big!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh played this so much some years ago... really great remix of a great tune!

I always loved this remix, such an inspirational track :) 

remember me of "tribulations" by lcd soundsystem! SO GOOD!

My little tribute to this amazing track and Pete Moss. Enjoy

Pete Moss - Strive To Live (Omid 16B Remix) Kobana Edit

Bandcamp

26 - Felix da Housecat - What Does It Feel Like- (Royksopp Return To The Sun Remix) - Essential Mix

Pre-order: https://heshethey.lnk.to/LifeIsAMelody

One of the most successful British dance artists of the past 25 years, a true trailblazer and the musical force behind Faithless (along with iconic late front man, Maxi Jazz and producer Rollo), Sister Bliss returns with emotive new single ‘Life Is A Melody’. The track is a collaboration with Hyacinth & Apollo aka We Love Space resident and Colour Series head honcho Jem Haynes and Grammy Award-winning artist Jinadu (work including Black Coffee, Jamie Jones and Patrick Topping) and arrives on HE.SHE.THEY. on March 17.

After a turbulent and emotional couple of years, and with additional poignancy in 2023, ‘Life Is A Melody’ is an ode to the healing power of music and the transformative communion of being in the dance together. A stirring symphony of deep hypnotic beats and bleeps, with rising synth chords from the hands of both Sister Bliss and Jem Haynes, Jinadu’s powerful vocal and deeply personal lyrics propel the track into a transcendent and hopeful euphoria.

More exclusive music

Premiere: Sister Bliss x Hyacinth & Apollo 'Life Is A Melody'

Listened to the original on my turntable and when I played with the pitch, I liked the idea of a faster version

Moan

Trentemøller - Moan (Trentemøller Remix) - 130 BPM Sped Up

Radiohead - everything in its right place (andi muller's looong mix)

Remix from 2006.

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Lindstrom "I Feel Space" (Freeform Reform)

Monkey Safari are brothers who can look back on a personal odyssey that’s lasted more than 30 years so far. They have a mutual musical spirit and through good and bad times have only grown closer. As such, the artwork for the album reflects that and was made by stitching both artist’s faces together, creating one persona from two individuals.
As DJs the pair have played everywhere from Timewarp to Awakenings Festival. They also own their own club, Charles Bronson, in their native Halle, Germany, and have released remixes and original material on top labels like Kompakt, Minus, and John Digweed’s Bedrock. The title of this impressive album reflects the journey the duo had throughout the writing process. It was one that took a long time and went from initially being about writing an album of listening music to evolve into being much more about music for the club and for many different dance floors.
''From our perspective, when it comes to music, a very important parameter is authenticity,” they say. “In our case it means we're playing dance music in clubs and at festivals the whole year round. And even though it would have been interesting to produce a "listening album" it wasn't the right time for that; which is why ultimately we chose to produce a club album. After all, the club has always been the space that has shaped us the most. It's a space that enables us to develop, test, and improve our music on a constant basis!’’
The album kicks off with squelchy synths and intoxicating vocal coos before getting more deep and stripped back, with a moody atmosphere pervading the supple grooves. Things get more melodic and subtly uplifting as the album progresses and tracks range from spooky to emotive to scintillating, with original ethereal vocals making a number of appearances. Each track offers something different in terms of mood and style, yet the whole album plays out like a perfect journey with all the necessary highs and lows required. At the same time, the pair's exquisite synth work and knack for well programmed drums always shine through and prove they are slicker than average studio wizards.

Epilogue (Original Mix)

Caverna Magica

Chromos

Four Tone Reflections

https://sweatitout.lnk.to/NoMoreConversationsSo

In these fast-moving times, where many acts come and go in the space of a few blog posts, it's becoming harder and harder to find artists with true staying power. Anu Pillai aka Freeform Five is one of those rare artists. A veteran of the dance music scene, he started to release records on the seminal labels Classic, Glasgow Underground and NRK back in 1998. He soon worked his way into the premier league of remixers, producing some of the most stunning reworks of the last decade for artists as diverse as N*E*R*D, Brian Wilson, X-Press 2 & David Byrne, Jamie Lidell, Justin Timberlake, Felix da Housecat and The Killers – as well as work for cutting edge labels like Warp and Cocoon. 
He’s spent a small fortune carbon offsetting his airmiles with DJ & live appearances at Fabric / The End / Ministry of Sound (London), Space / Manumission / Ibiza Rocks (Ibiza), Cocoon (Frankfurt), Watergate / Cookies / Week End (Berlin), Razzmatazz (Barcelona), D-Edge (Sao Paolo), Womb / Ageha / Unit (Tokyo), Rex / Social Club / Paris Paris (Paris), LAX (LA), and Lux (Lisbon) – plus tours of Scandinavia, Australia, America, and all the major festivals, including Glastonbury, T In The Park, Benicassim, Parklife and Pukkelpop. Anu has also released Freeform Five’s debut album ‘Strangest Things’ on Atlantic records, two massive DJ mix albums, ‘Bisous Bisous II’ & ‘Misch Masch’ and contributed to several of Kitsuné’s genre defining compilations.
Following a relentless touring schedule, Anu decided to take a break from Freeform Five a few years back to concentrate on writing, producing & remixing for the likes of Ladyhawke, Santigold, William Orbit, Eve, Lana Del Rey, Deadmau5, Little Boots and Roisin Murphy amongst others. He also set up boundary-pushing label Perspex Recordings with releases from Chicago legend Derrick Carter, French rockers Poney Poney /Jamaica (produced by Xavier from Justice) and Swedish auteur ‘The Subliminal Kid’ (producer of Fever Ray & Matthew Dear) along with remixes by like minded friends such as Gabriel Ananda, Riton, Tomboy & Riva Starr. 
Anu has always thought outside the box. His remix of Isolee's 'Beau Mot Plage' redefined the art of remixing, juxtaposing the micro synthesis of the original with intricate Afro & Latin polyrhythms, creating a bona-fide house music classic. Remixes of Llorca's "Indigo Blues" and Isolee's "Brazil.com" fused west African kora, Indian orchestrations and classical harp within a house music template and on the Freeform Five track 'Eeeeaaooww' he merged disco licks with Bounty Killer's dancehall patois. 
Anu returned to the scene by collaborating with Gambian griot and master musician Juldeh Camara (a member of Robert Plant's Sensational Space Shifters band) for "Weltareh" on Eskimo recordings.  He also hooked up with Berlin's white hot Exploited crew for the jacking pure analog "Brandy Alexander." And now on "Leviathan" he teams up with the legendary Roisin Murphy for an exercise in irresistible vocal power and anthemic feel good house.
Tom Trago, Compuphonic and Cage & Aviary join the the stellar list of super talented artists who've been invited to remix Freeform Five tracks (following on from Tiefschwarz, Radioslave, Alter Ego, Lindstrom, Mylo, M.A.N.D.Y, Switch, Ewan Pearson, Jackson & His Computer Band, Prins Thomas and Maurice Fulton to name a few) along with a stunning re-work from Anu himself.

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Lindstrom "I Feel Space" (Freeform Reform)

Freeform Five

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