The Experimental & Warped 9

ACEN3001 (All Centre 3rd Anniversary Compilation)

Jennifer Walton (ft. BFTT) Flash On (Breaks Mix)

Listen to the exclusive GROOVE-Premiere of @Galtier's Remix of @Mesqit's track „Rebirth", taken from the „Coffin Sounds EP”  on @SacrilejioRecords. Released digitally on September 20th.

Read our introduction here:
bit.ly/3hKXOLu

Mesqit - Rebirth (Galtier Remix)

Riteskeeper I

Please Stop Killing me

Invincible Girl

EP DL

MIEN

ERIT

For EYX010 London-based Italian producer Ikävä Pii returns on the label (following their first appearance with ‘EPOS Digitale’ from September 2021) with a new mind-melter EP titled ‘Process
Fatigue’, their first release of 2022.

Written “literally” while keeping “Discord and Ableton open at all times” and funnelling “ideas from one channel to the other”, ‘Process Fatigue’ contains four quirky club ready cuts reflecting the
intent of the artist in developing new creative processes.

A downshifting sound signals the beginning of Protocol Art, the opening track introducing the listener to the new broad palette of sound from the Italian produce. This dance tool plays around
the alternation of rhythm and melody, while enveloped synthesisers and warped samples convolute into kaleidoscopic musical textures until the last bell hits and dissolves into silence.

Fast paced hit-hats, a syncopated rhythmic session and analog harmonies and effects follow next in Group Chats with High Signal-to-Noise Ratio Become Coops, delivering an unconventional DJ
tool with an incredible attention to sound designs.

Reaching towards the core of Ikävä Pii’s latest work there is title track Process Fatigue, which brings the listener into dark dubstep and obscure dance influenced territories driven by leading sub basses, an incessant kick and a glitchy percussions.

The closing cut is Relevant Channel which kicks off with atmospherical pads, a combination of wild gamelan percussions, tweaked synthesisers and time stretching effects succeeded
imminently diverting the track into a flamboyant rhythmic dance.

Ikävä Pii said:
“How do we decide how to decide? Process Fatigue is an involuntary reflection of the shared
Sisyphean nature of grassroots organising and artistic creation.
It was composed while researching a method and developing a set of tools for both SODAA (the
London collective working on a model for a community-operated club) and a new personal
creative cycle; Discord and Ableton open at all times, ideas crossing from one channel to another -
while also adjusting to chronic tiredness.
New protocols spawn new art and ways of sharing it - but avoid fetishising the process, or you’ll
get stuck. Just make the tune! Do the party! Mess up! Have fun!”
‘Process Fatigue’ is available on all platforms starting from Friday 18th November 2022.

OUT NOW!

Ikävä Pii - Process Fatigue

Prolific Japanese producer T5UMUT5UMU has built up a reputation in the last few years for his ability not just to recreate club styles but to flip them into almost unrecognizable dancefloor hybrids. "Sea of Trees" follows a blistering run of Bandcamp releases where T5UMUT5UMU has melted together gqom and techno, deconstructed grime and welded dubstep to traditional music from Japan and India. Here, he's operating completely off the grid, pulling raw materials from across the globe and hammering them into confounding shapes and patterns.

On its surface, 'Fireball' sounds like a liquid metal approximation of South African gqom, but move in closer and you can make out dubstep bass squelches, trap hats, and industrial techno jet propulsion filling in the gaps with rubberized mortar. 'Desert' is the EP's most lightheaded cut, a psychedelic percussive spiral that curves micro-tuned mbira clangs around bee sting bass, aerated noise blasts and sub-aqueous kicks. It's a hard track to place, but fits in somewhere between Donato Dozzy, Menzi and 33EMYBW, all shifting rhythms and precision-edited sound design.

'Sea of Trees' retains this momentum, pushing the tempo and interspersing woodblock vibrations with syncopated bass drums and goosebump-inducing synths, while closer 'Bottomless Valley' shifts back into a gqom framework, shuffling the expected pulse with a powerful dembow swing, half step subs and Indian-inspired rattles. "Asyl" is a varied but shockingly coherent statement from an enigmatic producer who refuses to confine himself to a single path, and at a time when "cross-genre" is the norm rather than the exception, it's refreshing to witness a producer who's unafraid to truly make stylistic left-turns, rather than simply mash together top-level aesthetics.

