Exercício de orquestração para cordas.

Gymnopédie N. 1 - Orquestração para cordas

Toolkit of fieldwork research applying sonic methods such as listening, field recording, and sound design for a Documentary film about Peckham's sound.

(In)Audition 1: a sonic journey through Peckham, London

(in)audition 01: Peckham's Sonic Journey: Short Version

Trilha sonora para o projeto fotográfico "The Waiting Game", utilizando camada de vozes de Raquel Diniz, recitando o poema "Stop All The Clocks"de W.H. Auden.

Stop All The Clocks

Composição-experiência para um projeto de dança-solo, utilizando camadas sonoras que transitam entre a movimentação de um núcleo melódico contínuo e ruídos das mais diversas texturas, cores, alturas. Explorando características descontínuas, fragmentadas, imprevisíveis, que bailam em torno da linha contínua e minimalista.
Um estado mântrico asfixiado pela cidade grande.

Move on

Cue 01 - Theme

Sonic Research on the acoustic territory pf Peckham Rye Lane

(in)audition 3: Frequencies of Diversity

(in)audition 2: Infrastructures, Vibrations & Resonances of Peckham

Trecho da trilha sonora desenvolvida por Francisco Mazza para performance de dança do artista Urubatan Miranda, apresentada na Galeria Olido - Abril/2014 - pelo projeto "Exercícios Compartilhados".

Trilha Sonora para Dança - Projeto "Exercícios Compartilhados".

Jumping Sound

Composição utilizando elementos eletrônicos, sintetizadores e sons eletroacusticos.

Music for a Imaginary Dance

Project RBMA – Expanded Sound by Red Bull Studios - from 1st to 5th of July 2014, in São Paulo, in which a group of ten people promoted a discussion of sound art production and experimental music under the coordination of sound artist Dudu Tsuda. As a final result, the group designed and produced a sound installation at the Red Bull Station – SP.

Red Bull 4

Combining music of London streets and the environmental noises to compose a sound collage.
Fusion of identities and culture. Walking around london streets to listen to the world music contaminated by environmental noises and memories.

London Project - University of the Arts London

Mexendo em algumas pastas antigas, encontro um arquivo com essa gravação crua, cruinha, gravada em 2010....bateu vontade de regrava-la com qualidade, mas como desentortar pau que nasce torto???

It's

Sound experience: decomposição sonora utilizando manipulação e processamento de sons ambientes gravados: voz, cordas, lustre de metal, utensílios de cozinha, papel etc.
Retalho de camadas sonoras alterando as caracteríscas do tempo "real" e a sonoridade "natural" de cada elemento gravado....


Experiencia sonora 01

Trilha sonora para instalação Sinestesias, da fotógrafa Raquel Diniz, no Tomie Ohtake, São Paulo.

Sinestesias

Exercício de orquestração para cordas, na tentaiva de "tradução" das idéias originais do Prelúdio n.4 para piano, de Chopin!


Exercício de orquestração - Prelúdio N.4 - Chopin

Francisco Mazza is London based composer and sound artist producing work in film, theatre, dance and sound installations. His work is particularly concerned with the relations between sound art and music.

He has exhibited and contributed to a wide range of arts events and live performances including Latin America Memorial in Sao Paulo, 46th Brazilian Film Festival of Brasilia, Art Residency Program "Expanded Sound" by Red Bull Studios, Mis (Museum of Image and Sound in Sao Paulo), Tiradentes Photography Festival, Resonance FM in London, also participating in experimental orchestras and improvisation groups working with artists including Livio Tragtenberg, David Toop, Wilson Sukorski, John Wynne, Loop B, Gabriella Mazure and other. 


He has a specialization degree in Music Composition for Film, TV and Other Medias at Anhembi Morumbi University and is currently studying a MA in Sound Art at University of the Arts London, interested in explore the relations between sound, life and society by investigating ways in which process of composition influence both our individual and collective experiences.



Francisco Mazza

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