Name: Elektropolis X (Gmoahof Yidaki Echtnativ) by Francis Maxino in M
Duration: 3 min 44 s
Description: Elektropolis X or 'Gmoahof Yidaki Echtnativ' is a Yidaki/Didjeridu based electronic lazy pseudo-Goa/Psi-Trance work utilising the native instrument of my genetically connected aboriginal people of Australia. This particular Yidaki on this recording was made by Charlie 'Hook' McMahon and an original Didgeridoo in that it was fashioned mainly by nature and properly termite eaten...

pieza para flauta renacentista.
Flauta: Anna Margules

2000 Bruissement

Elektropolis XIII or 'Cathedral Bells I' are musical reflections on the peeling of the bells of Christchurch Cathedral, Christchurch, New Zealand.  It is dedicated to the memory of my great, great grandfather 'William Smart, the first head bellringer of the very same church.This piano piece was recorded live at The Wholemeal Cafe, Takaka, Golden Bay in 2006 where can be heard the everyday noises of this busy cafe from the loft upstairs where I played for almost a decade. to which I added an Upright Bass and Jazzy Drum track by hand utilizing an iBook G4 coupled by MIDI to my Roland KR-33 digital keyboard.

Elektropolis

Cathedral Bells

Elektropolis XIII (Cathedral Bells I)

Elektropolis X or 'Gmoahof Yidaki Echtnativ' is a Yidaki/Didjeridu based electronic lazy pseudo-Goa/Psi-Trance work utilising the native instrument of my genetically connected aboriginal people of Australia. This particular Yidaki on this recording was made by Charlie 'Hook' McMahon and an original Didgeridoo in that it was fashioned mainly by nature and properly termite eaten...

Elektropolis X (Gmoahof Yidaki Echtnativ)

Wedrussa - Szczęście

Wedrussa - Sława

Wedrussa - Witaj Piekny Dniu

A Chronosonic Anthology

Imaginer's Tear

12. Irgendwann Fliegst Du Für Immer

(English below)

Vuelos (fragmento)
2005 / Para flautas mexicanas, flauta bajo de pico y medios electrónicos / 6’23”
 
A Anna Margules y a la memoria de Fidelia Sánchez
 
Esta pieza tiene la intención de recrear un espacio ritual en el que se alude a la muerte como potencial generadora de vida.
Además de una flauta bajo de pico y un par de flautas de carrizo que la intérprete utiliza en vivo, en la obra se usan un grupo de flautas tradicionales mexicanas manipuladas electrónicamente que comprende: flautas diatónicas, flauta microtonal, flauta de mirlitón (con un orificio cubierto por una membrana de tela de araña), flauta triple (funciona a base de batimentos); huíjolas (que simulan gorgeos de pájaros) y un silbato de viento.
El interés por este grupo de instrumentos radica en explorar sus posibilidades en cuanto al timbre y la afinación para diseñar una parte con la que la intérprete interactúa durante la obra. La idea es abstraer la sonoridad de los mismos de su contexto original para utilizarla en un ámbito de composición contemporánea.
El movimiento del sonido en el espacio es otra característica de la obra por lo que se utilizan 4 altavoces que rodean al público e intérprete para su óptima difusión.
 
Anna Margules, flauta bajo de pico y flautas de carrizo

Esta pieza forma parte del CD monográfico "Móvil"
Link al CD:  http://www.col-legno.com/en/shop/complete_catalog/movil

EN

Vuelos (excerpt)
2005 / For traditional flutes, bass recorder and electronic media / 6’23”
 
To Anna Margules and to the memory of Fidelia Sánchez
 
This piece is intended to recreate a ritual space alluding to death as a potential source of life. 
In addition to a bass recorder and a pair of reed flutes used live by the performer, this work incorporates a group of traditional Mexican flutes electronically manipulated. This group includes: diatonic flutes, microtonal flute, Mirliton flute (with a hole covered with a spider web membrane), triple flute (works based on batimentos, binaural beats or infrasonicphantom sounds), huíjolas (whistles simulating bird chirping) and a wind whistle.
The interest in this group of instruments lies in exploring their possibilities in terms of timbre and tuning to design a part with which the performer interacts during the performance. The goal is to abstract the sonority of the instruments from its original context in order to use it in a field of contemporary composition. 
The movement of the sound in space is another characteristic of the work; hence four speakers surrounding the public and performer are used for its optimal diffusion.
Anna Margules, bass recorder and traditional reed flutes

 This piece is part of a monographic CD called "Móvil"
Link to CD:  http://www.col-legno.com/en/shop/complete_catalog/movil

Vuelos (excerpt)

CANTO EN SOLEDAD FOR THREE RECORDER FLUTES. PERFOMER:    ANNA MARGULES

CANTO EN SOLEDAD FOR THREE RECORDER FLUTES BY  ANNA MARGULES

THIS IS A NZ MUSIC MONTH RELEASE
'No More Poison' - Environmental Anthem

We must preserve the natural spaces we still have left in our country. 

We have composed this Anthem to encourage inhabitants of New Zealand to make a stand against the 1080 Poison being laid throughout the land.

If we don't make a stand to preserve the environment, What hope will FUTURE Generations have?

If you CARE please share the track, Lets get this song circulating !

No, No More Poison....No More Poison in our Land!

MM & LL

No More Poison - Anthem

No more poison- Miss Melodious & Lady Lyrical

live recording, April 2011, Madrid, Spain
**Toro Mariposa, drawing by Francisco de Goya

Toro Mariposa (sopranino recorder and electr.) 2008-11, Anna Margules

This was for the RNZ Christmas song competition, but as was not completely original, may not have met requirements. ‘Jingle Bells’ was written in 1857, so is now public domain. The song is an oxymoron in Southern Hemisphere, so I considered it fair game. Harmony

Parody Jingle Bells Harmony and Francis Maxino

HIghTime mix1

This piece reflects the moods and feelings invoked by the natural beauty of a mountain lake in the Highlands.It was composed for two sopranino recorders, harp, strings and choir, timpani and clicking sticks, bones or Celtic tap dancers.

Sonic Poems and Instrumentals

Highland Loch

For all the recorder  music lover.  Thank you to the flute,   recorder performers , compositor  and the groups who share their music.

My Music blogs :

Jean-Charles B Music Blog
(@jean_charles-b) : Aim at entering the musical beauty that offers us the various musics of any countries, of any time(period);



A miniscule sampler of 3.5 days of my recorded material...

Elektropolis X (Gmoahof Yidaki Echtnativ)

Francis Maxino

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