from upcoming LP 'olive juice' to be released 9/3 on elestial sound 

~ written/recorded by emily reo
~ recorded/mixed/mastered by jake yuhas, miles coe and andrew sardinha at the treehouse
~ mastered by shawn hatfield at audibleoddities
~ album art by louise chen

coast

Prima Queen - Invisible Hand - out now on Nice Swan Records. 

Facebook: https://www.facebook.com/primaqueenmusic
Instagram: https://www.instagram.com/prima__queen/
Twitter: https://twitter.com/primaqueenmusic
Soundcloud: https://soundcloud.com/primaqueenmusic

Recorded at The Barn, Wiltshire
Produced by Juliette Jackson and Fern Ford
Mixed and Engineered by Cecil Bartlett
Mastered by Doug Shearer

mgmt: dan@playnicemgmt.com
band: primaqueenmusic@gmail.com

Invisible Hand

The Debut Single of Stannington

Recorded and produced at Byker’s Polestar Studios by engineer Alex Blamire and mastered by Stephen Bishop (Opal Tapes), the band captures their curated sound for the first time in the form of debut single ‘Through You’. The track’s repetitive, pleading vocal lines accompany chorus-laden guitars, clearly taking inspiration from jangle pop acts like the Field Mice or the Sea Urchins. The group’s rhythm section adds a drive more associated with the later output of The Smiths or The House of Love, providing a sense of pace and urgency which reflects the band’s roots in punk music.

Through You

Based on a series of dreams I had where the world was different...strange...empty. I think that's where the world ended. I dont know if I was able to save anybody in the end.

Limerence

Bernard + Edith - Heartache

drool

From Parissienne walkways to ride on ...2 covers in one .Gary Moore and Christy Moore.

Good Girls

Written by Dean Valentino
Produced by James Freeman & Dean Valentino
Recorded* & Mixed by James Freeman at Big Sky Audio
Mastered by David Walker at Stepford Studios
Artwork by Sarah Ujmaia
--
Dean Valentino - Guitar / Vocals
Daniel Paroissien - Bass
Davin Johnston - Drums
James Freeman - Guitar
James Seymour - Synth

*Night Fiction recorded by Gareth Leach, with John Philip on drums

I Don't Want To Change Your Mind

"Trilogi, Fredrik's second full-length outing, is so named because its contents were originally issued as a series of the three limited-edition EPs, self-released by the band on 3" CDs with handmade origami packaging. Despite some flowery language in the accompanying press release about "contemporized viewpoints of the Lovecraftian dream passage," the knowledge that this music was at one point presented in three discrete installments in no way alters the effect of hearing it as a single 50-minute whole -- there are no appreciable musical distinctions to be made between the three segments, which were all recorded in the same six-month span. However, the image of those few delicate, distinctive objects that were initially created to hold these songs does resonate nicely with the particular character of Fredrik's music: intimate, tactile, small in scope, and lovingly crafted with careful attention to detail. These qualities, which made their debut album, Na Na Ni, such a charming and unassuming surprise, are very much still present on Trilogi, which treads similarly evocative sonic territory, blending a cornucopia of organic musical (and non-musical) sounds with sparse electronic touches to create a creaky, ancient-sounding, surreal sort of folk music. This time, though, the tone is notably darker -- right from the eerie, mildly menacing opening notes of "Vinterbarn" -- and the songs, while typically gorgeous and affecting sonically, aren't quite as memorable. It's hard to put a finger on what exactly has shifted, but the deft balance between melody and atmosphere that Fredrik  achieved so exquisitely their first time out is not quite as compelling here, with only the uplifting, quietly anthemic "Flax" standing out as a clear highlight."

allmusic.com 

Milo

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Milo

fredriktheband

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