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Did I take one step out of line,
did I make one mistake this time,
all I know is my heart can't feel the beat.

I trip I fall, washed over by your waterfall,
I try to swim but I'm weighted like a cannonball,
all I know is my heart can't feel the beat.

I'm drifting, just castaway, washed away.
There's no horizon, to fix my gaze on, just an endless sea.
My mind is racing, my heart is beating
but I can't feel it anymore, night follows day, 
I slip away, thinking of you.

Slip Away

Usher Valse by Nikita Koshkin

Esta pieza es un fragmento del lugar o lugares donde me está llevando últimamente la música. Va empezando a tomar forma duracional, a ser piezas de alrededor de una hora. La serie armónica, el espacio armónico y sus infinitas posibilidades, derivaciones y relaciones, explorada a través de guitarra, arco, ebow, delays, loops y warping, está siendo el lugar donde, a veces, la mente queda en blanco, el oído se abre y el devenir temporal se manifiesta

Sin Título

Till the end... (Differently obsessive) - Persistenti discordanze

Weightless / Paploviante / Open Collaboration Offer
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
BPM 120
Added guitars: Neno J.
@paploviante-and-friends:
@paul-racle:

Weightless (collab with Paploviante)

DELUSION  1

Corpo Ballad

Sorrow. Fear. Love.

ATHUL

Slow decision - Filmstadt Underground

RoadRunnerTrio
Accordion - Erica Roozendaal
Clarinet - Michel Marang
Cello - Antonis Pratsinakis

ON THE DRUM - For Clarinet, Cello And Accordion - LIVE 2024 - Amsterdam

For me, the image plays a primary role in the composition of a piece. The creative process that has the aim to translate what I see into what I hear is what interests me the most. I like to prepare from the beginning
the key moments and steps, on which I build the musical storytelling but without being too much “caged” into a rigid schemes. I always let a “window” open to new chances, to the “unexpected”. I like to put my pencil on the paper and see where it goes, which forms, lines and even drawing come out from that improvised moment.
The infinite possibilities of “telling” with sounds always push me to go further, to experiment always new possibilities, to try constantly to translate the untranslatable.


After the BA in classical guitar at the Conservatory “San Pietro a Majella”, he achieves a MA in Didactics and Music Pedagogy and a Master in Composition. He has been awarded at the “XVIII International Lavagnino Film Festival”, the “XV Veria International Composition Competition”, the “Acerra Guitar Composition Competition” (John W. Duarte Centenary Celebration), the “Composition Competition – Mario Pagano”, the “Premio Veretti 2023” – Fiesole Music Academy, the “Jacopo Napoli “Call for Score 2022 and finally at the “VIII Thessaloniki International Music Festival”.
His music has been presented in many Festivals as “Foresty International Music Festival”, “Guitar Education and Research”, “Falerna Music Festival”, “Prospettive Music Festival”, “Livorno Music Festival”, “Accademia Chigiana”, “UrtiCanti Festival”, “Veria International Guitar Festival”, “Incontri di Musica Contemporanea”, “Sydney Contemporary Festival”, “Festival di Musica Pontino”
He has worked with several contemporary ensemble and soloists as Dissonanzen, AltreVoci ensemble, L’ Orchestra d’ archi di Alessandria, Quartetto Prometeo, Matteo Cesari, Francesco Salime, Kontakaxis-Ivanovich Guitar Duo, Fotis Koutsothodoros, Felicita Brusoni, Six-memos Ensemble, Marina Boselli e Maria Grazia Bellocchio.
His works have been published by several editors as Les Production d’ Oz,  The Bergmann Edition, Studio & Studio Edition, Et-Cetera Musica and DaVinci Edition.

ON THE DRUM - For Clarinet, Cello And Accordion - LIVE 2024 - Amsterdam

Francesco Sgambati

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