i like the theme of the track, very origin....

Kaesar delivers three serene club cuts for the fifth vinyl release of Hubble Records.

The Portuguese label has developed a unique aesthetic through a patient approach over the years. Steadily releasing music from various local and international artists, the label released 20 digital EPs before evolving to the vinyl market.

Opting for around one release per year, their vision is gently unfolding in the form of stripped-back and versatile house music that is fit for many scenarios. Each release has received strong support from the likes of Priku and his Romanian peers which has led to the records soaring above the asking price on Discogs. [continue reading at...https://trommelmusic.com/music/premiere-b2-kaesar-paralio-cosmjn-remix-hbl005/]

Buy HBL005

Premiere: B2 - Kaesar - Paralio (Cosmjn) [HBL005]

through the woods

through the woods (the suite)

Next up on X-Kalay it’s fresh heat from one of the finest among a current generation of prog-inclined producers. Guy Contact’s ‘Out of My Head (Into My Body)’ speaks to a sublime, utopian conception of dancefloor utility; dance music primed to achieve ascension through collective physical experience.

Navigating mystic, offbeat zones, Contact sets out his stall from the start. ‘Out of My Head (Into My Body)’ is as pristine as it is expansive, inducing trance states as trippy flourishes oscillate over driving rhythm in impeccable lysergic style. Then, with another dose of melt-on-the-mind groove, a radiant bliss-out arrives in the beautifully buoyant flex of ‘Sacred Mist’.

Taking its name from a part of the brain associated with emotional processes, ‘Amygdala Tongue Wobble’ propels into fractal introspection with dense, insistent pulse. Finally, ‘Optimystic’ finds Contact channelling new age spirits as he assumes the role of innerzone healer - wide-eyed downtempo to close things out.

Out of My Head (Into My Body)

BUY on BANDCAMP

PREMIERE : Guy Contact - Out of My Head (Into My Body)

Since its inception in 2002, Third Ear's output has remained ineffably reliable and multifaceted whilst carrying forth a distinct and tangible sense of soul. Now, 13 years on, Wbeeza makes a welcome return home and follows up a slew of lauded EPs on the label as well as his 2010 debut LP, 'Void' with only his second album, 'Expression Of Love'. And what an album it is. A long term favourite among both House traditionalists and experimentalists, Warren Brown entwines Jazz, Hip Hop, Detroit Techno, Soul and Disco with impressive ease, and with Expression Of Love the Peckham, South London-born and bred producer expands on his canon and presents 7 cuts that fans both old and new will relish. The opening track, 'Say Nuttin' kicks things off with a long-tailed kick pulsing beneath tight shuffles and syncopated ride shots. Rich and complex rhythms interweave and propel rich, swirling synth tones before 'Cosmic Jazz' goes deeper, setting a hypnotic vocal through stop-start kick patterns and creamy Detroit pads. 'It's A Sign' finds Wbeeza returning to the work of Gil Scott Heron once again. He takes two different samples and deftly works them into a heavy, claustrophobic groove, with a subtly processed sax loop circling asymmetrically throughout. 'Work' sits a cartoonish snippet from a recording of a gang member explaining his reaction to one of his homies being shot dead, over freely sequenced drum work and a steadily filtered bass line to mesmerizing effect. Experimental in its development - 'Expression Of Love' is the centre-piece of the album. The track goes through some startling changes and atmospheres. At 109 bpm, glowing Rhodes tones, tumbling bongos, creaking kick drums and shining synths sweep out over its 14 minute duration. A blue, languid groove steadily blooms into focus and is then dismantled. 'Turn The Lights Off' evokes a dark club with low ceiling and sweat dripping off the walls, through spectral tones and a voice that intones 'Turn The Lights Off, Turn The Music Up', propelled by one of Wbeeza's famous kick drums. 'Cakewalk' then brings things to a close with some playful MPC work. Truncated Soul samples are carried by no-nonsense rhythms before a switch up snaps in to catch the dance floor off guard. Added shuffles and trumpet snips build a buoyant and Jazzy vibe that brings another coup for Third Ear and another truly fine addition to Wbeeza's catalogue to a close.


Work

WBEEZA - Work - Third Ear Recordings

Fenster zur Südstraße

Moogulator Liveset @ EA2017 

*(had no time to practice but had to work anyway)

Moogulator Liveset EA2017

Kollektiv Turmstrasse - Schwindelig (Diedrichs Remix)

OrdnunxAmt

live recording for full experience.. "leech ma 'ne neue Pladde auf!"
"mit ein paar Leuten und etwas Clubatmosphäre" (Eins Zwo, 1999).

Dj Set at Hexagon XII (Live Recording!), Club Favela Münster, 16.11.2018

kleiner track von 2016 oder so.
produziert von cube. 
album mit cube kommt, der hats aber nich rauf geschafft.

kenn kein

ACME - "Dark Blue" (demo version)

Elektronischer Musik Produzent, Remixer, Musikliebhaber, Purist, Freund schräge  und liebliche Töne, Live-Wandler, Knöpfe Dreher, Minimalist.
Die Tracks die ich produziere spiele ich Live ein,ungeschminkt und  unverschnörkelt. So ist es :-)
Axtwahn steht für Detroit, Techno, Trance, House, Chicago, Acid, Elektro, Experimental usw.

Liebe verrückte, seichte, harte und liebliche Klänge
Booking Live Act per Hardware, bitte per Mail unter Soundcloud

Remix for Antartic Records
Remix for Brencht ( Belgium )
Remix for Yo Wha? ( Ireland )

Fenster zur Südstraße

Axtwahn

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black lupus

Squinty Bass Records

Squinty Bass Records

Smiley Ninja

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