support

Singles, Edits & collaborations

Frente Bolivarista is excited to present the single "Macelada" by Tempura the Purple Boy & Edgar Valente on their new duo entitled BANDUA. 

The song is part of their upcoming album set for January 2022.

On ''Macelada,'' Tempura & Edgar Valente rework a Portuguese classic, reimagining the well known traditional song as a psychedelic desert record, adding in elements inspired by the region’s landscape. The track features a deep and commanding bass line played by Tempura and eerie atmospheres created from reversed pianos and guitars flying in and out, all of which support the beautifully haunting voice of Edgar Valente, who adopts a gender interplay and sings the song from a woman's perspective, further engaging the musicians with the genderless character of Bandua, the deity chosen to give the name to the project and album.

---------------------------------------------------------

Lyrics:

Venho macelada, venho de colher macela
Lá dos lados do Castelo, daquela mais amarela x2
Venho macelada, venho macelada
oló ai lari ló lé la, ó lo ai la ri ló ló
venho macelada

Venho macelada, venho de colher macela

Lá dos campos do Castelo para dar ao meu amor
Venho macelada
oló ai lari ló lé la, ó lo ai la ri ló ló
Venho macelada
oló ai lari ló lé la, ó lo ai la ri ló ló

Venho de macelada, venho de colher um cravo
Lá dos campos do Castelo pa dar ao namorado
Venho macelada

Venho macelada, venho de colher um cravo

Venho macelada, Venho macelada
Venho macelada, Venho macelada

Venho de macelada, venho de colher loureiro
Lá dos campos do Castelo, daquele mais ramalheiro
Venho macelada, venho macelada, venho macelada

Venho macelada, venho de colher uma flor
Lá dos campos do Castelo para dar ao meu amor
Venho macelada, Venho macelada

ó la rai la ri lo le la, ó la rai la ri lo ló x4
Venho macelada, venho de colher macela
Venho macelada, venho de colher uma flor
Lá dos campos do Castelo, daquele mai ramalheiro

Lá dos campos do Castelo
para dar ao meu amor
ao meu namorado 

---------------------------------------------------------

Credits:

Lyrics adapted from ‘’Macelada’’ cantiga popular from Monsanto, Portugal
Production: Tempura the Purple Boy
Additional Mixing: Pedro Martins
Vocals/Keys: Edgar Valente
Electric Bass: Bernardo Adário
Electric Guitar: João Aguiar
Acoustic Piano: Bernardo Cruz
Cover Photo: Sara Mercier
Edit: João Alkmin


Follow BANDUA on Instagram: https://www.instagram.com/bandua.music/

Macelada

Buy on Bandcamp!

[FRE015] Tempura & Edgar Valente - Macelada

Bandua takes the centuries-old, traditional music from the Beira Baixa region of Portugal, and re-imagines it with an electronic folk reinterpretation. Conceived by Portuguese/Brazilian musician, sound-explorer and eclectic producer Tempura (Bernardo D'Addario) and Portuguese singer and all-round musician Edgar Valente,

Bandua's new single is filled with a gentle beat, soft pads and Edgar Valente's gentle vocal tapestry, ‘Cinco Sentidos’ (Five Senses) is a traditional love song from the village of Benquerenças de Baixo that has been sung for generations in which the singer compares his love to losing all of their bodily senses.

Credits:
Production/Composition: Tempura the Purple Boy (Bernardo D'Addario)
Vocals/Keys/Percussion: Edgar Valente
Mixing: Pedro Martins

Cinco Sentidos

[FRE017] Bandua - Cinco Sentidos

Bandua takes the centuries-old, traditional music from the Beira Baixa region of Portugal, and re-imagines it with an electronic folk reinterpretation. Conceived by Portuguese/Brazilian musician, sound-explorer and eclectic producer Tempura (Bernardo D'Addario) and Portuguese singer and all-round musician Edgar Valente, Bandua represents the first time that these sounds and songs have been repurposed as a melancholic, Portuguese-language electronic pop record.

Influenced by pagan and Moorish traditions, Beira Baixa is a central region of Portugal steeped in ancient culture with a rugged, hyper-regionalised history of folk music. With both artists having roots in the region, it felt right for them to collaborate and produce this love-letter to their homes. “Bandua is a reinterpretation of traditional Portuguese songs from the Beira Baixa region, bringing them into the modern world,” explains Tempura “we wanted to create something new, while not forgetting where we came from.”

Through Bandua, this ancient tradition of story-telling through percussive, multi-toned music will now find a new generation of listeners, thanks to Tempura and Edgar Valente.

