Track Premiere: 'There Weren't' by @cares [@zabrarecords]
Read More:  https://paynomindtous.it/therewerent-cares-zabra/
Pre-order: https://zabrarecords.bandcamp.com/album/nerve-day/
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James Beardmore aka Cares is a Toronto-based musician and experimental producer from Birmingham. Influenced by his multidisciplinary background in improv and visual art as well as by his teenage experiences with punk bands in the UK, the artist resorts to audio sources such as field recordings, samples, and both hardware and software instruments for his inspired and skillful sound design that touches at the same time industrial, ambient/noise, and club-oriented music. Later this month, Cares will appear with the 10-track cassette called Nerve Day on the multi-disciplinary electronic label ZABRA, started in 2018 and based in Lisbon, and focused on the interaction between music and performative and digital art.

Cares previously appeared on labels like Collusion, & Options, and early this year on Table Scraps, while also being an active member of the global collective No Exist together with Okay Vivian, Ylang Ylang, and Così e Così. In the course of his prolific career, that brought him to cross path with diverse music communities and pivotal figures like Suzanne Ciani, Lee Ranaldo, and Rabit just to name a few, the artist has been continuously evolving and shaping his production in a multifaceted, morphing entity, both on the stage and in the studio. His latest endeavor, recorded last year in Toronto, is but the latest example of versatility and mastery of sound elements converging in fragmented, unpredictable, and emotional pieces of abstract electronics.

Reportedly inspired by the role of the human nervous system in "interpreting and creating reality", Nerve Day meddles with evocative sound textures, gnawing noise, eroded kickdrums, and bursting electrical discharges in an attempt to shape a free-form, non-conceptual representation of the relationship with one's self and external reality as well as the interactions between conscious and unconscious drives. The final outing is a mammoth audio chimera that can be as elusive and tranquil as it can be eventful and unforgiving, much close to an unfiltered stream of consciousness in the form of pressure airwaves.

Nerve Day will be published in the form of a limited-edition, 40-page art publication designed by Cares himself, together with custom-packaged cassettes mastered by Graham Galbraith-Nolan. The release is set for next Friday, March 26, and you can pre-order your copy at this link. Today, we are presenting on our channels the third track of the record, called There Weren't, and possibly the most aggressive among the others thanks to its abrupt sound explosions, distorted kicks, and detuned synth stabs that suddenly switch off and mutate in the most tender and ethereal melody. Don't miss this stunning record on ZABRA!

Cares - There Weren't [PAYNOMINDTOUS Premiere / ZABRA]

IWANTURBODY (MYEN BREACH BOOST EDIT)

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atosigado - espina

Cold, frenetic and packed with twists and turns, ECLIPSE captures TCV in playful form. Berlin-born and bred, the professional guitarist and producer paints soundscapes primed for synesthesia: one moment cosmically rearranging the planets, the other capturing a neuronal scramble for dopamine. It’s music that’s angular like a sharp corner in Wipeout and emotionally ambiguous like a cyber tribal tattoo.

Written & produced by @tcvbln
Remixed by @iamxato @chao54ngel
Mastered by @astytekk
Graphic design by Zhecon_ & Julia Hartmeyer

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TCV - FULL MARS

We Understand Each Other Better When We Are Silent

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

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KRONOM & MAX DAHLHAUS - LOSING GRIP

@starleaf
The 44th release of katharsis is the debut album “Late Bloomer” by the malmö-based entity Starleaf. A whisper caught between interstellar winds, a tale of a cosmic protagonist - something growing, something distant and near at once. The album manifests the ethereal spirit of Starleaf with deep rhythmic pulses of bass sprouting from the deep, strong melodic forces of trancey synths and hard-hitting space-warping percussion.

Starleaf is an organism thriving on the edge of the comprehensible, drawing from energies that defy the natural laws we claim to know. In its branches, rhythms weave, harmonic growth pulses, and textures bloom from the nexus of the organic and the alien. Its origins are a paradox of seed and starlight, where sound becomes a tendril, twisting through Malmö’s underground and far beyond.

Artwork by jjjacob
Mastering by jjjacob & Starleaf

Late Bloomer

Jester (feat. Gina040)

Starleaf - Jester feat. Gina040

Nerve - Ming Fung 鳴鳳

mix 155 by @kakhagelashvili ᡣ𐭩

ᯓᡣ𐭩 monker178 - cicadas tall shadows of the afternoon
ᯓᡣ𐭩 Camille Keller - Get it
ᯓᡣ𐭩 Elevation - scrolling dirtydirt instagram on Glenwood Ave
ᯓᡣ𐭩 beloved trinket  - Meek
ᯓᡣ𐭩 Sioban - If a prey crossed our path
ᯓᡣ𐭩 vio lino - empire
ᯓᡣ𐭩 cash - cloudburst (cenaceae remix)
ᯓᡣ𐭩 vio lino and tettix hexer - chasing butterflies (porter robinson - sea of voices mothcore flip)

(155) Kakha Gelashvili

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bookings: brandon@lb-agency.net
inquiries: slikback.management@gmail.com

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