CSMA Symphony Orchestra - Juan Luis Martínez - 2007

WAGNER: Tristan - Vorspiel und Liebestod

The piece "Gone in No time" consists of three sections each expressing a different angle of approaching the concept of rotation and transformation. The elements of the fragmented repetitions which attempt to draw us back to memories and the insistence of the piece on been developed in time are the main conceptual goals.

The title and the piece are inspired by the one-act play "That Time" by Samuel Beckett:  

“not a sound only the old breath and the leaves turning and then suddenly this dust whole place suddenly full of dust when you opened your eyes from floor to ceiling nothing only dust and not a sound only what was it it said come and gone was that it something like that come and gone come and gone no one come and gone in no time gone in no time” 

[original language: English]

Performed by Marie Ythier
Royaumont Abbey, September 4th 2022

you can also watch it in youtube: https://www.youtube.com/watch?v=4gZh6h5y3PU

About Marie Ythier: https://www.marie-ythier.com
image crédit: Costanza Canali

score: https://www.henry-lemoine.com/en/partitions-par-instrument/20586-gone-in-no-time.html

Gone In No Time, for cello (Marie Ythier)

Francesco Dillon-cello
Emanuele Torquati-pianoforte

Silvestrov Postlude live in Firenze

LAPIS LAZULI // SOUNDTRACK // 2024

conceived & directed by // Euripides Laskaridis

// photo by Pinelopi Gerasimou

Επιτάφιος / East of the city

Bach Erbarme dich from St Matthew Passion BWV 244  Netherlands Bach Society

original from:

Amuleto - No Para Siempre En La TIerra, Sólo Un Poco Aquí.
first edition (2015 - 2CD-R - Mazagran Records) - SOLD OUT
second edition (2017 - 2CD - Mazagran Records)

www.amuleto.in || 
www.mazagran.org ||

Hanacpachap Cussicuinin #1

Still Life With Sand And Stones

III- Radiant
Performed by Kristina Blaumane - solo
Lithuanian Chamber Orchestra; cond. Maxim Rysanov

D Tabakova 'Concerto for Cello & Strings' III- Radiant

A very rushed recording of a piece written for my undergraduate final exam. Uses a grand piano, a prepared piano and a celeste. Many thanks to Shir Levy and Thomas Ang for their assistance in performing this piece.
The music is based off several Hungarian folk tunes, with each movement serving as harmonic and timbral elaborations on a specific theme.

Silvestrov Postlude live in Firenze

francescodillon

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