Credits:

Production/Composition: Tempura (Bernardo D'Addario)
Vocals/Keys/Adufe: Edgar Valente
Electric Bass: Tempura
Electric Guitar: João Aguiar
Acoustic Piano: Bernardo Cruz
Acoustic Guitar: João Brito
Didgeridoo/Percussion: João Jardim
Portuguese Guitar: Acácio Barbosa
Percussion/Flute: Zé Cruz

Additional Mixing: Pedro Martins
Mastering: Anders Petersen / GS Mastering & Post

Bandua

Pre Order 🔥

Bandua - Borboleta Branca

Bandua - Borboleta Dourada

https://soundcloud.com/purpletempura
https://soundcloud.com/edgar-valente
https://soundcloud.com/frentebolivarista
🛒 https://bandua.bandcamp.com/album/bandua
🔊 https://youtu.be/J2UBV_9Wo0A

Bandua takes the centuries-old, traditional music from the Beira Baixa region of Portugal, and re-imagines it with an electronic folk reinterpretation. Conceived by Portuguese/Brazilian musician, sound-explorer and eclectic producer Tempura (Bernardo D'Addario) and Portuguese singer and all-round musician Edgar Valente, Bandua represents the first time that these sounds and songs have been repurposed as a melancholic, Portuguese-language electronic pop record.

Influenced by pagan and Moorish traditions, Beira Baixa is a central region of Portugal steeped in ancient culture with a rugged, hyper-regionalised history of folk music. With both artists having roots in the region, it felt right for them to collaborate and produce this love-letter to their homes. “Bandua is a reinterpretation of traditional Portuguese songs from the Beira Baixa region, bringing them into the modern world,” explains Tempura “we wanted to create something new, while not forgetting where we came from.”

Through Bandua, this ancient tradition of story-telling through percussive, multi-toned music will now find a new generation of listeners, thanks to Tempura and Edgar Valente.

Ceifa

CEIFA

PREMIERE: BANDUA - CEIFA [Frente Bolivarista]

https://soundcloud.com/quixosis

Hi "hermanx", good evening!

Frente Bolivarista proudly presents our third compilation - FRESH - featuring great artists from all around the globe. We gathered a strong group of talented artists to spread to the world the vast range of soudings going on in Latin America right now!

This time we invited great names like Felipe Cordeiro (YES! It is his new digital cumbiarimbó tune), Barrio Lindo, Lagartijeando, Montoya, Romperayo, COMRADE, Pigmalião, EXZ. RumboTumba, Borchi, Chico Correa, Quixosis, San Ignacio, Carrot Green and our new discovery: Zambo 1492 and his organic sequenced music.

We hope you enjoy and share with your friends and families!

¡Viva la Frente Bolivarista! ¡Viva la unión!

LISTEN THE ALBUM AND BUY IT on Bandcamp >>>>>>>>>> 
frentebolivarista.bandcamp.com/album/fre…sta-vol-3

LISTEN AND FOLLOW US >>>>>>>>>> www.frentebolivarista.com

Quixosis - Llueve Injira

Download -> http://uploaded.net/file/eeab34wx

A cyclic "high-frequency" edit of one of my favorite songs 

ART BY TÙ.ÚKZ
http://tuukz.glitchartistscollective.com/

Planet Caravan (Gama's Meditative Edit)

The forth compilation of Frente Bolivarista is inspired on the sounds of Nomade Festival which happened in Halver/Germany in the year of 2016. After a three day journey of fusion music into the woods meeting dozens of great and insipiring people from all over the globe willing to join for the good music and the regionalism behind it, we decided to release a compilation inspired on the artists envolved with the festival and of course some of our all the time artists,

Canción Waunana (Chancha Via Circuito Remix)

Download

Harmoníe - Uanna

'Campo Triste' está inspirado en el famoso tema ecuatoriano "La Bocina', en este caso (sample) interpretado por Soledad Morales, cantante invidente quien radicó en Sigsig, pequeño pueblo de la provincia del Azuay. No fue sorpresa encontrar que el productor ecuatoriano Pancho Piedra, habitante de Cuenca, Ecuador, se encontrara trabajando en una re interpretación de este tema. Tiene sentido, toda una generación dedicada a la radio, transmitiendo joyas resguardadas en las bóvedas de 'Radio Tomebamba'. 

Así continua la familia Piedra, en poder de antiguos discos que cuentan la historia de un Ecuador nostálgico, liderado en aquellas épocas por el timón y los arreglos de don Polibio Mayorga. Este es un homenaje contemporáneo sin duda, con el fin de rescatar ese anhelo sonoro de aquellos tiempos. 

