No duplicates - Part 1

Spleen

Ca va aller

Short preview of "The house of pain" taken from the new album "Veteran of style" #vos

Activator - The House Of Pain (Official Soundcloud Preview)

Bumpy Ride

Contraband

Freaky Like Me (feat. Ameerah)

Much Dance 2011

DJ Got Us Fallin' In Love (feat. Pitbull)

California Gurls

California Gurls (feat. Snoop Dogg)

Danza Kuduro

Danza Kuduro (feat. Lucenzo)

Como Dice El DJ

Como dice el DJ (Manu Blanco Edit)

Euphoria

Dirty Dancer (feat. USHER)

Clubland 18

Barbra Streisand (Radio Edit)

Release Yourself Vol. 9

Bromance (Avicii's Arena Mix)

El Gringo

El Gringo (Original Mix)

Room Serivce

Room Service (Alternative Mix)

Dance Monkey

Señorita

07. Club Can't Handle Me-Flo Rida feat. Daivd Guetta

Believer (feat. Wynter Gordon)

Believer (feat. Wynter Gordon) (Radio Edit)

This is my new track "Running Water" by Dj Shog remixed by me. 
I made this song with FL Studio 10 XXL Producer Edition 
My VSTs are : z3ta+, Nexus 2.2, Sytrus, 3xOsc, Sylenth1, Massive, Vanguarde and many more... 
Most of sounds effects are from VEC2 and VEC3...
Follow Me on Soundcloud and also follow me on my youtube channel at 
www.youtube.com/TheDeejayGab 
@thedeejaygab

Please leave your comments, it's fully appreciated ;)

***I don't own anything***

Dj Shog - Running Water (Gabriel Picard 10 Years Mix)[FL Studio 10]

Glee

Afrodiziak

The Second You Sleep (I Stay to Watch You Fade Away)

The Second You Sleep (I Stay to Watch You Fade Away) (Silverroom Radio Edit)

I create uplifting Norwegian techno music, driven by a passion for sharing my sound with the world. Born in 1982 near the Arctic Circle, I turned 42 the year I wrote this biography. My trademark style is all about expressing raw emotion—nothing is suppressed in my music; instead, it comes alive.

While my music may be complex and unique, its appeal is universal, and understanding it doesn't take a genius. My oldest tracks are rooted in projects I began when I was 18 to 23 years old. Back then, my focus was on crafting captivating melodies rather than sticking to basic dance rhythms.

The rhythmic component became a part of my work only 3-5 years ago, prompting me to revisit and reproduce my earlier tracks with the help of the riff machine. This tool has allowed me to transform some pieces into vibrant, colorful soundscapes. These tracks have since been improved countless times, and my growing confidence continues to fuel my belief in my work. That belief isn’t just an assumption—it’s a reality confirmed through dedication.

Currently, I’m diving into sequences, an exciting new element in my music. They’re fresh territory for me, and I’m committed to keeping them dynamic and engaging.

No duplicates - Part 1

Freddie_Oh