Songs for a deserted island-01

Ambient, Chill & Piano Lovers

Blown away by the talent on SoundCloud at the minute, here's a relatively small playlist, I can't keep up. Beautiful music folks, always a great inspiration ✌️

Canary Diggin'

Energy (80)

Thank you so much for your listening and support. It means the world to me.

Collaborations

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

En verdad

En Verdad

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Christopher Baker Dawson: Bass (Collaboration)
- Carlos Fuentes Castillo: Guitars, Piano, Keyboards, Composition, Programming, Mixing and Mastering

Vamos a llevarnos bien

Vamos A Llevarnos Bien

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

-> Fotografía tomada por Angel Bretón en Tijuana (México).

Cuando me haya ido

Fly In The Sky

Hello to all,
a few days ago i was surfing on soundcloud, and i saw that Anastasiya Ihnatovich started following me. I clicked on his profile by curiosity and i listened to his music. They are solo piano pieces, and I fell in love with a series of 3 pieces with the overall title "Up Until Then".
I contacted her and asked her if I could do an arrangement on the first piece "Up", and she accepted.

Here is the solo piano part (first piece of the list) composed and performed by Anastasiya Ihnatovich:
https://soundcloud.com/anastasiya-ihnatovich/sets/up-until-then

Here is the result once arranged and orchestrated, hoping you like it.

Thanks for listening and for your comments,

Franck

PS: I want to thank Anastasiya for allowing me to create a little arrangement and orchestration around her track "UP".

Credits:
Composition: Anastasiya Ihnatovich
Piano performance: Anastasiya Ihnatovich
Arrangement: Franck Ancelin
Orchestration: Franck Ancelin

-----------------------------------------

Bonjour à tous,
il y a quelques jours de cela je surfais sur soundcloud, et j'ai vu qu'Anastasiya Ihnatovich s'est mise à me suivre. J'ai cliqué sur son profil par curiosité et j'ai écouté sa musique. Il s'agit de morceaux de piano seul, et je suis tombé sous le charme d'une série de 3 morceaux avec pour titre global "Up Until Then".
Je l'ai contacté et je lui ai demandé si je pouvais faire un arrangement sur le premier morceau "Up", et elle a accepté.

Voici la partie piano seul (premier morceau de la liste) composée et interprêté par Anastasiya Ihnatovich:
https://soundcloud.com/anastasiya-ihnatovich/sets/up-until-then

Voici le résultat une fois arrangé et orchestré, en espérant que cela vous plaise.

Merci pour votre écoute et vos éventuels commentaires,

Franck

PS: Je tiens à remercier Anastasiya de m'avoir autorisé à créer un petit arrangement et une orchestration autour de son morceau "UP".

Crédits:
Composition: Anastasiya Ihnatovich
Interprétation au piano: Anastasiya Ihnatovich
Arrangement: Franck Ancelin
Orchestration: Franck Ancelin

Up By Anastasiya Ihnatovich Arrangement Franck Ancelin

sleepless nights
hazy days
i laze around my little cage
it's been crazy
mhm...

wasting time with a bottle of wine
i prowl around with my head held high
i've been lazy...
uh-huh...

i feel like a lion tamer
i've got a whip crack in my head.
i've six big cats
to keep in check...
Lord knows, they're all in my head
all in my head

my mind is a circus
and God knows, it's not what i need right now.
my mind is a circus
God knows, it's not what i need right now...

"don't do this"
"you can't say that...!"
hours and hours of juggling hats
i'm going crazy...
uh-huh!

i feel like a lion-tamer
i've got a whip crack in my head
i've got six big cats to keep in check
Lord knows they're all in my head
they're all in my head...
they're all in my head
all in my head...
they're all in my head
all in my head...

(adlib)

lala-dee-ta da
lala-dee-ta da
da-da...


Words & Music : Miaow McDonald

Vocals, Guitars, Jaw Harp : Miaow McDonald
Drums, Bass, Organ, Slide Guitar : Robert Davidson (Aged Choir Boy)
Lions : themselves....

