Recording @ Bozar, Brussels - Belgian Music Days 
15th of February '24
Played by Ictus ensemble.:
Tom Pauwels : guitar
Ruben Orio : percussion

HOKETUS for electric guitar and percussion

performance by
Wim Pelgrims (percussion solo)
Kevin Hendrickx (conductor)
Continuo, alumni- en personeelsorkest Ugent

recording by Michaël Penson (Gent) - 2024-03-29

Se/Fe - Wim Pelgrims, Continuo, Kevin Hendrickx

L'ombre que tu devins for viola da gamba and orchestra
by soloist Dirk Moelants and Continuo (cond. Kevin Hendrickx)

02/06/2024, Christus Koningkerk, Gent (BE).

L'ombre que tu devins for viola da gamba and orchestra

Auftragswerk des Festivals "Distat Terra"

Vor kurzer Zeit erst habe ich die Erzählungen und Gedichte von Jorge Luis Borges für mich entdeckt und ich war sofort von der zeitlosen fantastischen Atmosphäre zwischen Wirklichkeit und Fiktion gefangen. Nicht umsonst wird Borges als Mitbegründer des magischen Realismus bezeichnet. 
Der Auftrag für eine Miniatur vom Festival Distat Terra erschien mir geradezu ideal um eine Hommage an Jorge Luis Borges zu schreiben, denn auch er verwendete zeitlebens für seine Werke kurze Formen. So ist diese Miniatur ein Versuch, den magischen Realismus - eine Strömung, die vor allem in der Malerei und der Literatur vertreten ist - auch in Klang umzusetzen.

UA: 16.12.2022 -  Heinz-Peter Linshalm & Teresa Doblinger-bass clarinet, Jacobo Hernández-violin, Daniel Moser-viola, Leo Morello-violoncello; Distat Terra Festival/Argentinien

LA ROSA PROFUNDA (2022) for 2 bass clarinets and string trio

Composition, lyrics & voice: Vigdis Hansa Elst
Piano: Joseph Nowell
Double bass: Manolo Cabras
Drums: Gaspard Sicx

Hoorschelp

Titan for cello and electronics was commissioned by Concertgebouw Brugge, and written for Arne Deforce.
The first part of Titan was composed in 2019, and was premiered in February 2020. The second part followed five years later.
Titan was written in close collaboration with cellist Arne Deforce, who gave the first performance of the complete version in March 2024 at Concertgebouw Brugge.
The electronic part was developed in collaboration with Gilles Doneux & Lucas Lebrun (Centre Henri Pousseur)

Credits:
Arne Deforce - violoncello
Lucas Lebrun (Centre Henri Pousseur) & Daan Janssens (electronics)
Recorded live at Concertgebouw Brugge by Yannick Willox (Acoustic Recording Service)

(...to be listened to with good speakers or headphones...)

Titan for cello and electronics (2024)- Excerpt - Arne Deforce & CHP live at Concertgebouw Brugge

Brodeck (2021-2023) 
Opera in two parts after Le rapport de Brodeck by Philippe Claudel

Recorded live at Opera Antwerpen

Damien Pass (Brodeck)
Elisa Soster (Emélia)
Helena Rasker (Fédorine)
Werner Van Mechelen (Orschwir)
Thomas Blondelle (Göbbler/Peiper)
Kris Belligh (Schloss)
Tijl Faveyts (Ulli/Buller)
Josse De Pauw (Anderer)

Chorus, children’s chorus and orchestra of OperaBallet Vlaanderen conducted by Marit Strindlund
Jan Schweiger & Hendrik Derolez (chorus masters)

Staging by Fabrice Murgia
Photo by Annemie Augustijns (OBV)

Recorded by VRT

0'30": Introduction
4'10": Scène 12 (Göbbler, Brodeck, Chorus, Children's chorus, Orschwir, Anderer)
9'52": Scène 13 (Brodeck, Göbbler)
13'52": Scène 14 (Tutti)
21'05": Scène 15 (Buller, Oschwir)
26'30": Scène 16 (Chorus, Emélia, Fédorine)
28'00": Scène 17 (Diodème enregistré, Children's Chorus, Emélia)
34'12": Scène 18 (Anderer, Brodeck, later Fédorine, Woman's Chorus)
47'00": Scène 19 (Anderer, Orschwir, Brodeck)
52'38": Scène 20 (Orschwir, Anderer)
55'47": Scène 21 (Emélia, Anderer, Fédorine, Brodeck)
59'14": Scène 22 (Orschwir, Brodeck, Chorus)

Brodeck (2021-2023) - Part 2

Brodeck (2021-2023)

Opera in two parts after Le rapport de Brodeck by Philippe Claudel

Recorded live at Opera Antwerpen

Damien Pass (Brodeck)
Elisa Soster (Emélia)
Helena Rasker (Fédorine)
Werner Van Mechelen (Orschwir)
Thomas Blondelle (Göbbler/Peiper) 
Kris Beligh (Schloss)
Tijl Faveyts (Ulli/Buller)
Josse De Pauw (Anderer)

Chorus, children's chorus and orchestra of OperaBallet Vlaanderen conducted by Marit Strindlund
Jan Schweiger & Hendrik Derolez (chorus masters)

Staging by Fabrice Murgia

Recorded by VRT
Photo by Annemie Augustijns (OBV)

0'29: Introduction
2'50": Scène 1 (Oschwir, Brodeck, Schloss)
7'12": Scène 2 (Emélia, Fédorine, Brodeck)
12': Scène 3 (Chorus)
14'35": Scène 4 (Brodeck, later Göbbler)
20'18": Scène 5 (Brodeck, Orschwir)
27'40": Scène 6 (Chorus, later Göbbler)
31'09": Scène 7 (Anderer, Brodeck)
33'07": Scène 8 (Chorus, Göbbler, Schloss) 
35'48": Scène 9 (Chorus & Children's chorus, later Peiper - Brodeck)
47'30": Scène 10 (Brodeck - Schloss)
54'11": Scène 11 (Emélia, Ulli, Brodeck, Chorus, Children's chorus

Brodeck (2021-2023) - Part 1

4 Fragments 
construction of 4 miniatures for bass clarinet and double bass

commissioned by "Festival 20/21 Transit 2018" in coproduction with Basklarinet Festijn
performed by Fie Schouten (bass clarinet) and Beltane Ruiz Molina (double bass) (part of the program "Lyrisch Laag")

live recording at "Transit 2018" in Leuven on 14th October 2018

4 Fragments (pt. 4) - Frederik Neyrinck (Transit 2018)

Cinq jours de Paul Klee
pour soprano, alto et harpe 
Shigeko Hata et l'Instant donné (Elsa Balas et Ester Davoust)
Commande de Radio France

4 Fragments (pt. 4) - Frederik Neyrinck (Transit 2018)

Frederik Neyrinck

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