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Singles, Edits & collaborations

Stocca 2024 - 05 - 07 2000

Segundo Pinchao - Ñapanguita (Quixosis Remix)

My remix for the Argentinian genius Chancha Via Circuito, part of this latest release on Wonderwheel Recordings. 

https://soundcloud.com/chanchaviacircuito

https://soundcloud.com/wonderwheel-recordings

Buy on Bandcamp

Chancha Via Circuito - Sauce (Rafael Aragon RMX) [Wonderwheel Recordings 2015]

Become a fan of Rio Mira:

www.facebook.com/RioMiraMarimba/

Co-produced by Grammy nominee Ivis Flies and Grammy winner Ivan Benavides, Rio Mira is a marimba supergroup with Afro-Pacific binational heritage consisting of some of the most in-demand and respected musicians from Colombia and Ecuador. Their music is the sonic rejoining of the region known as El Pacífico Sur, one connected by history, ecology and culture and divided by the national borders of Ecuador and Colombia.

The people throughout this area have similar music, food, speech, fashion, and background, and it is no coincidence that the band takes its name from the Mira River that flows across these borders, connecting rather than dividing people and cultures. This area is home to a great many people of African descent and the rhythms of Africa have become entwined with the lilt and grooves of Colombia and Ecuador. Marimba music has become firmly established, a sound so sacred it was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2015.

Marimba Del Pacifico is a beguiling showcase of this protected sound, a celebration of a unique cultural heritage found nowhere else on the planet, by a band of young musicians keeping this strong tradition alive.

Rio Mira - Adios Morena

BELEMA - Mr. Toé Edit.

Petrona Martínez - Tierra Santa (Barbarella Edit)

'Campo Triste' está inspirado en el famoso tema ecuatoriano "La Bocina', en este caso (sample) interpretado por Soledad Morales, cantante invidente quien radicó en Sigsig, pequeño pueblo de la provincia del Azuay. No fue sorpresa encontrar que el productor ecuatoriano Pancho Piedra, habitante de Cuenca, Ecuador, se encontrara trabajando en una re interpretación de este tema. Tiene sentido, toda una generación dedicada a la radio, transmitiendo joyas resguardadas en las bóvedas de 'Radio Tomebamba'. 

Así continua la familia Piedra, en poder de antiguos discos que cuentan la historia de un Ecuador nostálgico, liderado en aquellas épocas por el timón y los arreglos de don Polibio Mayorga. Este es un homenaje contemporáneo sin duda, con el fin de rescatar ese anhelo sonoro de aquellos tiempos. 

// ENGLISH 
We are honoured to present a very special and very beautiful Botanas from the hand of Ecuadorian producers Nicola Cruz and Pancho Piedra. 

Campo Triste' is inspired by the famous Ecuadorian song "La Bocina", in this case with a sample from a version sung by Soledad Morales, a blind singer from Sigsig, a small town in the province of Azuay. It wasn't a surprise for Nicola to discover that Pancho Piedra, a fellow Ecuadorian producer living in Cuenca, was working on a reinterpretation of the song. Everything made sense - Piedra belonging to a generation that is dedicated to treasuring and transmitting musical gems from the vaults of the city's "Radio Tomebamba". 

In this way the story of the Piedra family continues, holding in their hands these old records that tell, with nostalgia, the history of Ecuador, led at the time by don Polibio Mayorga’s arrangements. 

While this is undoubtedly a modern tribute, it also captures and revives this nostalgic piece of musical longing from another time. 

This Botanas also features three precious remixes from fellow Ecuadorian Quixosis, Mexico's Jiony and Chile's Rodrigo Gallardo. 
credits

Botanas: Nicola Cruz & Pancho Piedra

Download

Nicola Cruz & Pancho Piedra - Campo Triste (Quixosis Remix)

Cerrero - Cuando canto grito feat. Lucía Pulido
Produced, recorded and mixed by Diego Gómez
Mastered by Matt Colton in Alchemy Mastering
Vocals: Lucía Pulido
Guitars: Juan Miguel Sosa
Written by Diego Gómez
Lyrics based on the poem "Las mujeres que cuando cantan" by María Paz Guerrero

Cerrero, navega entre las raíces del sonido colombiano y la producción dubera. En su segunda entrega, Cuando canto grito, parece atravesar cordilleras junto a la voz de Lucía Pulido, la poesía de María Paz Guerrero y la guitarra sutil de Juan Miguel Sosa, creando una atmósfera hipnótica y firmemente afincada en el poderío femenino de los Andes.

