Wow...How sweet fantastic vibes...Love your Rime&Low cool vocals..Amazing FRAWSTAKWA!!

real cool opening track for the comedy series, feeling the vibe and getting me in the mood, real cool underground feel and super catchy!!!

Produced, composed, arranged, lyrics & vocals by hLo(@hLo-64)
Mastered by Woods Studio Norway (@woods_studio)

In September 2019, I went for a gig in the saloons of the Ogc Nice stadium (remember the time when it was still possible !). The organizer arranged to meet us at the Burger King car park. I thought to myself, what a peculiar place for a rendez-vous? This inspired me this song.
---
Produit, composé, arrangé, paroles & vocaux par hLo(@hLo-64)
Masterisé par Woods Studio Norvège (@woods_studio)

En Septembre 2019, je suis allé faire un concert dans les salons du stade Ogc Nice (rappelez-vous l'époque où c'était encore possible !). L'organisateur nous a donné rendez-vous au parking du Burger King. Je me suis dit, quel drôle d'endroit pour un rendez-vous ? Cela m'a inspiré cette chanson.

BURGER KING BLUES

Je t’attendrais au parking,
Au parking du Burger King,
 Je porterais mon costume croisé ,
Tu sais celui qui te plait.

Baby, prends bien tes vitamines, 
On tracera loin, loin des abimes, 
Au volant de ma Cadillac ,
J’espère que t’es pas insomniaque.

Tu porteras une robe d’été,
 Cheveux de jais sur décolleté,
 Le temps s’arrête quand tu parais.
 
 Burger King Blues  (x2)

Je t’attendrais au parking,
Au parking du burger king,
 J'me mettrais peut’etre en smoking ,
Tu seras plus belle que j’l'imagine.

Tu sais pour moi c’est pas les Grenadines,
 Ni les weeks end aux Philippines,
 J'suis pas un prince de magazines

J’aimerai tant voir l’Italie,  
Aller plonger à Camogli ,
Flaner la nuit à Napoli.

Burger King Blues  (x2)

T’es jamais venue au parking,
Au parking du Burger King,
 Tout ca, tu sais, c’est dans les films, 
Du style Marilyn et James Dean.

T’es jamais venue au parking,
Au parking du Burger King,
 J’me sens comme une quille de Bowling,
 Tout seul au milieu du parking.

Like a Bowling Pin (x3)

Release date: April 30, 2021
©hLo 2021 All Rights Reserved

Burger King Blues

Suspensex

Living High

A song that touches on the realm of mental health and how we need to help break down the defence of such a powerful illness. It’s not a box to tick or a problem to solve its far more complicated than that. 
If theirs someone we love or just someone we know or even a complete stranger just shine a little light into there corner. This will let them now they are not alone and we are here to talk and help. 
The song as been recorded with live instruments remotely and me and Sarge  we would like to thank the musicians who got involved.
Sarge as produced, played several instrumentals and liaised with the other musicians to make this happen. Enjoy

Darkest Corner ~ Under This Sun _

Beat#8

opening theme music for The Laughing Pad, a New York City standup comedy series and livestream…

https://linktr.ee/thelaughingpad

#TheLaughingPad #frawstakwalive #frawstakwaforyou 

#NewYorkCity #NYC #comedy #comic #standup #live

welcome (theme from #TheLaughingPad) WIP…

Having washed his soul in the River, the main character from my last song has now become a better Man, well nearly a better man. When you listen to the lyrics i think we may all agree that he might have to make a visit back to the River ..pretty soon.

Used the same guitar as the last time, added some distortion to the lead guitar to add dynamics at the chorus and introduced an acoustic guitar in the Right speaker with the bridge pick up guitar in the left speaker, sort of spreads the sound, I loosened the snare on the  snare drum to get more of a rattle and pumped up the kick a bit. Hope you like it ..All you sinners .

Written, played and produced by: The sinner Johnny Mc Farlane.

A Better Man

Original music by: FPMORINSTUDIO/Francois Pierre Morin

FOLK POP 2022

This is actually a remix of the song “Where We Want To Be” which I shared about four years ago when I first joined Soundcloud.   “Winter's Road” was in fact the original title when the song was written.  So I decided to fall back to that with this remix.   See what you think.

Thanks so much for stopping by.

[Credits]
Music / Vocals / Arrangement / Programming / Keyboards – Michael C. Lynn
Lyrics – Ron Carnell
Electric Guitar Solo (Intro & Ending) – Dave Cleveland @Band_in_a_Box
Piano Solo - John Jarvis @Band_in_a_Box

[LYRICS]
I cannot speak for all who stem
Long road less traveled as their way,
Nor question choices made by them
In days long past or nights long dim
By words they spoke and did not say.

(Chorus)
All roads lead to where we go
Where we go is where we have been,
So home’s just a word we know,
For where we want to be again.

From North to South, then back again,
I followed birds like all the rest
Escaping nature's snowy den
On roads I've seen and places been,
Forsaking roads that traveled West.

Repeat Chorus

For even home, it seems to me,
Is still a choice we all must face
From day to day and endlessly,
To choose if home is gonna to be
Another road or just a place.

Repeat Chorus

© Myst Songs 2018 / 2023

Winter's Road

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Made in #Ableton (2019)
Vocoder; Boss VO-1

Genres;
#Electronic
#Pop

Behind These Walls

connect here…
https://linktr.ee/frawstakwa

#frawstakwaforyou 

#frawstakwapella 

#frawstakwrumental

#frawstakwalive

welcome (theme from #TheLaughingPad) WIP…

FRAWSTAKWA

Recent comments

Odd Ron UC

Couch King Presents

Couch King Presents

Junzo Support

Related tracks