// ENGLISH 
We are honoured to present a very special and very beautiful Botanas from the hand of Ecuadorian producers Nicola Cruz and Pancho Piedra. 

Campo Triste' is inspired by the famous Ecuadorian song "La Bocina", in this case with a sample from a version sung by Soledad Morales, a blind singer from Sigsig, a small town in the province of Azuay. It wasn't a surprise for Nicola to discover that Pancho Piedra, a fellow Ecuadorian producer living in Cuenca, was working on a reinterpretation of the song. Everything made sense - Piedra belonging to a generation that is dedicated to treasuring and transmitting musical gems from the vaults of the city's "Radio Tomebamba". 

In this way the story of the Piedra family continues, holding in their hands these old records that tell, with nostalgia, the history of Ecuador, led at the time by don Polibio Mayorga’s arrangements. 

While this is undoubtedly a modern tribute, it also captures and revives this nostalgic piece of musical longing from another time. 

This Botanas also features three precious remixes from fellow Ecuadorian Quixosis, Mexico's Jiony and Chile's Rodrigo Gallardo. 
credits

Botanas: Nicola Cruz & Pancho Piedra

Nicola Cruz & Pancho Piedra - Campo Triste (Quixosis Remix)

Original music by Siete Notas, Recorded and produced by Chopin Thermes


Grabado originalmente por Chopin Thermes en colombia, 1986 con una Nagra IV.

Originally Recorded by French EthnoMusicologist, Chopin Thermes, in Colombia in 1986. The Recording was done in the field on a Nagra IV. 

Sampled from original master tapes

all contributions will be used for further archival work.

Siete Notas - El Estanquillo (Quixosis edit)

This is not only about travel, or world music producers, or culture. This this about how we feel, how you feel the world. This EP is about history, love and politic ! Some parts of our musical culture, movies we saw, shitty politics we had and we still have ! This is about human nature, about lot of things. 

Also about a music we love. And we are not so much into this kind of tracks but ... you know ... 

We hope you gonna enjoy it <3 

by Fanfara Electronica.
credits
releases January 30, 2019 

Music by : Fanfara Electronica 
Produced by Global Hybrid Records 

Artwork by Tôhm 
www.facebook.com/dathomscat/ 

soundcloud.com/fanfaraelectronica 
www.facebook.com/FanfaraElectronica 
www.instagram.com/fanfara.electronica/ 
open.spotify.com/artist/2GXLSDkePkDmtPPQgQBp8p 
www.deezer.com/en/artist/9155542 

soundcloud.com/global-hybrid-records 
www.facebook.com/globalhybridrecords 
www.youtube.com/c/GlobalHybridRecords

all rights reserved

[ghr015] Children Of yesterday

Fanfara Electronica - Shame Story (Original Mix)

Biomigrant is the musical project of producer and multi-instrumentalist Michael Alfred Wagner. In 2014, as part of a journey of musical exploration, he crossed Central America en bicycle, arriving to Colombia where he currently lives. As part of the Llorona Records tribute to the gaita flute master Manuel Antonio “Toño” García, Biomigrant put together a compilation of remixes of a piece made with the field recordings of Toño singing. El Buho, Quixosis, Lascivio Bohemia, Joaquín Cornejo, RLHBSLCN, Marcelo Bergés and Steffen Ki present beautiful and different takes of “La Muerte” giving us a broad picture of latin american electronic and world downtempo landscape.

I arrived to the house of the maestro Toño García in San Jacinto in May of 2014. I had just arrived to Colombia, finishing a bicycle journey that began in Guatemala. In Panama a traveling couple told me of Mr. García, and in Bogotá a friend put me in touch so I could visit him. I made it to San Jacinto, an iconic village of the Colombian Caribbean, and I spent various nights camping along the edge of the lake, in the mornings taking classes with Toño. I received my first Gaitas from him, while he showed me songs and told mi stories of his wanderings, struggles, successes, and loves.

Manuel Antonio ‘Toño’ García joined the Gaiteros de San Jacinto after the death of Mañe Mendoza, returning to a legacy that he had left behind for years to dedicate himself to agricultural work. Winner of a Latin Grammy for the album ‘Un Fuego de Sangre Pura’, along with a generation of the group that included his student Fredys Arrieta, el maestro sill lives in his house in San Jacinto where to this day he receives visits from a endless stream of students and lovers of Gaita music, sharing with them his music and wisdom.

