Not mine, uploading because no one else has

Made by Skaven/Future crew a long time ago

The Alchemist - Skaven/FutureCrew

Been a While, hope you all enjoy folks !

https://garthknight1.bandcamp.com/track/deadly-dusk

Deadly Dusk

Frohnau

MMC May 2024. Synthpoppy rock, made in FL Studio using, among other things, the Visco drum resynth plugin.

MMC May

Vierhänder

Melancolic synth ballade featuring my latest purchase, the PreenFM3 as verse lead and pad. I had the version 2 and thought more polyphony is always good. Plus you cannot have too many interesting small boutique desktop synths. The bass is the small but handy Mopho desktop, sounding very much like a Pro one, only a bit harsher. Also in this is my rather new monologue, also a small, handy interesting mono synth. Cannot understand why I waited 7 years before I got it. This trio... sorry, quartet, covers a lot. The lush vox pad is my Roland JV-880 hiding under the desk. Very important for the late 80's/early 90's sound.

PreenFM3 Ballade

Moving the tree. Hope the moth can find it.

Made using Arturia Pigments.

A Hawk Moth Looking For Lilac

One of the arrangements of Bach's Prelude in C I did for the NatWest "We are what we do" advertising campaign.

The piano is a Yamaha U3 with the felt pedal on, with two mics right on the beaters. I performed the piano in whole takes. The atmospheres are a combination of guitars and a 1978 electric organ run through Omnisphere and combined with some synths.

Bach Prelude in C (NatWest arrangement)

Somnus

This audio relates to this YouTube video: https://www.youtube.com/watch?v=zmDh242ehlM

A complete remake of John Barry's theme to Thunderball using virtual instruments with some pointers of what's happening in the music. Sounds used: Strings - Spitfire Audio Chamber Strings & Albion Woodwind - Spitfire Audio Symphonic Woodwinds Brass - Sample modelling The Trumpet, Cinebrass Core & Pro Percussion - Spitfire Audio Joby Burgess Percussion, Symphonic Sphere Harp Piano - Yamaha U3 mic'd with two condensors Sequencer - Cubase Processing - Waves Abbey Road Vinyl, EQ and compressors on each instrument group with various settings (all subtle). Then Goodhertz Vulf Compressor on the mix bus running as a parallel compressor. Again, set softly. The gradual build up of saturation gives it a vintagey sound, but without it being obvious. It also smudges the instruments together nicely and helps the overall mix. Reverbs - used a Past to Future EMT impulse (https://gumroad.com/pasttofuturesamples#) and sent the high strings and winds to it a reasonable amount. Kept the low strings and shorts away from it because it's too boomy. Put a high pass on the reverb channel itself so that it was an airy sound. Also setup a stock hall impulse and and fed things into that to varying degrees. The sample modelling trumpets had an additional reverb on them as the samples are bone dry so require that to start with and then you can build from there.

John Barry | Thunderball (James Bond) | Remake

Some of the music from "Land of the Rising Sound: A Roland Retrospective"

1981 Roland Jupiter 8

Garth Knight - Dreamscapes

Ableton Live + various softsynth via a MOTU 828 with a couple of analogs, fm, romplers and various hybrids. Jamming and composing mainly during winter, occasionally on a hot summer day, usually with less stuff, possibly simply a groovebox.

PreenFM3 Ballade

Fredrik Forsberg

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