Partita
for solo Violoncello

Composed for:
Juan Aguilera Cerezo

Premiered on 
January 25, 2023, Espacio Turina, Seville, Spain

I. Lobelia

Création le 19 Septembre 2024 par Bastien Pouillès au CENTQUATRE-Paris, lors des concerts du Cursus-IRCAM.
Encadrement pédagogique IRCAM : Claudia Jane Scroccaro et Pierre Jodlowski
Enregistrement sonore : Jérémie Bourgogne

Premiered on September 19th by Bastien Pouillès at CENTQUATRE-Paris, for the Cursus-IRCAM concerts.
IRCAM pedagogical team : Claudia Jane Scroccaro and Pierre Jodlowski
Audio recording : Jérémie Bourgogne

Carrousel pour accordéon et électronique (2024)

‘aqua aeterna’
Modular Eudemonism.
Track created in 2023.

Columbo on the beach.

Fully generative.

Tools :
Marbles (with jitter).
- E352 Cloud Terrarium (Morph+Phs) > Data Bender > Monsoon (Clouds mode).
Ochd, Batumi, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Ocean Reflections [modular eudemonism]

young grasses -
not yet bent
in any direction

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Picture by Kateryna Viderska

as soggy neutrons - naviarhaiku608

‘a divinis’
Wastes & Sequences.
2023 live performance.

Chaotic music engineering franchise.

Tools :
- Twin Waves (sine) > Desmodus Versio > Overseer.
- Morphagene (personal sample) > FX Aid (#10 delay > reverb).
- Nebulae (voice sample) > Data Bender > Sisters.
- Plaits (granular cloud) > DSP (stereo delay).
Batumi, Ochd, Sinc Defero.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Industherium Noisypterix [wastes & sequences]

Return of Jay snake on drums so back to metal

Demonic inhumanity against what’s sacred

some times ago i was walking through my favorite woods in nighttime, beeing suddenly sourrounded by millions of small light points - it was absolutely magic to meet these glowworms. I never had an adventure like this again. Creating this tracjk i remembered this situation.

glowwormblues

Reborn Original for Clarinet, Cello and Piano
Performed by Collide-O-Scope Ensemble June 22nd 2025
Christ & St Stephen's Church 120 W 69th St. NY

Reborn Original

Karola Obermüller (*1977)
One another I Zustand 2023 
Duo (Flöte, Klarinette)

30 Mai 2025 | 19:00PM | Alte Nikolaischule Leipzig (Kulturstiftung Leipzig)
Richard-Wagner-Aula

Ensemble Tempus Konnex

Flöte: Jaume Darbra Fa
Klarinette: Emanuel Dantscher
Leiterin des Ensembles: JiYoun Doo
 
Recording: Eleftherios Krysalis
Mix & Master: Martin Recker & Paul Hauptmeier



one another I Zustand 2023 - Karola Obermüller (*1977)

Tongue and Trace
for soprano and contrabass flute

Tongue and Trace engages with ecstasy in its dual form; as sacred rapture and as 
sensual intensity. The piece moves within this tension, where the voice becomes 
both vessel and threshold — carrying memory, desire, and rupture in equal measure.

Fragments of text drawn from diverse sources — including Hildegard von Bingen and 
Anaïs Nin — evoke this polarity: spiritual elevation and embodied longing. Their words, 
lifted into sound, create a layered texture in which devotion and desire resonate 
without resolution.

The piece unfolds as a multilingual mosaic — in Latin, Italian, Latvian, German, French, 
and English — where no single language governs. Meaning remains fluid, shaped 
by breath, by musical form, and by the grain of the voice itself. Ecstasy here is not singular 
or transcendent, but fractured and intimate — something traced across the tongue, 
left behind in its wake. Tongue and Trace gives form to this condition: luminous, unstable, 
and composed from what cannot be fully held.

Performers:
Elina Viluma-Helling, Soprano
Alessandro Baticci, Contrabass flute

Live recording from 28 August 2025, REAKTOR Vienna
Recording: Georg Zichy

This piece was commissioned by Cantando Admont. 
https://www.cantando-admont.com/

Tongue and Trace (2025) | Viluma-Helling & Baticci (Cantando Admont)

FRANCISCO C. GOLDSCHMIDT
recuerdos sin nombre (2007, rev. 2017)

–scenic music for dancers & orchestra
 
2 flutes, 2 oboes, 2 clarinets, 2 bassons, 4 horns,
2 percussionists, strings (12.10.9.8.6.) 
and electronics (tape)

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Commission for the new version by Cologne's Acht Brücken Festival 2017

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Acht Brücken Festival 2017
Orchester der Hochschule für Musik und Tanz Köln
Alexander Rumpf, conductor
Ramón Gardella, bass drum solist

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Title translation (spanish/english/german/french):
recuerdos sin nombre
memories without names
Erinnerungen ohne Namen
souvenirs sans noms


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Comentario (ES)

Recordar. Disponerse a recordar. Esta pieza trata acerca de los ruidos de cierta historia, de nuestra historia, que ha dejado marcas imborrables y millares de imágenes vacías. De alguna forma, intenta renombrar a aquellos cuerpos desapercibidos que han quedado relegados a un vacío, al anonimato de los vencidos. / FCG.

