Tzusing Set

Produced by @KAVARImusic
Composed by Samuel Barbier-Ficat & @antivairas
Written by @antivairas
Recorded by DJ Duke at Pamoja Studio (Dar Es Salaam)
Artwork by Maria Joranko
2022 @nyege-nyege-tapes

kidogo feat Anti Vairas (KAVARI remix)

'Projections', out now on Ninja Tune imprint Technicolour: https://vtss.lnk.to/projectionsSo

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Projections

Why we don’t deserve nice things

Tzusing - 孝忍狠 (Filial Endure Ruthless)
Label: PAN
Cat.No.: PAN 123S
Release Date: 02 February 2023
Purchase: pan.lnk.to/FilialEndureRuthless

Tzusing shares '孝忍狠 (Filial Endure Ruthless)', the first single from the upcoming full-length album '绿帽 Green Hat' out via PAN on March 31st.

Mastered by Enyang Urbiks
Cover photography by Xiaopeng
Artwork by Virgile Flores

Tzusing - 孝忍狠 (Filial Endure Ruthless) (PAN 123S)

Dissolute I

Sucuri

Sucuri (ft. Iguana)

Loran Cleric

Tzusing - 绿帽 Green Hat
Label: PAN
Cat.No.: PAN 123
Release Date: 31 March 2023
Purchase: PAN.lnk.to/GreenHat

Mastered by Enyang Urbiks
Mixed by Jondu
Cover photography by Xiaopeng
Artwork by Virgile Flores

绿帽 Green Hat

Tzusing - 趁人之危(Take Advantage) (PAN 123)

https://lilatirandoavioleta.bandcamp.com/album/accelarated   

"All Day I Hear The Noise of Waters" a signature high tempo hot-blooded, percussion-heavy but slick touch, switching between rhythms and upping the energy on each switch.

@verraco - @sinmaldita - @lilatirandoavioleta

Hyperdub Records 2024

ACCELARATED

All Day I Hear The Noise Of Waters - Lila & SIn Maldita (Verraco Remix)

a collection of tracks made between 2021 and 2024 that i never knew what to do with
i also cant open the project files for most of these ffs
so this is what's left ::)
<3

Barkurkz (2024)

Digital Hundebiss is back, even though it's not Bandcamp Friday—because not even Bandcamp wants us rich. To be completely fair, it's not even Friday. 

This month, we have a special delivery from our friend Assyouti. 

https://assyouti.bandcamp.com/album/tough-choices-mister-blister

"Tough Choices" is a 167 BPM drumfunk-influenced percussive exercise, layered with Assyouti's signature distorted vocal samples and a roaring bassline. This high-impact combination of texture and rhythm is sure to feed hungry sound systems. 

Meanwhile, "Mister Blister" rolls in at a brisk 100 BPM, delivering a double-time momentum that drives the track forward with relentless force, exuding a sense of urgency and energy.

Assyouti - Mister Blister (DH009)

Kamixlo - DEATHWORK
Label: PAN
Cat.No.: PAN 144
Release Date: 26 July 2024
Purchase: pan.lnk.to/DEATHWORK

A peppery smorgasbord of industrial rhythms, razor-sharp stabs and provocative vocals, 'Deathwork' is Brixton-based Kamixlo's strongest statement yet, sandwiching earworm-laced pop between refried layers of euphoric back-room ambience and visceral hard dance distortion. It's been four years since Kamixlo poured his heart out on his acclaimed debut album 'Cicatriz', and he's been experimenting incessantly since then, figuring out how to integrate bold, memorable hooks into his signature alloy of burnished synths and mangled samples. And if its predecessor represented catharsis after a discomfiting period of loss, 'Deathwork' finds Kamixlo's emotional load lightened, freeing him to survey and tighten his formula by traversing club music's most eccentric, genre-agnostic fringes.

The young DJ and producer cut his teeth in the early 2010s, forming the iconic Bala Club party and label before deploying a series of EPs that accurately captured the era's voracious zeitgeist. Muddling references to nu-metal and emo classics with nervy dembow and bass deconstructions and dissociated SoundCloud rap thuds, Kamixlo characterized a new type of inclusive artist, unprejudiced by preconceptions of the underground or mainstream. 'Deathwork' builds on this legacy and widens his outlook substantially, urging listeners to step towards the dancefloor no matter how they might engage with music. And for the first time, Kamixlo seamlessly amalgamates his delirious bass-heavy atmospheres and kinetic beats with vocals, incorporating compelling performances from reggaetón sensation Isabella Lovestory, avant-pop outsider Puzzle, and Drain Gang's infamous Bladee. There's even an appearance from Berlin's Mechatok, who shows out with a production assist on the album's syrupy closing track 'Insect'.

