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The history of the Maiga and Toure families, and how they solved their conflicts to live in peace. It tells the story of how the two families developed their “cousinage,” or how they became cousins.


Album available From iTunes: https://itunes.apple.com/us/album/tamala/id722299420
Bandcamp: http://amiwassidje.bandcamp.com
Amazon: http://www.amazon.com/dp/B00FISF1T4
Deezer: http://www.deezer.com/en/album/6986109
eMusic: http://www.emusic.com/album/art-melody/wogdog-blues/13939852/



Aminata Wassidjé Traoré is a rising voice in Mali. Tamala is her debut album, recorded in Bamako between 2000 and 2008. Born in Diré, near the fabled city of Timbuktu, Ami was raised within northern Mali's rich cultural brew. From an Ethnic Songhai family, Ami started singing as a young child. Her music, like the environment that surrounded her growing up in Diré, near Timbuktu, incorporates various cultures and traditions. On Tamala, an album she self produced with the help of artist Mamadou Kelly (http://www.rockpaperscissors.biz/index.cfm/fuseaction/current.bio/project_id/721.cfm) and arranger Baba Simaga, she sings in Songhai and Tamasheq.

While northern Mali still suffers the repercussions of religious and ethnic warfare, Tamala sends a message of reconciliation and inclusion. Ami believes people can work together for a solution, she sees the vast potential of Mali's diverse north. Moving to the Southern capital of Bamako not only enabled her to develop as a musician, backing up well known artists like Baba Salah (http://www.npr.org/2013/03/21/174416220/baba-salah-a-malian-musician-speaks-to-his-nations-displaced), Khaira Arby (http://www.youtube.com/watch?v=1UDecjaj4ek) and Afel Bocoum (https://en.wikipedia.org/wiki/Afel_Bocoum), it also enhanced her vision of a diverse and connected Mali.

Tamala is considered a modern-traditional album in Mali: it is rooted in northern folk musical traditions, but arranged in a contemporary way. it was conceived locally, for a Malian audience, and shines in its subtle simplicity. This album is also the first collaboration between Paul Chandler's Studio Mali (http://www.studiomali.com) and Akwaaba Music.

Paul set up Studio Mali as a label and artist management company, and has worked with legendary musicians such as Afel Bocoum, Vieux Farka (https://en.wikipedia.org/wiki/Vieux_Farka_Tour%C3%A9), Baba Salah, Andra Kouyaté (http://www.afropop.org/wp/3319/3319/), Samba Touré (http://www.samba-toure.com/) and most recently on Mamadou Kelly's album Adibar. Paul also founded i4africa.org (http://i4africa.org/), an NGO whose goal is to preserve traditional music, and provide training in the arts to underprivileged and at-risk youth in Mali.

Aminata Wassidjé Traore - "Tamala"

Mamoutou Bembele - Djeliya (feat. Amkoullel)

Anansy Cissé’s souped-up guitar distortions re-work the West African Desert Blues genre with a new, agitated attitude. Featuring the soku fiddle playing of Zoumana Tereta and accompanied by ngoni, bass and calabash, Cissé’s sound harnesses musical traditions and spits it out anew, taking us into Mali Overdrive.

For further information, please visit www.worldmusic.net/anansycisse

When Cissé’s recording ‘Bala’ landed on our website via World Music Network’s online ‘Battle of the Bands’ competition, we were immediately taken by his gutsy guitar style that plays on tradition by matching it with the direct influence of 1960s and 1970s psychedelic-flavoured rock and roll. 

The story begins in late 2012, when Anansy was forced to dismantle the recording studio he ran in Diré following the invasion of Mali’s northern regions by militant Islamists, many of whom are opposed to secular music-making. His poignant track ‘Gonmi’ calls for peace across Mali and is a reminder of the despair felt by many at the concerning political divisions and connected social reverberations caused by religious tension in the Northern region. Forced to relocate further south, Anansy headed to the beating heart of Mali’s capital city and is now resident blues bad-boy in Bamako.

In Bamako Anansy met Philippe Sanmiguel who is now his percussionist and manager. Anansy soon called on a few more friends to add to the musical pot: esteemed ngoni player Djimé Sissoko laid down some riffs, Abdramane Touré took to the bass and Mahalmadane Traoré found time to slap and smack his calabash. 

