts, including brand new versions of some of the classics of the label in the first ten years.

The first part includes remixes from Red Axes, Rampa, Modular Project and VVV. The hot Tel Aviv duo Red Axes bring their trademark new wave sound to a tropical dimension remixing Robytek's 'Luna Africana' combining unusual melodies of bells, chimes and perc drums. The Keinemusik boss Rampa is back with a killer remix of 'Deep Musique' by Pasta Boys Feat. Osunlade, definitely another dancefloor peak time cut on Rebirth. The italian duo Modular Project add their electronic-balearic touch to the Blond:ish vocal anthem ‘Wizard of Love’, while the misterious bass producer VVV reworks another classic on the label, ‘Crossroads’ by T-Polar, giving us a sublte but heavy deep and futuristic synth work. 

The cover sleeve is a work by Emil Schult, who has created a painting especially for the Rebirth's Anniversary. Emil is known for his work with electronic music pioneers Kraftwerk. Schult's collaboration with founders Ralf Hütter and Florian Schneider saw him actively involved in writing lyrics as well as generating the design for some of the band's most famous covers.

Rebirth 10 Remixed Part One

Pastaboys Feat. Osunlade - Deep Musique (Rampa Remix)

UNReleased

ARTBAT - Tabu

https://open.spotify.com/album/4No31GrVI9l0am6uB0PPkn

https://itunes.apple.com/de/album/jubil%C3%A4umscompilation/id1270239054

www.katermukke.info

www.facebook.com/katermukke

Put Your Zipper Down

Put Your Zipper Down feat. Lil Peligro

Beatport

Kid Simius - Put Your Zipper Down feat. Lil Peligro

Pieces

Schlepp Geist - Pieces

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Planeta EP

Prometheus

Planeta

Sand in Your Shoes

Buy here:  https://www.beatport.com/release/guede-remixes-number-2/2242249

International Deejay Gigolo Records are releasing the second set of remixes of DJ Hell produced techno cut “Guede”, taken from his 5th studio album “Zukunftsmusik”. This release features remixes by ARTBAT and Black Peters. “Guedes’” soundscape is acidic, yet minimal, with its distorted vocals and raucous instrumentation lending the track an eerie and at times ethereal vibe. Each artist breathes new life into the original cut, steering it in their own direction, whilst never completely abandoning the track’s core identity. ARTBAT’s remix is a decidedly more pumped up and energetic, dance floor ready reimagination of the track and Black Peters keeps the acid and delves into a thick and gripping atmosphere.

DJ Hell - Guede (ARTBAT Rave Mix)

One Kiss (Remixes)

One Kiss (Patrick Topping Remix)

Techno luminary Maceo Plex remixes Remake’s classic take on the Blade Runner soundtrack as part of Renaissance Recordings’ ‘Remix Collection’ series – Sprawling, epic and suitably cinematic. You need to hear it…

Read more: https://bit.ly/2MWDiWr

Premiere: Remake ‘Blade Runner (Maceo Plex Renaissance Remix)’

Matthew Dear - Monster

Feel The Love Go

Feel The Love Go (Âme Remix)

II OUT NOW II 

Buy/Stream in full: lnk.to/HOTC120 

Rogue D is the new solo project from Danny Minchella. Under this new moniker he delivers the eagerly awaited Chains. Set to be one of the biggest tracks of the year, it’s a high octane, club-ready number with abundant driving percussion. Unstoppable force Patrick Topping is also back on home ground for the remix.

“Chains was inspired by Jamie 3:26’s and Cratebug’s edit of Loretta Holloway ‘Hit N Quit’ - I wanted a simple, raw track, killer bassline and a soulful vocal. The process was very fast and I made the majority of the groove in one morning. I dug deep in my collection, looking for that special vocal and came across Steve Silk Hurley’s “Chain of Fools’ (with Aretha Franklin on the original vocal), and it just made the record pop!” - Rogue D

As an artist Minchella has played some of the world’s most esteemed establishments and released on a wealth of high profile labels. He now aims to use his Rogue D guise as a means to express his forward thinking and personal tastes in sound- from techno to old school garage to the sounds of Detroit. He’s already released on DFTD as well as providing a remix of Soul Clap’s Misty on Classic Music Company.

In his relatively short career so far, label favourite Patrick Topping has made the cover of Mixmag, won a coveted DJ Mag Best Of British award and made the Resident Advisor Top 100 DJs. He’s released some of the biggest tracks on Hot Creations and is resident for Jamie Jones’ Paradise at DC10. On his rework of Chains, Topping isolates the vocal and adds a tribal bounce to proceedings.

TRACK LISTING
 
A1. Chains
B1. Chains (Patrick Topping Remix)

Tech-House - Part 1

Francesco Dalla Torre