Sea of Trees

Desert

Qetsy - Malaclypse

co-released with SODAA Club, 3 Swords Republic, Hard Return, HI-NRG, New Scenery, Sly Tone, and TOO MUCH INFORMATION !!

We're happy to contribute to this special release organized by SODAA Club, to support their activity with a selection of tracks from their compilation, curated by members of the Global URL Nation  (. ❛ ᴗ ❛.)

+++
SODAA Club is a community developing a decentralised governance model for a music & arts venue in London.

Their first release explores the foundations of their own sound - with members and friends of their commmunity, the 31-track compilation is "genreless and fluid, self-organised and bottom-up."

Inspired by the decentralised release of Alkisah by Senyawa, any label sharing similar values could release their own version : "the artists and the labels participating in this compilation believe in a more equitable and collaborative future for our scenes, one guided by principles of solidarity economy, distributed decision-making, and the rejection of capitalist notions of culture, music and space."

+++
The profits will be split between the artists and SODAA, as a way to raise funds for their long-term goals, with a part going to the labels for their help.

If you want to support the project further, you can also donate via Open Collective : opencollective.com/sodaaclub

++ SODAA CLUB ++

Web - https://sodaa.club/
Insta - https://www.instagram.com/sodaa.club/
Bandcamp - https://sodaaclub.bandcamp.com
Soundcloud - https://soundcloud.com/sodaa_club


++ TRACKLIST ++ 

01. PiroPiro - A Harmless Way
02. Ikävä Pii - A New Set of Tools
03. ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTIONS - NOKIA 2023
04. JMEG - huh?
05. Graver Ekow - Santa
06. DJ Double Oh! - Soulseeker X
07. excel dj - wifi enabled human image objectification
08. ovid - upstream
09. Klahrk - Out My Mind
10. Valeria Radchenko - drith
11. CSV - Lasers
12. Bubble People - Duplicate
13. Hard Fantasy - Trifex

++ CREDITS ++

All tracks written and produced by the artists, as credited.
Mastering by Works Of Intent.
Artwork by ROOO.

Curation by CLM + HeedLess, muein, P I T, RougeHotel & Sxmbra

DOWNLOAD

Hard Fantasy - Trifex

Superficie is a collaborative EP composed by Ice_eyes and Sueuga.

Produced across Athens (Greece) and Distrito Federal (Mexico), Superficie emerges from two distinct artistic personalities; contortions of jungle-breaks and ferocious bursts of noise are welded together through jagged hard-dance rhythms, begetting a dystopic glimpse into post-pandemic club music.

Through the course of sixteen minutes, the percussive and industrial, anarchic and methodical collide at blistering speed, conjuring a riveting and utterly amorphous hybrid-sound.

This hypnotic journey concludes with an enigmatic remix of “Superficie” by the exalted experimental producer Ziúr.

Tracklist: 

01 - Ruinas Futuras
02 - Superficie
03 - Incubar
04 - Crecer / pudrir
05 - Superficie (Ziúr Remix)



(w)&(p) by Anastasios Tatsis and Manolis Elijah Sueuga
Remixed by Ziúr
Mastered by Gianmaria dell’Aera
Artwork by Marco Berardi
(p)&(c) Arboretum 2023 - all rights reserved

Superficie

Ice_eyes x Sueuga - Superficie EP (incl. Ziúr remix) -Previews

https://dimionline.bandcamp.com/track/garden-of-eden-type-beat

swag swag swag

shoutout to everyone who gave me feedback and encouragment to finish this track, extremly happy with how it turned out

mwah,
dimi dot online

garden of eden type beat

Out of the Ordinary

Give me Acid

Album art by tissue-hunter.tumblr.com
˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥

꒦ິᴗ꒦ິ

bookings: brandon@lb-agency.net
inquiries: slikback.management@gmail.com

You only know what you’ve had until it’s gone.

ERIT

slikback

Recent comments

TREVØR

DJ GIRL

TOMOYU

Related tracks