Sobre la historia detrás de este nuevo tema, Diego Gómez nos cuenta:
Cuando canto grito es la segunda parte de la colaboración con Lucía Pulido para Cerrero, mi proyecto en solitario. La letra es la adaptación del poema Las mujeres que cuando cantan de María Paz Guerrero, una gran amiga que ha dedicado su vida a la poesía. Aprovechando una corta visita de Lucía a Bogotá, nos reunimos en el estudio a grabar las voces sobre una idea de melodía sencilla que tenía a partir de unas guitarras que había grabado con Juan Miguel Sosa, un gran guitarrista de música popular colombiana. El resto fue subir las partes al sampler y darle forma con la consola. Lo repetitivo, la voz y la palabra, tres poderes.
En la imagen que acompaña a  Cuando canto grito, la artista bogotana Karolina Bebop nos sigue dando pistas sobre el enigmático universo que habita Cerrero, el más reciente proyecto de Llorona Records.

//

Cerrero´s sound blends colombian roots music with electronic aesthetics and dub production techniques. His second single, Cuando canto grito, presents powerful legendary Singer Lucía Pulido performing an adaptation of Las Mujeres que cuando cantan a poem by young colombian Poet María Paz Guerrero. The subtle and intimate guitar, sampled flutes and minimalistic percussion creates an hipnotic track that serves perfectly to the powerful words sung by Lucía. 
Cerrero, brainchild of Llorona Records´ Diego Gómez, keeps releasing previews of the upcoming EP in the making.

Cerrero - Cuando canto grito feat. Lucía Pulido

Original music by Siete Notas, Recorded and produced by Chopin Thermes


Grabado originalmente por Chopin Thermes en colombia, 1986 con una Nagra IV.

Originally Recorded by French EthnoMusicologist, Chopin Thermes, in Colombia in 1986. The Recording was done in the field on a Nagra IV. 

Sampled from original master tapes

all contributions will be used for further archival work.

Siete Notas - El Estanquillo (Quixosis edit)

From the Caboclo EP out on Big In Japan May 11th 2018

Lagartijeando is synonymous with pushing the contemporary Alt-Latin electronic scene forwards along with his contemporaries Nicola Cruz, Cancha Via Circuito and El Buho. Strongly influenced by his travels through Latin America, his signature psychedelic electronic tracks blend everything from traditional folk from the Bolivian alti-plano to the jungle beats of Brazil. 

Since signing to ZZK records (Nicola Cruz, Cancha Via Circuito) in 2009 he has gone on to release on Waxploitation (Gnarles Barkley, Dangermouse) and Wonderwheel Recordings (Nickodemus, El Buho) where his latest album entered the Bandcamp top 100 albums of 2017. Renowned for beautiful textures and layers in his production work, Lagartijeando has garnered support from the likes of The Fader, Remezcla, KCRW, NPR and many others. 

Caboclo is Portuguese for a person with mixed indigenous Brazilian and European ancestry. The three track EP meshes Afro-Brazilian rhythms with Chacarera and house beats. The EP is a celebration of the changing cultures and sounds of Latin America.

Lagartijeando - Malandro De Boa

More streaming and download options ➡️ http://smarturl.it/Manati_Nauta
From the urban tropical jungle of Tenerife, Canary Islands, Manati
delivers an outstanding debut EP on Galletas Calientes Records. 
Manati is a changeable being with a mind of his own, constantly exploring frontiers between genres. An effortless combination of Funk, Cumbia, jazz, Salsa, Balearic, Disco and Afro Beat is serving mind-expanding melodies to produce a strong and coherent entity. Nauta EP is definitely an innovative approach to the subtle art of mixing organic and electronic elements, cleverly taking advantage of what each world has to offer and pushing boundaries to achieve a truly original fusion. 
Kow more about Manati: www.galletascalientes.com/manati/

Nauta

★DOWNLOAD★

Manati - Libre Y Feliz. From Nauta EP, out now! 🌞

Dentro del concepto "Arando", una idea de Maria Carrascal y Gaby Kerpel, Producido por Gaby Kerpel y Fer Isella para la coleccion Folklore BA, del Album "Tira Torito"

Linda Flor by Balvina Ramos & Gaby Kerpel

Flia. Valera Miranda - Vuela Como El Aguila (Santi D. Edit)

Biomigrant is the musical project of producer and multi-instrumentalist Michael Alfred Wagner. In 2014, as part of a journey of musical exploration, he crossed Central America en bicycle, arriving to Colombia where he currently lives. As part of the Llorona Records tribute to the gaita flute master Manuel Antonio “Toño” García, Biomigrant put together a compilation of remixes of a piece made with the field recordings of Toño singing. El Buho, Quixosis, Lascivio Bohemia, Joaquín Cornejo, RLHBSLCN, Marcelo Bergés and Steffen Ki present beautiful and different takes of “La Muerte” giving us a broad picture of latin american electronic and world downtempo landscape.

