Hounds of Pamir:  Ruhail Qaisar invites Phallucipher - 04/02/2022

LYL Radio - Midi à Quatorze Heures # 31 w/ Wizæroid (13/10/20)

🎙🎚📻 un mardi par mois 14h-15h  // one Tuesday in a month 2-3pm 🕯
LYL Radio. Paris - France.  "Expect the unexpected"

Épisode 31 de mon émission Midi à Quatorze Heures sur LYL Radio avec des paroles à gogo mais encore une fois ce sera sans ma voix pour vous décrire tout ça, la musique parlant une langue universelle qui selon moi ne demande ni explications ni traductions.

 🔃 🎶 N'hésite pas à partager ce podcast si tu l'aimes bien //  Feel free to share this podcast if you like it 🎶 🔃

www.lyl.live/show/midi-quatorze-heures
@lyl_radio 

✤ Orpailleur émotionnel en eaux vives.
✤ Enchanteur et ensorceleur singulier, affranchi et sans étiquettes.
✤ Thaumaturge stochastique axé sur l'éclectisme jubi-aléatoire & débridé, à forte charge affective et délirante.
✤ Curiosités sans frontières et sans limites. / Oddities without borders or boundaries.
✤ Wild goose chase utopist

-----------------------------------------------

C'est en prenant un malin plaisir à n'en faire qu'à sa tête que Wizæroid élabore ses élucubrations musicales décomplexées comme autant de crocs en jambes subtils et foutraques, en sollicitant subrepticement un panel d'émotions très varié, sans compromis, stratagèmes ou stratégies stylistiques particulières.

Ses odyssées truculentes et envoutantes à 360º où tous ses goûts sont permis, sont guidées par son instinct versatile où l'improvisation, dont il se délecte, tient une place prépondérante à laquelle il s'adonne sans relâche.

Dj imprévisible et versatile, instinctif et méticuleux, cet électron libre fougueux refuse d'emblée les étiquettes, distillant spontanément la musique qu'il affectionne comme il l'entend, en interpellant par son éclectisme jubi-aléatoire et débridé, à la croisée de ses multiples sérendipités et des passerelles qu'il jalonne tout au long de ses sets hybrides et mutants.

Amateur de vraies curiosités, de pavés dans la mare, de groove exotiques, de musiques expérimentales, ethniques, psychédéliques, planantes, envoutantes, dansantes, déviantes, surprenantes, frénétiques, diaboliques, enchanteresses, il a cette affection toute particulière pour les morceaux obscurs, à la lisière de plusieurs styles, qui se retrouvent dans le large spectre des genres Leftfield ou Cosmic music.

"As a Don Quixote and free electron, Wizæroid on a mission to shatter musical ghettos and get together all horizons as if the Earth was flat, shares once again twisted music and sounds to your body true your ears for a memorable odyssey.

As a rule he wanders through his no boundaries and perpetually extendable odd records, cd's and tapes collection.

Enjoy the surprising journey called Midi À Quatorze Heures! "

LYL Radio - Midi À Quatorze Heures #31 w/Wizæroid (13/10/20)

We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. 

“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization. 

There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond. 

It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here. 

This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.” 

Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.” 

Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better. 

Text by Natalia Panzer 
npanzer.com 

Artwork by Coline Cornélis 

Music by Rupert Clervaux 

with 
Vanessa Bedoret: voice and violin on Thylias Moss #2 
Eben Bull: trumpet and electronics on Mutual Aid and Departure from England 
Isis O’Regan; voice on Departure from England 
Nick Taylor: electronics on Chthonic ’97 
Ben Vince: saxophone and electronics on Chatsworth ’17 

Artwork by Coline Cornélis 

Warm thanks to James Marrs, as always, and Natalia Panzer 

Vanessa recreates and reads an excerpt from ‘Water Road’ by Thylias Moss. Isis reads ‘Departure from England’ by Ingeborg Bachmann (translated by Peter Filkins). This record is dedicated to both poets––with great respect and deep admiration.