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Kommentar (DE)

Sich Erinnern. Sich auf das Erinnern einlassen. Dieses Stück handelt von den Geräuschen einer gewissen Geschichte, unserer Geschichte, die unauslöschliche Spuren und Tausende von leeren Bildern in uns hinterlassen hat. Irgendwie versucht es, für jene unbemerkten Körper neue Namen zu finden, die in einer Leere sich selbst überlassen und in die Anonymität der Besiegten verdrängt wurden. / FCG.

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Performances:

*April 7, 2017 / Acht Brücken Festival
Orchester der HfMT Köln
Alexander Rumpf, conductor 

*March 8, 2016 / SWR Funkstudio Berg Stuttgart 
Stuttgart Radio Symphony Orchestra (SWR) 
III° Master Class Orchestra Composition 
Pablo Rus Broseta, conductor

*December 2, 2015 / Aula Magna, University of Santiago de Chile
Classical Orchestra of the University of Santiago USACH
Lautaro Mura, conductor

*December 12, 2008 / SCD – Santiago
Finalist at the Luis Advis Composition Competition 2008
Chamber Orchestra of Chile 
Eduardo Brown, conductor


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memories without names / for dancers & orchestra

___________________________________________

 ̶̶̶  ̶̶̶F̶̶̶̶̶̶̶R̶̶̶̶̶̶̶A̶̶̶̶̶̶̶N̶̶̶̶̶̶̶C̶̶̶̶̶̶̶I̶̶̶̶̶̶̶S̶̶̶̶̶̶̶C̶̶̶̶̶̶̶O̶̶̶̶̶̶̶ ̶̶̶̶̶̶̶ ̶̶̶̶̶̶̶G̶̶̶̶̶̶̶O̶̶̶̶̶̶̶L̶̶̶̶̶̶̶D̶̶̶̶̶̶̶S̶̶̶̶̶̶̶C̶̶̶̶̶̶̶H̶̶̶̶̶̶̶M̶̶̶̶̶̶̶I̶̶̶̶̶̶̶D̶̶̶̶̶̶̶T̶̶̶̶̶̶̶ ̶̶̶̶̶̶̶/̶̶̶̶̶̶̶ ̶̶̶̶̶̶̶C̶̶̶̶̶̶̶O̶̶̶̶̶̶̶M̶̶̶̶̶̶̶P̶̶̶̶̶̶̶O̶̶̶̶̶̶̶S̶̶̶̶̶̶̶E̶̶̶̶̶̶̶R̶̶̶̶̶̶̶ ̶̶̶
___________________________________________

upcoming:

ELOY (DVD). In 2025 will be released the audiovisual record of the instrumental monodrama «ELOY -music with images of isolation»; (work in progress 2013–2022, 100 min.) for 9 amplified instruments, video & voice based on the homonymous novel by the chilean writer Carlos Droguett.

«PALINGENESIS» (2024) -premiere: Cologne, 08.06.2024- for three amplified violas, electronics & sound installation (50 min.), commissioned by the City of Cologne and TRIO ESTATICO.

«cantos póstumos» –after Lola Kiepja
for amplified violin and video (7 min.)
world premiere: Alte Feuerwache Cologne, 27.04.2024
Johannes Haase, violin / Nicolás Rupcich, Video 

«K'an –fueron deshojados» (2023) -premiere 08.09.2023- for percusission solist, bass flute, clarinet, viola, cello and 15 instruments (21'), commissioned by the Ernst von Siemens Music Foundation and the MUSICAHORA Festival. Premiere by Kommas Ensemble & La Serena's OSULS Chamber Orchestra of Chile.

«new work» (2026) -premiere: november 2026- for female voice, 2 bass flutes, 2 cellos, 2 pianos & percussion (25'), commissioned by Kommas Ensemble and BRuCH.

memories without names / for dancers & orchestra

̶ ̶F̶R̶A̶N̶C̶I̶S̶C̶O̶ ̶G̶O̶L̶D̶S̶C̶H̶M̶I̶D̶T̶ ̶

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