Fantastic piano work..captivating & mesmerizing..great mood changer..love the ambient atmosphere..great mix & recording production!

🎭🎭Beautiful  Performance Liz & Francesco🎭🎭
🎭nicely written composition & arrangement
🎭a delicate piece that lets the listener’s mind give up all their  stresses and worries.. 
for a brief time…
🎭great title & art
🎭great job mixing and producing 
🎭thank you 
👏🏻👏🏻👏🏻👏🏻👏🏻Bravo to you both👏🏻👏🏻👏🏻👏🏻👏🏻
.

I like the melancholy and gentle mood. I like the abstraction of the way.Also

A very lovely piece.....Beautifully expressed......

This is so beautiful, Francesco & Liz. Wonderful piano playing, and atmosphere. Well done both of you :)

It is a marvel of delicate emotions : merci à vous deux  🙏🙏!!!

SNR selection 07-Nov-2025

Ascent

Bandcamp

Always Here

‘Part Of Your World’ is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film 'The Little Mermaid' (1989).

I’m deeply grateful to the great 'L'Orchestra Cinématique', a London based collective known for their incredibly epic covers and original pieces, for allowing me to make my own vocal version of their stunningly beautiful orchestral reimagining of this song.  

You can listen to more of their magnificent work here: @lorchestracinematique-music

Thank you so much for your listening. Hope you will enjoy this humble rendition of mine. 

The music video is available via the following link: https://www.youtube.com/watch?v=yS2DKVPaEfI&list=RDyS2DKVPaEfI&start_radio=1

Part Of Your World — The Little Mermaid (Cinematic Version) │Vocal cover by Anastasiya Ihnatovich

A conversation between two oceans inside the same heart. 🌊💭
Born from a fragment shared by Liz, this piece evolves like the sea at dawn — from calm ripples to inner resonance.
The first section breathes in reflection; the second opens into my own voice, where every pause carries the echo of what remains unspoken.
Piano only, captured between silence and intention.
written by Liz Dicker & Francesco Adornetto
#Piano #Ambient #Neoclassical #Meditation

The Stillness Between Waves

I had these two little blues pieces – in E and C – and an arrangement for When I’m 64, and they seemed to fit, and voila! The whole piece runs for 100 bars, but subtracting the repeated two blues sections the piece adds up to 64 bars. I swear this was an accident!

Credits: When I’m Sixty Four by John Lennon & Paul McCartney, 1967. (McCartney wrote the song.)


Sixty-four Bar Blues

This song is a title track of my 20th single PLAY LOUDER. The genres are Alternative rock / Lo-Fi / J-ROCK. The moods are Happy / Motivational / Upbeat. The style is Experimental. The category is Happy & Upbeat. I wrote and recorded this alone in my room with a guitar, a synth, a mic and a PC in 2017. Bass by synth. This song was created when I was performing live alone in Nagoya and I decided to release this now to recapture the hungry spirit I had then. Cover art and MV by myself. This features Japanese lyrics, reggae-inspired vocals, Lo-fi and experimental sound design. The composition, the arrangement and the production were heavily influenced by Beck especially ODELAY. The vocal style was heavily influenced by Sting. The lyric video is out on YouTube now. You can listen to this song on major platforms. Link in bio and here :  https://linkco.re/pupVNqrc

Lyrics : 始まりの歌はいつも
君の中で準備してるよ
ガタゴト
ガタゴト
ガタゴト
ガタゴトと音を立てて

始まりの歌はいつも
君の中ですでに鳴ってるよ
オーイオイオイオーイ
オイオイオイ
オイオーイオイ
オーイオーイオイオイオイオーイ
オイオイオーイと

始まりの歌はいつも
ホントの愛と一緒にいるよ
忘れないでね
忘れないでね
忘れないでね
忘れないでね
オーオーオーずっと

PLAY LOUDER

Nu Jazz chill music with a throbbing beat at varying tempos. I used the same "tick-tock" synth from tracks on my Time Machine EP.