01. Mutual Aid

from Koray Kantarcıoğlu's Loopworks 2. 

More info at www.discrepant.net

Loopworks 2 (masters 24b)

Koray Kantarcıoğlu - 1982 / Nepa 01 (from Loopworks 2)

https://soundcloud.com/kklofinkk

https://www.retreatradio.net/we-lie-low

We Lie Low #2 w/ Klofink (04/04/22)

Degloving

San Francisco’s Dyatron Industries @dyatronindustries transcends the realms of an indie label and DJ duo. Through a deeply commited love of music and vinyl and an extensive personal collection spanning Italo Disco, Electro, Synthpop, Hip Hop and Dark Wave Rave, an otherworldly universe exists and within it you will find the Man from Dyatron (Luciano Duran) and DJ Mechanica (Vee Reyes). Two robots transplanted to Earth from the Dyatronian galaxy with a mission to sustain, preserve and honor all Italo and Electro music through live vinyl dj sets within the deep caverns of SF underground clubs and bars, a monthly show on Sutro FM and limited reissues with wonderfully hand-drawn comics illustrated by Lu that draw us even deeper into their world. We are so thrilled to have them this month.

For this current installment, we dive deep into the galactic abyss leading us into a retro futuristic sci-fi rave. The first stop is a cosmic break dance circle with the Man from Dyatron kicking off the first hour mixing through deep 80s electro bass peppered with freestyle anthems and old school hip hop verses. The second stop, DJ Mechanica teleports us to a 90s blissful breakbeat rave Milky Way, interlaced with moments of melodic euphoria that closes with the enchantment of sunrise at the end of a party.

The Man from Dyatron 0:00 - 1:00
Mechanica 1:00:13 - 1:52:52

For Q&A: https://coneshapetop.com/cst-radio-1/2022/4/18/dyatron-industries

CST RADIO NO. 26 | DYATRON INDUSTRIES

Richard Seymour discusses his new book, The Disenchanted Earth: Reflections on Ecosocialism and Barbarism. We talked about why the Marxist left for a long time gave relatively little attention to the ecological crisis and about Richard's own turn towards environmental writing. We also talked about the process of the earth's disenchantment in the 16th and 17th centuries and how it made possible capital's hyper exploitation of the natural environment.

Interregnum - The Disenchanted Earth

Tracklist:

1) Koko Uno - Bilen Bilir
2) Karsten Pflum - Tak Eins
3) Fxbip - Shadows 
4) Titch Thomas - Spell #5
5) Arketip - Çakıldak
6) Repeat Eater - Phasp
7) Vertical67 - Human Matters
8) Scatterbaux - 101 Cycle Bot
9) Fluctuosa - Tire Milk Ways
10) António Sá - Panteacid
11) Face Culler - Lichacre1
12) Jonny3snareS - Mustard Vacuum
13) Lekqer - Lightblue
14) Hitori Tori - Aspergss

Evar Radio Dublab with Fluctuosa

Felisha Ledesma, exploring a music of presence an ultra subtle inference, Felisha Ledesma’s debut releases ‘Fringe’ on Ecstatic Recordings and ‘Sweet Hour’ on Enmossed x Psychic Liberation shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth.

Felisha Ledesma [Reste à la fin, les cendres, curation by Mari] [10.05.2022]

We are re-uploading past editions of the FFF podcast to make them all available here on Soundcloud. Podcast #14 is from April 3, 2011.

Playlist is available here: http://fffreakout.blogspot.com/2011/04/fffreakout-webcast-14.html

FFFreakout: Podcast #14

Free Form Freakout is a weekly radio show that plays a broad mix of popular and obscure music and produces bi-monthly podcasts focused on underground and experimental music. 

FFFreakout: Podcast #14

Free Form Freakout

Related tracks