Produced & Mastered : Robert Davidson (Aged Choir Boy)

Lion Tamer

Scotty: guitars, lyrics, vocals
Tommy: bass

Moonbeams

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, arrangement and production.

Einstein determined that time is relative and that the rate at which it passes depends on your frame of reference.  Now I’m not saying that I’m much of a scholar of his work but what I do know is that when the Covid pandemic was at it’s height and we were all confined to our homes, many of those that I spoke to didn’t even know where in the week we were, let alone the time of day, so yer man Einstein probably had a point.

This song was written long before the pandemic surfaced and came during telephone and email conversations I had with my two fellow Cripple Club garage band members, Gary and Hans . For example, I was chatting to Gal one day when he said “You know, I just can’t get the hang of time, these days.  Weeks seem to just merge into each other”. 

On the very same day, Hans sent me an email in which he stated "I’m really struggling to get the hang of time at the moment…” As someone who spends much of his time at home anyway, the two ‘hang of time’ statements did resonate with me and therefore carried an intriguing synchronicity.  I’m not someone who thinks these things have any mystical significance but the fact that they had both used precisely the same expression on the same day certainly placed the idea for this song in my mind.

Thanks again to Hans for taking the concept and formulating it so brilliantly into his arrangement for the song.  And many thanks to you for listening.
(Terry Reeves)

I just can’t get the hang of time
Tomorrow seemed a million miles behind
And yet a date turns up in front of mind
What more to remember or try to find

I just can’t get the hang of time

Another month goes by without a breath
Although breathing in moves me to the left
Time to the right can cause calendar theft
Pitching very low sounds to a musical clef

I just can’t get the hang of time

No shaking up time without showing my age
As click track continues keep missing the page
Never losing my temper but cheating a rage
There is never a tempo that keeps sounds in a cage

I just can’t get the hang of time (Repeat)

BREAK

Qualified people pointing a direction to live
Not one understands why I’m mentally captive
Each box with a tick but the time doesn’t give
My Individual need making all words so inactive

I just can’t get the hang of time

A window reflection shows a man with a beard 
Tuesday or Wednesday? All days disappeared
I just can’t get the hang of time
It wasn’t meant to be an ageing skill of mine.

I just can’t get the hang of time

THE HANG OF TIME - CRIPPLE CLUB & HANS ALBERS

Will the lonely oak tree remember the embrance of its sisters? 
What will she fell when she shades the men who left her orphan?
Will the human being ever learn that without enviroment there is no future for humanity?
Will it then be too late?

THE TREE THAT WAS FOREST

Bandcamp: 
/@ https://andrewleefarquhar.bandcamp.com 

Artist / Composer: Andrew Lee Farquhar
Label: Andleefar Classical

© ℗ 2023 All rights reserved

In this Life

In This Life

Recording sessions from 22/04/2023 of 25/05/2023.
4 Tracks MOOG Modular (vst Arturia),
1 Track Guitare (Yamaha),
1 Track Spark (vst Arturia),
1 Track (vst Addictive Drums),
1 Track Piano2 (vst Arturia),
1 Track Piano (vst UVIWorkstation),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Experimental #Minimal #Space
________________________________________________________________________
❤️Love, 🕊️Peace, 🙏Respect

Delicate Thoughts

Paino and synth improvisation.
Free to download for rework/remix, just tell me.

