Buy / Stream: https://ffm.to/everybody-come-on

James Curd is no stranger to Exploited, having penned a long line of retro-leaning grooves, where he plays most of the musical parts himself. On this occasion, he drafts in Sid Who? to deliver some infectious vocals, who is a member of the acclaimed outfit The Swiss. Sid Who? has written music for the likes of Usher, Holy Ghost and Kimbra, and as part of The Swiss, has remixed Breakbot for Ed Banger Records. Their friendship reaches new levels of beauty on this collab.

Sid Who?’s sassy voice tees the track up, before a rolling bass groove and head-nodding beat explode into life. Funked-up synth squeals play out a simple but addictive melody, while clipped electric piano chords fill in the gaps in the driving groove. Wild vocal cuts build a hook of their own as an analog synth arpeggio envelops the track in spine-tingling style. But what’s this? A pitch-bending, squealing synth solo that sounds like it should be played by a natty keytar player? Yes please, we’ll take that. This glorious ‘80s interlude leads us towards the dramatic vocal harmonies of the breakdown, and thereafter it’s back to business as usual. Supremely groovy with a magical edge, ‘Everybody Come On’ is built to seduce your hips and feet.

Dutch disco dudes Fouk are up on remix duties…….

James in his own words:
"Things start out fairly cheerfully, actually. At one point a messenger arrives with a pie, asks if he has the correct person, and when he finds he does, throws the pie into their face. So now we know where that fad came from. Later, though, the smiles grow more forced. James & Sidwho try to maintain an adequate British reserve, but it's a little hard when you find you are likely to turn into a bed-sitting room. Escalators from the underground are likely to dump you in mid-air, a square meal is hard to come by, and so on."

Artist: James Curd & Sid Who?
Release: Everybody Come On
Label: Exploited
Cat: EXPDIGITAL232
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 08.07.2022
Releasedate Beatport & Streaming: 15.07.2022
Releasedate Global Download: 29.07.2022

Everybody Come On

Buy / Stream

James Curd & Sid Who? - Everybody Come On | Exploited

Henrik Schwarz,  Ame and Dixon - D.P.O.M.B. (Version 2)

I hope you like it ❤️ 
Follow Matīss:
https://www.instagram.com/matissmusic/
https://www.youtube.com/channel/UCgbKd0osXwyGY11cdpSL9ww

Matīss - Vereda Do Larano (Extended Mix)

B1. HNNY - Good

Dennis Ferrer-Son Of Raw

Download: http://www.beatport.com/release/dont-put-me-in-your-box-ep/831816

The always on-point Hypercolour imprint deliver ʻDonʼt Put Me in Your Boxʼ EP from the talented Maya Jane Coles this winter. Featuring four new original cuts and artwork created by the multi-faceted producer, the EP marks the final 12" release before her album project takes hold in 2012.

The attention on Maya Jane Coles throughout 2011 has been about as intense as it gets and for good reason. Her productions, written, produced, engineered and voiced by the young artist herself, have won respect and support from peers, punters and press alike -- whether producing house, bass music as Nocturnal Sunshine or electronica alongside Lena Cullen as She is Danger.

Having recently remixed Little Dragon, Tricky and DJ T, Maya is building on early successes beautifully and this current EP for her friends at Hypercolour continues that progress in fine style.

ʻDonʼt Put Me in Your Boxʼ is the London-based producerʼs most ambitious EP yet. Much like her previous output the rich, melodic and warm characteristics are present but thereʼs an increasing maturity that bleeds across the four tracks.

The classic deep house tropes of Colesʼ early material are still superbly delivered in ʻParallel Worldsʼ and ʻCutting It Fineʼ but are presented in a refreshingly subtle and original context that provides a snapshot of contemporary house music at itʼs finest. While those bookending tracks tip a nod to previous material the lurching, dub-house of ʻDub Childʼ and the strikingly beautiful melodies ʻSomething in The Airʼ see the young producer exploring, creating a well-rounded EP touching on the breadth of modern house.

The pairing of one of the most exciting artists around with one of the most bankable imprints is always an enticing prospect but Maya Jane Coles on Hypercolour is essential.

1. ʻParallel Worldsʼ
2. ʻSomething in the Airʼ
3. ʻDub Childʼ
4. ʻCutting it Fineʼ


Maya Jane Coles - Dub Child (Original Mix)

Mash - Style Is The Answer

Superpitcher - White Lightning

Purchase here: https://infine-rec.bandcamp.com/album/versus-remixes-12-edition-2 

Following on from Carl Craig's critically acclaimed orchestral album 'Versus' produced with talented composer Francesco Tristano, a selection of tracks have been given the remix treatment from the likes of Tom Trago, Antigone, Benedikt Frey and Henrik Schwarz.

Here Mixmag presents the exclusive premiere of Henrik Schwarz's beautiful and uplifting remix of 'The Melody', transforming the orchestral version into a warm, enveloping and gripping dancefloor ballad.

The 'Versus Remixes' EP is set for release April 27 via InFiné/Planet E.

Maya Jane Coles - Dub Child (Original Mix)

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