Happy Samhain! 🔥

Hour Glass is about time ⏳

An original composition, no AI, digital music created MIDI to DAW by a human

HOUR GLASS
I have an hour glass in my mind 
It measures life in bits of time 
Like TikTok videos
Showing how the sand flows 
All in a trickle 
Dancing Wu-Li masters remind
The consequence of time 

While the force of gravity 
can bring me to my knees 
The hour glass remains to hold
Above and below 
Before and behind 
Carry me forever
In the consequence of time 

.........................
70-52 bpm
Variations of Cm, Am, Fm, C7, G7
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
VST or E-INSTRUMENTS:
Concert Grand
Boesendorfer Grand
Ambient Lead
Clarinet Solo
Ethereal Mallets
Lunar Chords
Phantom Winds
Cellos
Modern Strings
Studio Double Basses
Deep Round Synth Bass
Upright Ballad Bass
E-PERCUSSION:
Timpani
Indian & Middle Eastern Kit
..........................

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

Released on SoundCloud
October 31, 2025, 11:12 PM ET

.

Hour Glass

Check out Dan van den Berg and Sergio Parraga on our original Double Vision.  Dan created the simply marvelous theme and development including the mesmerizing bass and Sergio's syncopated latin percussion goodness drives the music forward.  What a treat and pleasure to again be creating and recording with these outstanding musicians.  Follow their wonderful music and playing here:  
https://soundcloud.com/danarchx
https://soundcloud.com/sergioparraga

And for playlists of our music together:
https://soundcloud.com/jamie-rhind/sets/dazzling-em-dan-van-den-berg
https://soundcloud.com/jamie-rhind/sets/swinging-with-sergio-parraga

And as always, thank you for your generous time listening, for your comments and for your shares

Double Vision

Glad, that https://soundcloud.com/theforestarmy invited me to add some sax,
photo, backtrack - composition, concept, instruments by "The Forest Army"

The night turns to gray - feat. joerxworx

"You can't go back and change the beginning, but you can start where you are and change the ending." - C.S. Lewis

Composition and piano performance: Anastasiya Ihnatovich

Change

And Change The Ending

The Break-in

Movve

Sam ( from La Fleur de mai 2014)

2020 Nostalgia

신성영역 - Sya Sya (yuzuha riko)

Cathedral ledges

“Sometimes you need to be alone in order to reflect on life. Take time out to take care of yourself. You deserve it.” - Robert Tew

A Time To Reflect

Francesco Adornetto is a neoclassical and ambient pianist and composer who believes music is a form of breath.
His pieces unfold slowly, like a mindful exhale — offering space, silence, and a sense of emotional truth.

🧘‍♂️ Deeply inspired by yoga, inner stillness, and the quiet power of presence,
his music invites you to pause, soften, and reconnect with the moment.

Blending calm piano, neoclassical minimalism, and ambient textures with occasional ethereal vocals, Francesco Adornetto creates soundscapes for yoga, meditation, slow mornings, study, and reflection.
His sound resonates with fans of Ólafur Arnalds, Ludovico Einaudi Yann Tiersen, Max Richter, and Joep Beving and more...

Since beginning his neoclassical journey in 2024, his work has gained recognition for emotional depth, introspective tone, and a delicate yet expressive language.
He has collaborated with Jessica Bains Brown, Francess Harris, Alessandra Celletti, Mauricio De Los Santos, Araceli Parra, Roberto Guerra, Dawn Walters, and others.

Francesco composes with a handcrafted approach, guided by touch, attentive listening, and the inspiration of the moment — creating music not as a product, but as a deeply human act.

Soundtracks for the imaginary movies of my life. They're not necessarily meant to be beautiful, they're meant to tell a story, like an encrypted message, but better. Your likes and comments make me happy! I never use AI in my music. sleepynoonradio@gmail.com

The Stillness Between Waves

Francesco Adornetto - Emotional Piano

Recent comments

Illos

Janne Hennie

Alan Hamilton

philippe blanc - composer

Related tracks