There here taught me the song ‘Conmigo Nadie Se Meta’, written by Nando Coba. ‘La Muerte’ is a re-interpretation of that melody, with the voice of Toño and the gaita of Fredys. It was originally published en 2016 as part of ‘Aldea Mundial’, an audiovisual project (album and documentary) released with the chilean label Regional.

I am very grateful for the 7 tremendous artists and friends from Latin America and Europe for their remixes which offer a tribute to a great musician, person, and teacher. We are part of an emerging scene that looks to create a meeting grounds between electronica and traditional folk music, and the least we can do is try to give something back to those who have maintained the essence of rural musics.

All funds generated by this work will be given to Toño Garcia (who recently celebrated his 90th birthday) and his family as assistance that we hope will help to care for his health and upkeep in San Jacinto. Thank you to all who have contributed to this project and especially to Thomas Bosq for setting it all in motion. Michael - Biomigrant

Produced by Michael Alfred Wagner - Biomigrant
Gaitas- Fredys Arrieta
Voice- Toño Garcia
Alegre drum- Loui Peña
Maraca- Owen Chamorro
Mastering - Rob Small
Artwork - Patricia AlSur 
credits
released January 24, 2020

Producido por Michael Alfred Wagner - Biomigrant
Gaitas: Fredys Arrieta
Voz: Toño Garcia
Tambor Alegre: Loui Peña
Maracon: Owen Chamorro
Masterizado por: Rob Small
Arte por: Patricia AlSur

Biomigrant - La Muerte (Quixosis Remix)

For our 3rd release, we present a single EP produced by Jiony, with soothing vocals from Ana Karen, coming from the heart of the contemporary downtempo scene in Mexico.

Co-founder of Mexico City based electronic music label VAA, Jiony marinates his own live looping and improvisation on his best friends - keyboards, with a therapeutical voice, Ana Karen. After their collaboration on VAA back in 2016, the duo shows how perfectly Ana’s voice and Jiony’s slow synth game blends.

First remix comes from Pigmalião, touching back to his Brazilian roots with the percussions after launching his new label I Lost My Poncho, closing the curtain with his dreamy synths. Quixosis finds Pigmaliao’s lost poncho and creates a hypnotic texture with twisting the vocals and Jungel brings us back again to the sea side with his guitar.

@jiony
@piglion
@quixosis
@jungelos

Download Link: www.beatport.com/release/plexo-lunar/2867328

Follow us on:
www.beatport.com/label/mousike-records/83512
@mousikerecords
www.facebook.com/mousike.collective
www.facebook.com/mousikerecordsuk
instagram.com/mousikekolektif

Plexo Lunar

Download/Stream

Jiony & Ana Karen - Plexo Lunar (Quixosis Remix)| MOU003 [Mousikē Records]

Quixosis - Especies Afines [FRE014]

In Especies Afines, Quixosis explores tempo duplicities, combining disparate species of rhythms into synchopated, polyrhytmic doublecounts, that are both slow and fast, that anchor down thick and fluctuating ambiences layered in tape feedback and games of time. With rhtyhmic elements of footwork, dub, ambient, breakbeats and DnB, Especies Afines are an uplifiting and energetic series of tracks, full of detail and bass heavy rhythms, and deeply enveloping ambient cushions that give off an energy that is both hot and calm like an bonfire, transparent and liquid, like a quicksilver prisma.

Especies Afines

download

Quixosis - Unión Fructuosa

This track is a remix of el buho's amazing track Camino de flores, off his album by the same name. El Búho's vibe is unmistakeable, and i always wanted to work with his arpeggios and beautiful flow of joy. Thank you Búho for that opportunity. 

you can listen to the original "camino de flores" and buy the album here:

https://elbuho.bandcamp.com/album/camino-de-flores

<3

El Buho - Camino De Flores (Quixosis Remix)

RIP in 2022
Thank you all for the great times.

Borderless Music.

Record label.

Soundcloud abandoned.

Quixosis@gmail.com
====================
quixote + mitosis =  º∆ QUI XØ SIS ∆º
caustico  lunar  para  la  tercera  oreja
live analog electronic // ciber dada \\
raiz. andes. 
------------------------------------
Buy: quixosis.bandcamp.com
------------------------------------
productor quiteño que  apuesta por el cambio constante y la experimentación para crear un imaginario sonoro ciber dadaista, que se alimenta de la tradición musical andina y latinoamericana.

Quixosis - Llueve Injira

Frente Bolivarista

Recent comments

Nomelabajes

Related tracks