I've been playing this remix since it came out, love it!

Ive been after this tune for years now Ive found it tuuuune !!!!

i have this bit as another tune, without the dominator mix on top, but i can't think what it is.  any help?

Oliver Lieb

CJ Bolland   Horsepower (Boys Noize Rework)

Beltram & Program 2- The Omen (Afterlife Mix)

Paradox

Reverse

Step into the void with Jamles and his latest melodic techno journey — "Gravity."
This brand-new release pulls listeners into a world of atmospheric tension, emotional build-ups, and cinematic synths, showcasing Jamles’ signature sound: deep, powerful, and unapologetically underground.

“Gravity” is more than a track — it’s a sonic exploration of what holds us down, and what sets us free. Designed for both dance floors and introspective moments, this release continues to shape the vision of Jamles and his Obscura brand: mysterious, emotional, and authentic.

🎧 Listen now on all platforms – Spotify, Apple Music, SoundCloud & more.
🖤 Don’t forget to subscribe, like & drop a comment if you feel the pull of Gravity.

🌐 Follow Jamles:
Spotify → https://open.spotify.com/artist/4PwgD...
Instagram →   / jamles_music  
TikTok →   / jamles_music  
SoundCloud →   / jamles  
Linktree → https://linktr.ee/Jamles

#Jamles #Gravity #MelodicTechno #NewMusic #CinematicTechno #ObscuraEvents #EmotionalTechno #ProgressiveTechno #TechnoRelease #UndergroundSound #SpotifyTechno #MaskedDJ #DeepTechno

Gravity (Radio)

Liaisons D Future FJP

Human Resource Dominator (Frank De Wulf Remix)

As recorded live at 'Petrol Antwerp': It describes best what I think is 'Old Skool' 90ties Club Music. Enjoy, Frank De Wulf

FrankDeWulfs Definition of OldSkool DJset May 2012

Ecstasy Club - Jesus Loves The Acid

Fierce Ruling Diva - Whipped Kream

Suburban Knight - The Art Of Stalking

Frank De Wulf's Definition of OLDSKOOL DJset 2 
Recorded live @ YOKO ONO Ghent   13 januari 2013


FrankDeWulfs Definition of OldSkool 2 DJset @ YOKO ONO Jan 2013

This set was recorded while playing at Terminal @ The Winchester - Bournemouth, UK Feb 02.2013
Building it up slowly with my recent and upcoming releases...containing the new Oliver Lieb Track Rack To The Boots (Track.04) coming in early March on Parquet Rec. on my Rack To The Boots EP!

Thanks very much to everybody who was making this such a great night.
The audience, the venue, the sound...a very special thanks to Lee A. Williams for the booking!

Tracklist: 
Nr. - Track - Artist - Label - Remixer

01:  Last Day - Mauro Norti - Wide Angle Rec. - Oliver Lieb
02:  The Shortest Day - Oliver Lieb - Tulipa Rec
03:  Long Time Coming Remix - Kassey Voorn & Deepfunk - Microcastle - Oliver Lieb
04:  Rack To The Boots - Oliver Lieb - Parquet Rec. 
05:  Pons - Jacob Phono & Siinus - Circle Music
06:  Nation In A Funk Remix - Mogi & Rochelle - Tiger Records - Butch
07:  Rock Steady - Nikola Gala - Octopus Records
08:  Relentless - Pig & Dan - Tronic
09:  Lipstick Sucker - Citizen Kain - BluFin
10:  Interplanetary Remix - Child - Outpost Recordsings - Funk DVoid
11:  Squeal 3 - A Mochi - Figure
12:  Schumacher - DJ KoT - 66Khz Productions
13:  Syntax Redub - Michael Schwarz - Blind Spot Music - A Paul & Dj Slot
14:  Heart Of Flesh - Technasia - Be Yourself Music
15:  Rims And Prophet - Gabriel Ananda - 100% Pure
16:  Den Maler - Ozgur Can & Sia Yaraghi - Blu Fin
17:  Algoreal 12 Version - Gary Beck - Soma Records
18:  LFO Therapy Remix - Monad - Chroma Recordings - Adam Jay
19:  Xatire Remix - Larix - Naked Lunch - Static Sense
20:  Lower My Voice Remix - Rich Curtis - Release - Oliver Lieb
21:  Relic - Steve Ward - Tronic
22:  Natty Jussi Rmx - Renaissance Man - Turbo Rec - Jori Hulkkonen
23:  On Edge - Pig & Dan - Tronic
24:  Beautiful Day - Kosheen DJs - Skeleton
25:  Maffaking - Slam - Soma Records
26:  Throw Remix - Paperclip People - Planet E - Slam
27:  Merlin - Boys Noize - Boysnoize Records



Free DJ Set: Oliver Lieb at Terminal @ The Winchester/Bournemouth/UK Feb.02 2013

Whether you've heard of Frank De Wulf or not, his formative experiments in electronic music helped to shape the European and US scenes in the late '80s and early '90s. 

A contemporary of the likes of Derrick May, Joey Beltram and Sven Väth, he emerged from the Belgium New Beat scene – most notably via his 'The B-Sides' series – to tour the world, remixing other game-changing acts including The Shamen, Erasure, The Orb, Jam & Spoon and Orbital along the way. 

Taking a backseat from music when his post-production company took off, he sold this business in 2010 and has begun to venture into DJing and production again – much to DJ Mag's excitement. Read out full interview with Frank online now.

1. Subliminal Pulse – Bruno Sanfilippo
2. Jaana (Carlo Lio Remix) - Kaiserdisco
3. Miike Snow - The Wave Vanilla Bootleg
4. Ben Klock - Subzero
5. Cisco Arias - Switch 
6. Filterheadz - The Game 
7. Function - Disaffected
8. Gabriel D'Or - Bordoy Spremuta
9. Kaito - Inside River
10. UMEK & Siwell - You Get Used To All The Madness 
11. Steffi - Yours feat. Virginia
12. Phunk Investigation - Blade Scanner (Tomy DeClerque remix)
13. Ben Klock - Goodly Sin
14. Shifted - Control
15. Nick Hoppner - Ipso Facto
16. Ken Ishii - Pounding Out
17. Human Tech - Animal Instinct
18. Substance & Vanqueur - Resonance
19. Efdemin - Night Train
20. Steve Mac - Mousique
21. Kaito - Color of Feels
22. The Chain - Maje
23. Hertz - Manic
24. TomHades - Necisito
25. Ray Kajioka - Spark
26. Spektre - Mercury (Cristian Varela remix)
27. Caytas Patz - Are You Afraid  (Joel Mull dub edit)
28. Gregor Tresher - About a Good Place 
29. Ray Kajioka - Thrill 







DJ Weekly Podcast: Frank De Wulf

From Our Minds To Yours, Vol. 1

Manik Man

33 1/3 Queen - Searchin (Original Mix)

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

Human Resource Dominator (Frank De Wulf Remix)

Frank De Wulf

Recent comments

Martin Coxhead

Nayomi

real KHz

Terry Bates

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