Un nuevo 808 Radio que también nos descubre los nuevos sonidos de creadoras como Miss Kittin y The Hacker, Roman Flugel o Anfisa Letyago remezclada por Michael Mayer entre muchos otros. Pone marcha el Generador de Ideas junto a Pat Quinteiro, directora del festival Mutek, para conocer los entresijos de la nueva edición que se celebrará en Barcelona entre los próximos 7 y 13 de marzo y tiene a Ptazeta presentando su primer álbum: ‘ The Party En La Casa’.

La Lista I:
Hysteria Temple Foundation - Carpathian Ritual Feat. Alina Pash [Hysteria Temple Foundation Records]
Nathalie Duchene – Praia [Toy Tonics]
Jon Hopkins - A Gathering Of The Tribe [Domino Recording Co Ltd]
Selbor - Lies [AWAL]
Filipe Barbosa - Fat Journey [Tronic]

Generador de Ideas: Mutek ES con Pat Quinteiro.

La Lista II:
Oscean - Spiral [Tresor]
Burial & Four Tet - Nova [Text Records]
Anfisa Letyago - Nisida (Michael Mayer Remix) [N:S:DA]
PWCCA - Mitotic division [DkN Selections]
Moderat - Fast Land [Monkeytown Records]
Sea Change - I Put My Hand Into A Fist [Shapes Recordings]
The Rhythm Odyssey & Dr Drunks - El Cid [Phantasy Sound]

La Lista III:
Kittin x Hacker – Ostbahnhof [Nobody’s Bizzness]
Private Press - Young at Heart [Of Paradise]
1-800 Girls - Start Over [Shall Not Fade]
Jana Rush - Lonely (ft. DJ Paypal) [Planet Mu]
Basic Instinct - Angel Dust [Vertere Berlin].
Coco Bryce - Change Of Heart [Critical Music]

Al Habla: Ptazeta.

La Lista IV:
Ptazeta – Input
Orphx & Kareem -  Future Present [Zhark Recordings]
Thomas Hessler - Hall [Symbolism]
Whatever The Weather - 17°C [Ghostly International]
KOKO - Tradizione Tradimento [Lost Palms]
Roman Flugel - Mega [Running Back]
LOOF - Spinning on the Wind [LOOF]

+ en 808radio.es

808 Radio #252 / Miss Kittin x The Hacker, Modeselektor, Ptazeta… / Radio CLM – 19/2/22

KIKO " DIGITAL FAMILY " ALBUM ( OUT 13.12.24 )

Kiko , The hacker - Pure energy

Nina Kraviz launches her трип (pronounced ‘trip’) label with a double-EP compilation entitled ’The Deviant Octopus’, featuring a pair of brand new productions from Kraviz alongside material from Terrence Dixon, emerging talent Parrish Smith & Bjarki, and veteran producers Exos & Steve Stoll.

The idea for трип has been gestating for some time with Nina Kraviz, an avid crate-digger and frequenter of numerous second-hand record stores, who has long wanted to begin a label of her own which would build on some of the principles of her beloved 90s techno labels in terms of attitude and aesthetics, whilst looking for forward-thinking modern productions that reflect her core tastes for idiosyncratic electronic music.

The art and title of 'The Deviant Octopus' comes from a single-sentence scenario dreamt up by Kraviz: “Without a moment's notice an Octopus appeared and devoured everyone in sight”. Supplied with this scenario, artist Tombo rendered his own unique visualization for the artwork that adorns the release sleeve. It's Kraviz's own nod to the labels that inspire her and grab her attention while digging through second hand records, the best of which were imbued with the unique personality of the people behind them. This extends to the sound Kraviz intends for трип: dusky, divergent and trippy music to stimulate brains, dreams and fantasies.

In this respect ‘The Deviant Octopus’ is a perfect introduction: Kraviz herself is represented on the tracklist by two new tracks that take up the mantle of last year’s Mr Jones EP by returning to the vocal-flecked hypnotic techno that marked out that release. Complimenting those are two new cuts from a true master of hallucinatory off-kilter techno, Terrence Dixon in his Population One guise.