Un Momento #4 (free to download for rework/remix)

Homeward Bound

La Veuve Rouge

The album is about positive frequencies for the human body. Yes, every frequency vibrates within us, and its pitch also affects us. Let's leave aside 440 hz, which is harmful to our bodies, and move on to frequencies like 174 hz, 285 hz, 396 hz, 417 hz, 528 hz, 639 hz, 741 hz, 852 hz, 963 hz and of course 432 hz. Each of these frequencies is good for the body. Each of these frequencies is good for the body (go and check each frequency on the internet, you'll see)All set to a downtempo lofi electro rhythm. 
Thanks in advance 
LYHE

Positive Frequencies

Outro - 963 Hz

Rise Of The Fallen – A powerful composition that tells a story of loss, hope, and the relentless fight to rise again. With a blend of epic orchestral sounds, dynamic beats, and the mystical tones of Uilleann pipes, the track transports listeners to a cinematic world full of emotion and intensity.
Every moment of this piece is designed to captivate and immerse you in a story that goes beyond music. Thank you for being part of this journey!

Rise Of The Fallen – Eine kraftvolle Komposition, die von Verlust, Hoffnung und dem unermüdlichen Kampf erzählt, wieder aufzustehen. Mit einer Mischung aus epischen Orchesterklängen, dynamischen Beats und den mystischen Tönen der Uilleann Pipes entführt der Track in eine cineastische Welt voller Emotionen und Intensität. Jeder Moment des Stücks ist darauf ausgelegt, die Hörer mitzureißen und sie in eine Geschichte einzutauchen, die weit über die Musik hinausgeht.
Danke, dass ihr Teil dieser Reise seid!
🎶 Available on all music platforms 🎶

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Rise of the fallen

Rise Of The Fallen

I am hugely grateful to Stefan Kraft, an incredibly talented musician and composer, for enriching my music with his stunningly beautiful arrangement & orchestration. It has been a great honour and pleasure for me to collaborate with Stefan.

You can hear more of his wonderful music here: @stefankraft_music.

Thank you very much for listening —  we do hope you will enjoy this piece!

Credits:

Piano: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft


The video made by Stefan for our music is available via the following link:

https://youtu.be/BFBwKQEJkTY

All (Ft. Stefan Kraft)

Once again, enormous thanks to @stefankraft_music for adding his magnificent orchestration & arrangement to my piano music, making it much more beautiful in every way! 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft

Again (Ft. Stefan Kraft)

A huge thank you to Stefan @stefankraft_music for his splendid orchestral reimaginings of my piano compositions, which resulted in creating an incredibly captivating sonic tapestry. It has been a great honour and joy for me to collaborate with this immensely talented composer and musician.

Thank you so much for listening, we genuinely hope you will enjoy this work. 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft

Over (Ft. Stefan Kraft)

From the heartfelt original composition À Milli by Anastasiya Ihnatovich, included in our Piano Whispers 01 compilation with arrangements by Bruno Sanfilippo, we now present À Milli Reworked, delicately reinvented with real strings by composer Felipe Lima. The piece now carries a cinematic, melancholic beauty. Each note unfolds with grace, inviting the listener on a peaceful and pastoral journey. With this release, we warmly welcome two new talents to the ad21 family: Anastasiya Ihnatovich, a neoclassical pianist from Minsk, Belarus, whose music speaks with honesty and emotion. Felipe Lima, a Brazilian composer focused on film, series, and visual storytelling, bringing deep sensitivity and atmosphere. A luminous collaboration that celebrates subtlety, emotion, and the power of reinterpretation. ad21

À Milli Reworked

Listen

I had the absolute pleasure of collaborating again with the greatly talented David De Michele who has created an incredibly enchanting cinematic soundscape for my piano composition "Up". 

Please listen to more of David’s beautiful music here: @user-92820487

Sincere thanks for your attention to this work. We do hope it brings you some joy and comfort!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Up (Ft. David De Michele)

About what happens after the main event is over

Gary McDowell's Album

The Aftermath

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

Muerde vieo

Muerde Vieo

Emmy smith Nigeria popular artist Jara by Emmy Smith ft Savedon

Emmy smith Inc 

Emmy smith_Jara

Stronger On Keys

©All rights reserved - Member of SACEM.
My first cinematic soundtrack album is now available on your favorite platforms.

Be curious :)
https://lynkify.in/album/imagine-original-motion-picture-soundtrack/kfP6O3kv