I arrived to the house of the maestro Toño García in San Jacinto in May of 2014. I had just arrived to Colombia, finishing a bicycle journey that began in Guatemala. In Panama a traveling couple told me of Mr. García, and in Bogotá a friend put me in touch so I could visit him. I made it to San Jacinto, an iconic village of the Colombian Caribbean, and I spent various nights camping along the edge of the lake, in the mornings taking classes with Toño. I received my first Gaitas from him, while he showed me songs and told mi stories of his wanderings, struggles, successes, and loves.

Manuel Antonio ‘Toño’ García joined the Gaiteros de San Jacinto after the death of Mañe Mendoza, returning to a legacy that he had left behind for years to dedicate himself to agricultural work. Winner of a Latin Grammy for the album ‘Un Fuego de Sangre Pura’, along with a generation of the group that included his student Fredys Arrieta, el maestro sill lives in his house in San Jacinto where to this day he receives visits from a endless stream of students and lovers of Gaita music, sharing with them his music and wisdom.

There here taught me the song ‘Conmigo Nadie Se Meta’, written by Nando Coba. ‘La Muerte’ is a re-interpretation of that melody, with the voice of Toño and the gaita of Fredys. It was originally published en 2016 as part of ‘Aldea Mundial’, an audiovisual project (album and documentary) released with the chilean label Regional.

I am very grateful for the 7 tremendous artists and friends from Latin America and Europe for their remixes which offer a tribute to a great musician, person, and teacher. We are part of an emerging scene that looks to create a meeting grounds between electronica and traditional folk music, and the least we can do is try to give something back to those who have maintained the essence of rural musics.

All funds generated by this work will be given to Toño Garcia (who recently celebrated his 90th birthday) and his family as assistance that we hope will help to care for his health and upkeep in San Jacinto. Thank you to all who have contributed to this project and especially to Thomas Bosq for setting it all in motion. Michael - Biomigrant

Produced by Michael Alfred Wagner - Biomigrant
Gaitas- Fredys Arrieta
Voice- Toño Garcia
Alegre drum- Loui Peña
Maraca- Owen Chamorro
Mastering - Rob Small
Artwork - Patricia AlSur 
credits
released January 24, 2020

Producido por Michael Alfred Wagner - Biomigrant
Gaitas: Fredys Arrieta
Voz: Toño Garcia
Tambor Alegre: Loui Peña
Maracon: Owen Chamorro
Masterizado por: Rob Small
Arte por: Patricia AlSur

Biomigrant - La Muerte (Quixosis Remix)

For our 3rd release, we present a single EP produced by Jiony, with soothing vocals from Ana Karen, coming from the heart of the contemporary downtempo scene in Mexico.

Co-founder of Mexico City based electronic music label VAA, Jiony marinates his own live looping and improvisation on his best friends - keyboards, with a therapeutical voice, Ana Karen. After their collaboration on VAA back in 2016, the duo shows how perfectly Ana’s voice and Jiony’s slow synth game blends.

First remix comes from Pigmalião, touching back to his Brazilian roots with the percussions after launching his new label I Lost My Poncho, closing the curtain with his dreamy synths. Quixosis finds Pigmaliao’s lost poncho and creates a hypnotic texture with twisting the vocals and Jungel brings us back again to the sea side with his guitar.

@jiony
@piglion
@quixosis
@jungelos

Download Link: www.beatport.com/release/plexo-lunar/2867328

Follow us on:
www.beatport.com/label/mousike-records/83512
@mousikerecords
www.facebook.com/mousike.collective
www.facebook.com/mousikerecordsuk
instagram.com/mousikekolektif

Plexo Lunar

Download/Stream

Jiony & Ana Karen - Plexo Lunar (Quixosis Remix)| MOU003 [Mousikē Records]

This track is a remix of el buho's amazing track Camino de flores, off his album by the same name. El Búho's vibe is unmistakeable, and i always wanted to work with his arpeggios and beautiful flow of joy. Thank you Búho for that opportunity. 

you can listen to the original "camino de flores" and buy the album here:

https://elbuho.bandcamp.com/album/camino-de-flores

<3

El Buho - Camino De Flores (Quixosis Remix)

RIP in 2022
Thank you all for the great times.

Borderless Music.

Record label.

Soundcloud abandoned.

Quixosis@gmail.com
====================
quixote + mitosis =  º∆ QUI XØ SIS ∆º
caustico  lunar  para  la  tercera  oreja
live analog electronic // ciber dada \\
raiz. andes. 
------------------------------------
Buy: quixosis.bandcamp.com
------------------------------------
productor quiteño que  apuesta por el cambio constante y la experimentación para crear un imaginario sonoro ciber dadaista, que se alimenta de la tradición musical andina y latinoamericana.

Segundo Pinchao - Ñapanguita (Quixosis Remix)

Frente Bolivarista

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