Brushing a fence repeatedly, while singing of the solemn variety slowly wells up, tapping this time, bit like a leaking tap, the flow of solemn singing ongoing, louder rubbing sound (perhaps cutting through the bars of a prison cell), a very regular cadence, musical traffic noises, another repeating sequence, tapping again, light tapping, more musical traffic, also a bit like the laboured breathing of a stentorious giant, all of this must end in an air's breath.

Captivating electronic music, beautiful song!

Nice airy swell with lots of room to wander.

New Day

My new track: "Electronic Rhythm"... four-to-the-floor on Electronic/EDM melodies and sounds

#Electronic Rhythm (Extended Version)

My new track: "My Progressive"... four-to-the-floor on Progressive/EDM melodies and sounds...
I release the extended versions on my Artcore - Bandcamp pages:
https://www.artcore.com/release/79105/my-progressive-extended-version-

#My Progressive (Promo Edit)

AREA 127  VA 004    16.  La Foce

Demo389

Mullio - Rework

✨ You can watch the music video here: https://www.youtube.com/watch?v=rcLMKVBfujY ✨ 
🌊 For some similar peaceful tunes check out this playlist: https://soundcloud.com/argonantlers/sets/healing-journey 🌊

"For We Are" is the second track I made for my upcoming album, TBA.
This is the first time I am intentionally writing pieces that should fit into a bigger work, realizing a single vision.

I'm still figuring out how far I can go with changing keys, instrumentation, and the overall feel. I want this to be a really tight fit, where every song has its place and meaningful impact in the overall composition.

Having said that, this might be the furthest I’ve swum from the shores of Vanishing Waves. While Vanishing Waves had a very important melodic motif, this time it’s purely a rhythmic experience.

This piece reuses some of the same instruments—the subtractive bass, the white noise textures, the piano, and my favorite FM presets I made. 
But it’s also the first track where I used granular synthesis, something I’m excited to integrate more into my soundscape. I also created a lovely Mellotron sound, which leads the whole experience.

I’m still learning how to write pieces in a major key—remember, before 2024, I only wrote music in minor keys for over 15 years. I'm glad I’ve finally found a way to enjoy these intervals and patterns in an honest way.

A few more months, and the album will be ready to set sail.
Wish me luck!

For We Are

MY NIEUW MIX TRACK RIGHT HERE 
it's party time listen and enjoy me mix track another level







RIGHT HERE RIGHT NOW

All sound design, mixing and mastering, and compositions all written by Clayton Jay Wolfson (Wolfsonbience). Show support by liking and reposting this track. Leave a comment, say hello and follow @Wolfsonbience on Soundcloud. Much Love!

https://wolfsonbience.bandcamp.com/track/solomon-healing-frequencies

For mixing and mastering inquiries email wolfsonbience@gmail.com

Solomon Healing Frequencies

All sound design, mixing and mastering, and compositions all written by Clayton Jay Wolfson (Wolfsonbience).

https://wolfsonbience.bandcamp.com/track/festival-earth

For mixing and mastering inquiries email wolfsonbience@gmail.com

Festival Earth

All sound design, mixing and mastering, and compositions all written by Clayton Jay Wolfson (Wolfsonbience).

distrokid.com/hyperfollow/wolfsonbience/fractal-glitch

wolfsonbience.bandcamp.com/track/fractal-glitch

For mixing and mastering inquiries email wolfsonbience@gmail.com.

Fractal Glitch

If you like my music, check out my complete discography on Spotify
❤️🎧👇

New Day

Francis House

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