Submission for SoundIron's "25 Days of Composing Competition" (Dec 2021). All sounds were created using their free Desk Bell instrument for Kontakt: https://soundiron.com/products/desk-bell

If you're wondering how I got these sounds, I did a lot of this on livestream: https://www.youtube.com/watch?v=lBMVJaQT8bM

I'll try to get around to making a video on the arrangement and mixing. Most of the weird stuff that isn't on the stream was made by experimenting with chopping up printed audio from various reverb sends. Hope you like it!

Unfortunate Circumstances [SoundIron Desk Bell Competition 2021]

dark fantasy suite/theme study for a character from the game

art by Moreno Paissan https://www.artstation.com/morenopaissan

Hargrave Suite

Short arrangement of some procedural music (normally, the order of events in-game is affected by in-game events) I did for a game jam recently. Try it here if you have a VR setup: 

https://wyattari.itch.io/one-trick-wizard

One Trick Wizard (sample)

Experimenting with orchestra samples for a private project.

Art by Moreno Paissan
https://www.artstation.com/morenopaissan

The Overgrown Road

Petty Theft, a song I wrote for The Dread Crew of Oddwood's third album, Heavy Mahogany. 

THE DREAD CREW OF ODDWOOD - Petty Theft (2012)

"Serpent's Feast", a song I wrote for The Dread Crew of Oddwood's third album, Heavy Mahogany.

THE DREAD CREW OF ODDWOOD - Serpent's Feast (2012)

Cover of "dataDyne Central: Investigation" from the classic N64 shooter Perfect Dark. I arranged and recorded the track for this compilation: https://tributealbum64.bandcamp.com/

Tribute Album 64

“dataDyne Central: Investigation” (Perfect Dark cover, 2016)

KING GORM - Beyond Black Rainbow

KING GORM - Irondale Burning

KING GORM -  Four Heroes

KING GORM - Freedom Calls

KING GORM - Intro

KING GORM - Ultimate Reality

KING GORM - Slaughter The King

Each track on this EP borrows heavily from an existing song. These recordings are meant to be an experiment in extremely primitive synthesis and an homage to the composers who inspired each of them:

Thangorodrim
Fief
Old Tower
C418

I consider these four pieces to be "warm up" tracks. They were created to practice in-the-box synthesis techniques using Reaper's simple built-in synthesizer and modifying the sound using basic techniques (envelopes, filters, etc). All of it is sent through a simple reverb. Reaper is a phenomenal piece of software and I strongly recommend checking it out if you create any type of content that contains audio. These recordings represent careful organization of some of its most basic functions, and I'm honestly surprised even something this simple was possible. If you're a Reaper user, I used the following plugins to create this music:

ReaSynth
ReaEQ
ReaVerb

JS Pitch Shifter 2
JS Delay w/Tempo Ping Pong
JS MGA JS Limiter
JS Saturation
JS Master Limiter

SOMEONE ELSE'S JOURNEY - Through The Fief (2020)

San Diego based music nerd. 
Available for film, television, and videogame composition, songwriting, sound design, production, mixing, lessons, session work (Guitar, Bass Guitar, Synthesizer, Mellotron)

I play in some bands, too.

Francis

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