New Beat Belgium

acid techno rave and raw

div techno afspeellijsten

A playlist converted by Soundiiz from another music platform ! https://soundiiz.com

CLASSIC MIAMI BASS

Breakbeat; jungle tekno, breakbeat hardcore // Breakbeat hardcore and the origin of drum and bass used in UK raves // This is a ZAUT-playlist // Explore more playlists or submit music  on www.zautmusic.com !  // @zautmusic

UK RAVE

Explore days and days of warehouse worthy tracks. Updated continuously since 2012.

Old School Techno - Classic 80s & 90s Acid House & Hardcore - 1980s & early 1990s Rave

SUBURBAN BASE, MOVING SHADOW, R & S RECORDS, RAM, FULL FREQUENCY, REINFORCED, METALHEADZ, GOOD LOOKING, RENK RECORDS (HARDCORE, ACID HOUSE, ELECTRO, TECHNO, TRANCE,  JUNGLE)

90'S RAVE

The definitive sound of early 90's underground rave, spanning the many genres emerging at the time, from UK Breakbeat Rave; Belgian Techno & Dutch/US Hardcore. An archive of tracks played on dancefloors by the likes of Easygroove, Ellis Dee, Carl Cox; Bas

The Oldschool Rave Archives (Early 90's Breakbeat Hardcore/Techno/House/Jungle)

91-92 old skool hardcore scene rave tunes ,>*^-[]';/

AA - (Timebase) - Fireball

The 5th in the famous B-sides series from the 90ties. 


Compression Part2 - I Like it dirt-ee PROMOTIONALCOPY

Bizzy B + Peshay ‎– 2 Dope E.P.

1993

Bizzy B + Peshay  Merder Style 92/1993

X-Ray Dog - Pas De Deux (2015)- Lior Rosner (ASCAP) 50%, Jack Lawrence Starbuck Wilson (BMI) 50% - Album St. Bernard

X-Ray Dog - Pas De Deux (2015)

I keep calling these things refix's because I don't edit them enough to feel like they're remixes, nor am I working with stems so they sound too similar in my opinion, but whatever lemme know what you guys think.

<- Free Download

Second Phase - Mentasm (FCS Refix)

Straight From The Basement Of Kooley High!

Pump That Bass/LIVE

Can U Feel It? 88!

The Greatest Hits

It's Like That

Tales from a Danceographic Ocean

Stella

A Funk Odyssey

So Good to Feel Real

Dub War

Dub War (Chapter One)

Over the Rainbow

Summertime, Summertime

XL Recordings: The First Chapters

The Bouncer (Housequake Mix)

Uninvisible

Nocturnal Transmission

Trax Classix

Flash Cube

The Greatest Switch 4/5

TV Treated

Bam Bam

Manix - Special Request

Breakdown / So Low

Breakdown

Live At Legacy Festival 2014

Nothing Is True; Everything Is Permitted

Written and produced by Daniel Bell, Richie Hawtin, John Acquaviva

Cybersonik: Technarchy (1990) PLUS8003

Dominator

Dominator (Original Mix)

Tech Man 1

Changes Part 1

Krome And Time - This Sound Is For The Underground

Trans Volta - Disco Computer

Dj seduction come on

Dj seduction you can dance

The Alchemist: 1992-2012

Menace (Goldie Presents Rufige Kru)

Reza @ Decibel outdoor 2019 - Oldschool & Early rave - Saturday

RELEASE DATE: 2020-03-06
LABEL: Set About
CATALOG: SA056

Confusion EP

Phoenix Movement - Confusion (Original Mix)

May the 1st meets CODEX label boss Spartaque to release on Set About!
Another collaboration between Spartaque and Alan Wools this time on Bulgaria's finest techno imprint Set About. Created partly in Barcelona and Kiev and tested worldwide with premiere on the main floor of Mayday festival at Katowice, Poland.
Two tracks - "Saturn" and "Mars" are real techno stompers for a peak time of any rave followed by remix on "Saturn" track from another brilliant France based artist and producer - [ Wex 10 ].
Enjoy the release!

Saturn

Spartaque, Alan Wools - Saturn (Original Mix)

ARTIST:  Metodi Hristov
TITLE:  Wrong Orbit (Original Mix)
CAT.N.:  SA061
RELEASE DATE:  2020-22-05
SET ABOUT MUSIC

Wrong Orbit

Metodi Hristov - Wrong Orbit (Original Mix)

Artist:  Dimi Mechero

Title:  Local Knowledge

Style:  Techno

Label:  Set About Music

Cat.N.:  SA063

Release Date:  2020-06-19

Local Knowledge

Dimi Mechero - Local Knowledge (Original Mix)

We continue to celebrate our 20. birthday with some more new tracks from our closest label artists & friends.

spotify/beatport/vinyl

Spartaque & Greenjack - Fabula

Joyhauser - Warped

The Hypnotist - The House Is Mine

Terminal M welcomes back the Argentinian artist Beico ! He delivers a wonderful 3 track ep with some melodic bangers. Hard to choose which is my favourite… Please enjoy !

Beico - Wake Up

beatport/spotify/vinyl

Beico - No Human Sky

Premiering on his home base podcast series, Pavel is bringing the EXE AUDIO sound to the forefront.

https://www.facebook.com/PavelPetrovspage/
https://www.instagram.com/pavelpetrov_exe/
https://soundcloud.com/pavel-petrov

EXE Club Guest Mix - Pavel Petrov 013

Summer Classics 2013

I Need You (Radio Edit)

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!