Amazing set!! @frankdewulf what is the first tune?

ALL THE BEST SONGS!!! GREAT!!! KEEP ON GOING!!! :-)

This brings me back to the good old days, where i listened to Steve Mason to hear and buy the newest music. i love this....so great to hear you did this revival!

What is the tune at 55mins, after 3 Phase and before FUSE?

Digitalized and remastered by Timothy Cansse

Boccaccio jan 19th 1992 DJ Olivier Pieters

Frank De Wulf @ FUSE  THE SOUND OF BELGIUM

FRANKY JONES vs CJ BOLLAND @ 25 YEARS CHARLATAN (08.02.14 - VOORUIT)

Closing, Epic and allready Legendary DJ set from our 2 Belgium living legends 
who found each other last year playing fenomenal b2b for 6 hours at the Gentse 
Fieste. They did it all over at the 25 B-DAY edition @ Vooruit ...

BOOKINGS : frankyjones@gmail.com

www.facebook.com/frankyjones
www.facebook.com/frankyjonesfanpage 
www.facebook.com/christian.j.bolland

www.charlatan.be
www.facebook.com/charlatancafe

Live recording from event - Masterd by Dr Jones @ the Enterprise Soundlab.

FRANKY JONES vs CJ BOLLAND @ 25 YEARS CHARLATAN (08.02.14 - VOORUIT)

Hi All! Enjoy the 4rd mix in a row with another selection of 29 House Classics!

- A tribute to Boccaccio Life Destelbergen -

Peace & Regards,
Michiel Holtgreve a.k.a. Greyhawk

Tracklisting:

Arkanoid - Limit (In Full Effect Mix)
Lhasa - Taurus (Move Out)
V.I.M. - Maggie's Last Party (Club Mix)
B-Sides Vol IV - Moral Soundabuse
Fantasy Ufo - Fantasy (Raving Rage Mix)
Free Force - M.I.R.C.O.
Brainwave - How Do You Feel?
Digital Excitation - Dream Party (Straight FM Mix)
B-Sides Vol IV - Moribund
Bazz - Out Dope
All in 1 - Precious Silence
The Ravesignal Vol. 1 - Get Busy Time
Digital Orgasm - Running Out Of Time (Rave Mix)
Channel X - Groove To Move
Paragon - Time (Berzerks)
The Shamen - Pro>Gen
Second Phase - Mentasm Remix
B-Sides Vol IV - Imagination
Neon - Waves (Tragedy Mix)
Pleasure Game - Le Seigneur Des Tenebres (Predator Mix)
L&O - Megadrome d'Yore (d'Yore Dance Mix)
MNO - God Of Abraham
Dilemma - Erase Your Mind
Holy Noise - Get Down Everybody (Techno Mix)
The Deadkirks - Fucking Noise
Intellect - Hypnotising
Read Sector
Digital Boys - Kokko
Master Minds - We Want To Be Free

Greyhawk's Oldschool House Classics Mix IV [A Tribute To Boccaccio Life Destelbergen]

Cherry Moon Mixtape 1993 (Side B)

A mix about the genre New Beat around the period of 87 - 89 . 
A genre that gained much attention from the international music scene at that period.
It gained it’s influences from slowed down beats, new wave & ebm bass & Industrial and tribal percussion, Arabic & ambient theme’s, spoken word & movie samples, avant-garde effects, acid & house music and the fashion scene .
Thanks to the dj’s & artist, remixers, friends and listeners.
Enjoy !

00:00:01 - Yello - Live At The Roxy N.Y. Dec 83  (1984)
00:01:01 - Arbeid Adelt! - Death Disco (Todd Terje Edit) (1983)
00:04:10 - Dirty Harry - D’Bop (1988)
00:06:10 - Shakti - The Awakening (1988)
00:09:40 - Spiritual Sky - Sky My House Band (1989)
00:11:37 - La Rolls - Sure Is (24 Tracks Mix) (1988)
00:14:42 - Neon - Voices (1988)
00:16:26 - Erotic Dissidents - Move Your Ass And Feel The Beat (1988)
00:19:17 - The Maxx - Cocaine (1988)
00:21:17 - Fad Gadget - Lady Shave (1981)
00:25:09 - A Split Second - Rigor Mortis (1987)
00:26:51 - Space Opera - Mandate My Ass (1988)
00:29:21 - In-D - Virgin In D-Sky’s (1988)
00:32:10 - Acts Of Madmen - The Dream (1987)
00:34:25 - 16 Bit - Where Are You (1986)
00:37:29 - Major Problem - Acid Queen (1988)
00:40:00 - Taste Of Sugar - Hmm, Hmm (1988)
00:42:08 - HNo3 - Doughnut Dollies (1988)
00:45:05 - N.0.i.A. - Stranger In A Strange Land (1983)
00:47:51 - Public Relations - Eighty Eight (1988)
00:50:33 - A Split Second - The Colosseum Crash (1989)
00:52:33 - Snowy Red - Euroshima (War Dance) (1982)
00:55:29 - Moments Of Ecstasy - You And Me (1988)
00:58:40 - Spectrum - Total Recall (1988)

A Brief History Of The New Beat Culture Part 01 (87 - 89)

As recorded live at 'Petrol Antwerp': It describes best what I think is 'Old Skool' 90ties Club Music. Enjoy, Frank De Wulf

FrankDeWulfs Definition of OldSkool DJset May 2012

Frank De Wulf's Definition of OLDSKOOL DJset 2 
Recorded live @ YOKO ONO Ghent   13 januari 2013


FrankDeWulfs Definition of OldSkool 2 DJset @ YOKO ONO Jan 2013

Frank De Wulf's Definition of OLDSKOOL DJset 3
Recorded live @ DE:TUNED 'Petrol' 13April 2013

FrankDeWulfs Definition of Oldskool 3 @Detuned 2013

I Love Techno - Flanders Expo, Gent Belgium - 10-11-2001

From 19:00 hrs - 06:00 hrs

Line Up:

Red Room:

Cristian Varela
Dave Clarke
G-Force
Psychogene
Rush

Yellow Room:

Live: Push
Carl Cox
Jack de Marseille
John Thomas
Misstress Barbara
Mr. Sam

Blue Room:

Allison Marks
Danny Howells
Green Velvet
Lucien Foort
T-Quest

Orange Room:

Bandulu
Christian Smith
Marco Bailey
Michel de Hey
Slam
UMEK
Vladimir Trapeznikov

Green Room:

Anthony Rother
Chris Liebing
Frank Lorber
Ricardo Villalobos
Richie Hawtin
Sven Väth

Live At I Love Techno Radio 10

Psychogene Live @ I Love Techno, Flanders Expo, Gent België 11-10-2001

FrankDeWulfs MyDefinitionOfOldskool 4 - Belfast Style  May2013

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

FrankDeWulfs Definition of Oldskool 3 @Detuned 2013

Frank De Wulf

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