The purpose of this piece is to accompany the Middle Pillar Ritual as taught by Isreal Regardie. Regardie's book The Middle Pillar has a great deal of information on this profound practice. 
Here is how it's meant to work:
The first sound is of the Sephirot Kether.
Then comes the melody derived from "Eheieh" (each Hebrew letter gets a note).
Then comes the note attributed to the Path of Gimel.
Then comes a sound for Daath.
Then the melody derived from "YHVH Elohim".
Then the path of Gimel again.
Then a sound for Tipharet
Then the melody derived from "YHVH Eloah ve-Daath".
Then the note for the path of Samech.
The a sound for the sphere Yesod.
Then the melody derived from "Shaddai El Chai".
Then the note for the Path of Tau.
Then a sound for Malkuth
Then the melody derived from "Adonai ha Aretz".
Then three subtly different soundscapes for the circulation of the light.

The pitches/melodies in this piece, for the Paths and Names at least,  are derived from the correspondences outlined in Thom Parrott's essay The Musical Qabalah, to be found in the appendix of Regardie's book The Middle Pillar. The sounds I have used for the Sephirot and the circulation of the light have been of my own devising. Its a work in progress for sure... I hope you enjoy!

Middle Pillar Short Demo

The purpose of this piece is to accompany the Middle Pillar Ritual as taught by Isreal Regardie. Regardie's book The Middle Pillar has a great deal of information on this profound practice. 
Here is how it's meant to work:
The first sound is of the Sephirot Kether.
Then comes the melody derived from "Eheieh" (each Hebrew letter gets a note).
Then comes the note attributed to the Path of Gimel.
Then comes a sound for Daath.
Then the melody derived from "YHVH Elohim".
Then the path of Gimel again.
Then a sound for Tipharet
Then the melody derived from "YHVH Eloah ve-Daath".
Then the note for the path of Samech.
The a sound for the sphere Yesod.
Then the melody derived from "Shaddai El Chai".
Then the note for the Path of Tau.
Then a sound for Malkuth
Then the melody derived from "Adonai ha Aretz".
Then three subtly different soundscapes for the circulation of the light.

The pitches/melodies in this piece, for the Paths and Names at least,  are derived from the correspondences outlined in Thom Parrott's essay The Musical Qabalah, to be found in the appendix of Regardie's book The Middle Pillar. The sounds I have used for the Sephirot and the circulation of the light have been of my own devising. Its a work in progress for sure... I hope you enjoy!

Frater Battuo

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