From the ecstatic opening breaths of 'Ketamine Fields', it's clear that Kamixlo's in a fresh headspace. Weightless angelic voices curve gracefully around overdriven rave-ready bass twangs, while muffled, blown-out drums echo somewhere in the distance. It's the perfect pre-game to an endless, messy night, leaving Isabella Lovestory to lurch towards the mass of sweaty bodies on 'Pitch Black', rhyming sensually over Kamixlo's provocative metallic plucks and slow-motion dembow pulse. And by 'Combe', the peak time energy is palpable, with carnivalesque percussion and eardrum-popping high pitched squeals that grind against the pummeling gabber kicks. Puzzle brings the album back down to earth on 'Chaos', casually free associating and providing a light-hearted counter to the fog of machine crunches and deranged laughter.

On 'One More Night At The Line', Kamixlo carves the house blueprint into a neurotic chatter of helium voices and cocky slams, and when Bladee arrives in a wisp of smoke on 'Death Forever', the noise has calmed a little. Here, Kamixlo flexes his most exploratory muscles, nesting Bladee's grungy voice in an erratic tangle of muted, almost pacifying, black metal screams and nursery rhyme chimes. It's a paradox that perfectly encapsulates the scope of 'Deathwork', an album that continually flips expectations, turning in on itself and questioning its own logic without ever losing its momentum.

Written and produced by Kamixlo
Mixed by Felix Lee
Mastered by Enyang Urbiks
Artwork by Daniel Swan

Deathwork

Kamixlo - Ketamine Fields

Taken from SBKT065: ABADIR & Nahash - Marchadair مرشدير
Release date: 25th September 2024

Over the past few years, Nahash and ABADIR have been sharing food recipes, the same sense of humour, and their love for 90's rave, Beth Gibbons, Sun Ra, and grilled lamb. They met last summer for the first time and enjoyed a B2B together during a label showcase in Fano, Italy. Their memories of and appreciation for 90’s and early 00’s Arabic pop music inspired their first collaboration on SVBKVLT. Marchadair is the distillation of the meaty club sound by both producers; ABADIR’s micro-edited audio sampling and surgical chopped percussions mixed with Nahash’s lavish dub techniques and hefty bass, all serving as the main ingredients for these 4 heavyweight tracks. To close the menu, the EP features remixes by Ehua and Toumba.

The track titles play on a symbolic link between both artists and their native languages, using French words that have morphed into Egyptian slang. This Franco-Egyptian mixture echoes the hybrid sound of the EP.

Artwork by Dave Gaskarth
Mastered by Raphael Valensi

Preorder

ABADIR & Nahash - Tenterlé تنترليه

I forgot to upload these to soundcloud last year

artwork by cormac mcgoldrick (@nerv.mcg)

Grindhouse

//> Chase, el nuevo EP de Rumina,una fusión de techno, industrial y folklore, explorando espiritualidad y lo sobrenatural con percusiones, sintetizadores oscuros y ritmos que evocan la persecución y conexión ancestral. <3

Track: Quarry
Artist : Rumina (@ruminaa)
Album: Chase EP
Label: Precious Metals (@preciousmetalsx)
Release Date: 13 Jan 2025
Artwork Artist: Batıkan Kılıçaslan
https://www.instagram.com/b4ttre
Master: Imaabs (@imaabs)

Rumina - Quarry  //>>

november samples 1/1 prodbyallensolo

Eartheater - Phoenix: La Petite Mort Édition 
Format: DL
Cat.No. PAN 112-R
Release Date: 26 February 2021
Purchase: pan.lnk.to/LaPetiteMort

Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.Eartheater is now sharing a fully reworked version of the album, Phoenix: La Petite Mort Édition, out February 26, 2021 on PAN. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater

Eartheater - Goodbye Diamond (La Petite Mort Edit) (PAN112-R)

bookings: brandon@lb-agency.net
inquiries: slikback.management@gmail.com

SD

slikback

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