Love it mate. sounds a bit Turing brakes to me.

Another great piece of songwriting and sublime work on those vocal harmonies.

Great tune! You both sound great together ❤️

Stunning sound and harmonies, brilliant songwriting.

Heard this on VOWR 800 Unsigned Radio Hour with the Rayna

Related tracks: Brother Timothy Clark - Bluesy Type Jam

Brother Timothy Clark - Bluesy Type Jam

Danger Music

With silken eyes you fight the wind
and turn your back and seize my brain
where our golden pleasures sing
lost in clouds we watch us play

Awake awake we slowly go
among the tents in sweet delight
and when we’re there we rightly know
and turn the days in beams of light

When you were dancing in the trees
glanced at me like summer`s pride
a fine array, the winding sheet
your sorrow ghost will strike the night

How sweet we roamed in wintry cold
peach-like skin, your crystal smile
beneath your wings we safely go
in times of youth and distant skies

Awake awake we slowly go
among the tents in sweet delight
and when we’re there we rightly know
and turn the days in beams of light

ada, ahania...

Moon Gardens

Ousia

Signs

cut up (visit on YouTube)

Eostre

Sharp Black Shoes

DRUMAX present Track No. 4 : AFROFUNK
@joerxworx >> Composition, Arrangement, Flute, Ewi, Percussion, Mix & Production 
@docfritz >> Drums and Artwork
© 2022 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX PROJECT

AFROFUNK

DRUMAX No. 4 // AFROFUNK

Gimmie Dhat Kandy Now

Gimmie Dhat Kandy Now Boy

A collab between Dred Fouglas & Shadow of the Hatman.

Dred Fouglas: Vox, Acoustic Guitar, Bass, Lyrics
Shadow of the Hatman: Drums, Backing Vox

Lyrics:

This bitter road is all I’ve known
Pitch black and ever winding
like the spine of some spiteful soul
Here no light can find me
Only nightmares and crushing lows
down this trail of misfortune
Born to spread this grief that fills my lungs,
‘cause grief is my infection

Breathe it in, to me it feels like home
It feels like rain when you’re alone 
A dying friend when you need them most
A violin when it plays sad notes A candle blowing out when you see your loved one’s ghost 

This bitter road will not dead end,
I just pave it further every day
Made from all the things I try to forget
as they burn away my brain

Breathe it in, to me it smells like home
It feels like shame when you atone
A dying dream when you want it most
A bloody hand when you cut too close A glimpse of paradise when you’re trapped on Bitter Road

There is no wind that blows
No pretty trees or stars
And I don’t remember 
where they’ve gone
The darkness pressed against my skin
I’ve lost the will to care
The man that’s standing here is gone, gone, gone
There is no weapon greater than the emotional scar
This bitter road is my cell

Bitter Road

V-Immaculate

Midnight Ramble

The banjo is a musical instrument with African origins, believed to have been developed by enslaved Africans in the Caribbean and later brought to North America. The exact origins of the banjo are unclear, but it is thought to have evolved from similar stringed instruments in West Africa, such as the akonting or ngoni

The banjo first gained popularity in the United States during the 19th century, particularly in the American South, where it became associated with African American music and culture. Early banjos were typically made with gourds for resonators and animal skin for the drumhead, and were played using a technique called frailing or clawhammer, in which the player's fingernail or a piece of bone is used to strike the strings

In the late 19th century, the banjo underwent a period of rapid evolution, with improvements in materials and construction leading to the development of more sophisticated and versatile instruments. One important development was the introduction of the resonator, a wood plate behind the open drum that increased the volume and projection of the banjo's sound. Another was the development of the five-string banjo, which added a shorter fifth string that allowed for more complex playing techniques

The origins of the 5-string banjo are unclear, but it is believed to have been developed by African American musicians in the mid-19th century. The addition of the fifth string, which is shorter than the other four strings and is tuned to a higher pitch, allowed for a wider range of notes and made it easier to play certain melodies and chord progressions

One of the early pioneers of the 5-string banjo was Joel Sweeney, a white musician from Virginia who popularized the instrument in the mid-1800s. Sweeney is often credited with introducing the shorter fifth string, as well as other improvements to the banjo, such as the addition of frets and the use of metal strings

However, it's important to note that the development of the 5-string banjo was likely a collaborative effort among many musicians, both black and white, and its exact origins are difficult to trace. Nonetheless, Sweeney's contributions were significant and helped to establish the modern form of the instrument that is still popular today

During the early 20th century, the banjo became a popular instrument in a variety of musical styles, including jazz, blues, and country music. The instrument was played by a number of famous musicians, including Earl Scruggs, who popularized a three-finger picking style that became known as the Scruggs style

In recent years, the banjo has experienced a resurgence of popularity, particularly in the realm of folk and Americana music. Today, the banjo is played in a wide range of styles and genres, and is appreciated for its unique sound and cultural significance in musical storytelling 

JTS

Jump Blues

Banjo Blues

Point of No Return

Opening loop by Wou-Wou & The Wormling @wouwouandthewormling.

https://soundcloud.com/wouwouopencollab/1a-nintendont-91bpm-4-4

Image (CC0 Public Domain) by omaryasser

Pixelated

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Inexplicably the man know as Dred Fouglas was born in the year 1913 to two women. In some strange way, they both gave birth to each half of his body. He was rightfully left in the woods at birth. In 1917 he was first documented crafting a stringed instrument from bailing twine and shovels. Feared by the town, he was persecuted and declared a "sheehogue" and a "vargulf" despite having 1 confirmed kill against a werewolf.  He fled the town to become an extra in the Roman Polanski film "Rosemary's Baby". Several years later he read from the Naturom Demonto in East Tennessee and began writing songs that are responsible for at least 13 killings. He now resides with his wife and 24 children in the suburbs of Port Banguss, Maine, smoking his pipe and writing gloomy music is his mildewy garage.

Bitter Road

Dred Fouglas

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