Joining them will be a pair of names from the techno pantheon who have been huge influences on Kraviz: with a career that’s taken in releases on Synewave, Trax, Novamute and Richie Hawtin’s early-90s Probe Records, Steve Stoll has been mining his own variant on techno and acid minimalism for over twenty years, heading up the Proper NYC label and releasing under various pseudonyms, such as Cobalt, of which Kraviz has been a long-term fan. His counterintuitively titled ‘Pop Song’ sits alongside a 13-minute 90s techno excursion from Reykjavik’s Exos - the only previously-released cut (originally appearing on Thule Records sub-label Plast Trax in 1998) - together illustrating that трип will also live up to its name in the geographical sense: showcasing great music from historically vibrant electronic music scenes outside of the usual Detroit-Berlin axis.

With Kraviz looking to build a small repertory of talent around трип, this first release also makes room for two newer names: Bjarki is an Icelandic talent to keep a firm eye on, who drew Kraviz’s attention in a chance meeting after a gig at Copenhagen’s Culturebox club, after which he passed her a collection of mind-bendingly odd demos; while Parrish Smith is a talented Netherlands-based producer whose short yet impactful sketch ‘1.0 / 8.0 Afrika Genocide’ brings the second 12” to a bewitching close.

All tracks on ‘The Deviant Octopus’ will feature on Nina Kraviz’s DJ Kicks compilation, out in January 2015 on !K7 Records.

Tracklist: 
A1 Nina Kraviz - Prozimokampleme 
A2 Steve Stoll - Pop Song 
B1 Nina Kraviz - IMPRV 
B2 Bjarki - Polygon Pink Toast 
C1 Population One - Out of Control (Vocal mix) 
C2 Population One - Bonus Beats 
D1 Exos - Nuclear Red Guard 
D2 Parrish Smith - 1.0 : 8.0 Afrika Genocide

D1. Exos - Nuclear Red Guard

Vapor

Gesaffelstein & The Hacker - Crainte (Original Mix)

Dancing Box (Sleeparchive Remix)

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work.

Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. 

Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb.

Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss.

Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer.

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

>> @nthngnthng

BUY RELEASE

LT029 // nthng - It Never Ends

Original Copyright Owner Of This Song? Please Contact Me, If You Want Me To Remove This Track. For Promotional Use Only. No D/L Links Available. The Record Shown On This Picture Is From My Personal Collection
:)

Basic Channel - Phylyps Trak II/II

Creepr  Richie Hawtin, 80xx Original STEMS Remix

NINA KRAVIZ Essential (Mixed by IMPLSE) 
June 19

Playlist:

Curtain Twitcher Nina Kraviz Alice Was Here Remix
Nina Kraviz, Special Request
Houndstooth

Blue Train Lines Nina Kraviz Main Mix  (STRICKED, not in the mix...)
Nina Kraviz, Mount Kimbie
Warp Records

Ghetto Kraviz Regal 303 Dub
Regal (ES), Nina Kraviz
Rekids

Always Ascending Nina Kraviz Late Night Remix
Nina Kraviz, Franz Ferdinand
Domino

Always Ascending Nina Kraviz House Remix
Nina Kraviz, Franz Ferdinand
Domino

Always Ascending Nina Kraviz Techno Remix
Nina Kraviz, Franz Ferdinand
Domino

I'm Gonna Get You Original Mix
Nina Kraviz
Play My Track Recordings

Pain In The Ass Alexkid Remix
Alexkid, Nina Kraviz
Rekids

NINA KRAVIZ Essential (Mixed by IMPLSE)

Returning to трип after last year’s fantastic ‘cheerful pessimist’ EP, Vladimir Dubyshkin presents ‘budni nashego kolhoza’, an abstract portrait of the ‘everyday life of a collective farm.’

On these driving, iridescent tracks Dubyshkin is as self-assured as he is unhinged. He advances with a controlled intensity – taunting vocal cuts loop and spiral over pulsating, muscular rhythms that seem moments away from derailing. It’s a gripping descent into delirium, dragged ankle-first by Dubyshkin.

NINA KRAVIZ Essential (Mixed by IMPLSE)

FRANK SPECTOR

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