Presently Anansy lives in the Faladié district of Bamako and consistently and is steadily working on more material. In the corners of his house, vast towering piles of old-school vinyl peer down on  visiting musicians providing a clue to Anansy’s inspirations: The Rolling Stones, Neil Young, Led Zeppelin, Eric Clapton, Pink Floyd and CSN&Y are all represented. His close appreciation of rock music is heard distinctly via the anthemic guitar riff of the track ‘Fati Ni Koye’. Equal stimulation for his songs, text and rhythm is drawn from traditional Fulani and Songhai music. ‘Sekou Amadou’ pays tribute to the leader and founder of the Fulani Empire of Macina. ‘Horey’ is a takamba song from Gao and Timbuktu. The rhythm is historically linked to the Songhai nobility but electrified and re-energised in Anansy’s version. 

In the often polarised world music community, young African musicians are often either too hastily dismissed as local pop stars who have no international appeal or as authentic saviours in a misplaced quest for authenticity. Now, proudly ramping up the volume and fearlessly taking Malian music into rock overdrive is Anansy Cissé – a pioneer of new music that champions ancient tradition and uncharted modernity at once. 

Anansy Cissé: Fati Ka (taken from the album Mali Overdrive)

Fall

YOUSSOU NDOUR 2FANGA MIX

Afel Bocoum Ali Farka

projet acoustique "Roots" de Rokia Traoré

ROKIA TRAORE - Guéndé Africa Unite (ROOTS)

Five Great Guitars - African Blues Tour
Live recording 2011

Special guest: Habib Koité
Zoumana Diarra: guitar, kora, balafon, n'goni
Mousse Pathe M'Baye: percussion
Dramane Diarra: percussion

Sound: Neil Denholm

Five Great Guitars - Wassiye

Afel Bocoum - Ciro Kaina (Boddhi Satva Ancestral Soul Edit)

Los Hijos Del Sol - Si Me Quieres (Barbarella Edit)

"This edit is a tribute to Brazil where I lived 5 years ago, to the Afro Portuguese culture, to the African continent where I draw a large part of my inspiration, to peace and joy in the world, to multiculturality , and the celebration of life."
Arno Brak // @kaob

<a href='https://theartistunion.com/tracks/f6d506'>Download for free on The Artist Union</a>

Free Download

Maria De Barros - Cabinda A Cunene (Kaob Edit)

Dalli Dalli

@quantic

a little edit of one of my all time favs :)

free download at the artist union
https://stereoload.com/urucum/quantic-cumbia-sobre-el-mar-urucum-edit-free-download

FREE DOWNLOAD

Quantic - Cumbia Sobre El Mar (Urucum Edit) - FREE DOWNLOAD

The first single from "A Guide to the BIrdsong of Mexico, Central America & the Caribbean" comes from Belize's Garifuna Collective who interpreted the song of the Black Catbird.

This is the first single from an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's old label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

A Guide to the Birdsong of Mexico, Central America & the Caribbean

A Guide to the BIrdsong of Mexico, Central America & the Caribbeam

The Garifuna Collective - Black Catbird

Ali Farka Toure - Diaraby

Vieux Farka Touré's beautiful latest album was recorded as an homage to his homeland. Being that his native Mali has been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, his new album, Mon Pays, is devoted to reminding the world about the beauty and culture of his homeland.

‘For me it is a statement for the world that this land is for the sons and daughters of Mali, not for Al Qaeda or any militants. This land is for peace and beauty, rich culture and tolerance.This is our heritage, what we must always fight to protect in any way that we can. For me, that means making music that reminds the world of who we are.’

Translating as ‘My Nation,’ this predominantly acoustic undertaking had been planned before the invasions began. Inspired by his work with Israeli pianist and vocalist Idan Raichel, Touré initially went into a Bamako studio to honor the acoustic blues tradition of Northern and Southern Mali. Since that time, Mon Pays transformed into an artifact of cultural preservation.

Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational "passing of the torch" as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Their two records together, In the Heart of the Moon and Ali and Toumani, were awarded Grammies. At the 2011 ceremonies, Vieux accepted the prestigious award for his father, who had recently passed from bone cancer.

Mon Pays is the most mature and lovely record yet from one of this generation's most exciting artists to come out of Mali and one of world music's true rising stars.

Afel Bocoum - Ciro Kaina (Boddhi Satva Ancestral Soul Edit)

Frederico Vieiraa

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