Blues / Rock style crossed with Southern Rock, a bit of Country .. but definitely Blues oriented.

Bad Little Girl

Sloan Devine is a Indie Singer Songwriter. Music is in the style of Rock, Pop Rock, Country Rock with some Blues Rock influence but definitely Rock Music.

GIVE ME WHAT I WANT

You Tonight

i only played over these chord changes this one time, and i could barely stand up when i did. the gf i had at the time (c.’93/‘94) was leaving for work one morning and i asked her to give me a letter between A and G and she said; “B”!  then i said; “give me another” and “F” came out, and off she went. this particular gf was into meth, hence so was i, anyway, i proceeded to sit down at the piano and write a series of chords (in two sections), all of which contained the notes B and F. those musically minded among you will recognize the significance of the interval created by this pair, aka: the “Tri-Tone” named
such because it is indeed 3 whole tones, (or 6 half steps) between them. in normal or traditional harmony these would be what i call the “active ingredients” of the dominant chord. anyway, enough 
of all that bullshite, the first chord i wrote was an Ab minor13 (having Cb (aka B) and Gb and Bb and F 
and so on. anyway (#2) i was drinking some sort of alcohol, as well as doing the other stuff, from that morning to the following dawn, by which time i was entering the changes into my computer sequencer, which triggered various sampled instruments. then i found that my sole microphone (one i’d bought as a 15 yr. old, a Shure PE56 that was so old it didn’t even have XLR jacks, but rather some other sort of type,
where once the cord was inserted, you’d screw a little ring around the mic’s base to secure it!) to continue, i found that the cord was messed up. i remember trying to twist the two different wires together (i had no soldering iron) and wrapping tape around the whole ugly mess. so finally i was ready to play…but wait, first i needed to do an analysis of the chords in my own system, which is really pretty
simple to do, and there are often several ways to go about it. part of the whole conception of the idea of using combinations of small interval groups, (by which i mean, 3 notes apiece) was that i wanted to be at
least somewhat surprised by what would come out. you must realize that i’m not actually musically inclined. you may think i’m joking, but i’m dead serious. i’ve worked with the musically inclined for the past 40 years and there is H U G E difference between them and me. i’m what i call “musically curious” 
so while i have of course learned a lot over the years, and my “hearing” is, i would hope, always improving, i’m still…well you get the idea, i guess. so once i’d written down at least 2 combinations for each of the chords i was ready to go. but as mentioned, i’d not slept for 24 hours and was pretty loaded 
and finding it difficult to even stand up, so just bear that in mind. i did use these chords once again, on 
the CD “Maria Falling Away” where each chord is used only once (and the piece is 22 minutes long(!)
titled; “The Years in Streams”.

btw, the photo attached to this track is the floor of the “Newman Scoring Stage” located in the 20th Century-Fox film studios. the colored tape indicate’s the microphone’s big boom-stand  placements.

09 b f

I am looking for a female co writer , lyrics and vocals in Spanish for this song which will be renamed.
If I find something I love, I will re track the song and re track your vocals to a pro level as this is the original demo.

Mambo Combo _ for co write vocals

BOOGIE ALL NIGHT

“Better Day” is about loss, emotional loss , relationship, family, pet, friends and moving on. 
The things that mean most to us. Pain that no one can help you with.
I recently had an experience that changed my perspective which made me realize all the things I never mourned, too busy just being me.
It took me on a journey of memories , up, down, sideways, good, bad, happy , sad.
And out of that came “Better Day”

BETTER DAY

Midnight Glow

Moonlight Dreams

SAVIOR

I wrote "Just Wanna Love You Again" which is not in the genre that I usually write in. I met Houston Kelly in Nashville. Houston came to my studio and did vocals.
The track was originally all synths. I felt it needed a live Bass which I feel is the key to the song structure and feel. David Santos came in and did the Bass part and just killed it ! check out the Bass during the outtro.

REMIX - If you would like to remix, contact me for stems needed.

I Just Wanna Love You Again

Musician / Guitarist ~ Songwriter 
Producer / Audio Engineer / Mixer
UP IN THE NITE MUSIC PUBLISHING ~ ASCAP

Mambo Combo _ for co write vocals

frank b. montoya

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