Extraordinary track that would be a current success!

Here's a DJ set I did a few months back at Radio Bilingue in Salinas...

Tracklist (please go support these artists because they're rad af):

Dionne Warwick @dionnewarwickofficial - Do You Know the Way to San Jose (FH's Washout Edit)
Rhyolite @rhyolite1 - EXTERNAL TRANSMISSION
Serum @serum, Paul T @paul-t & Edward Oberon @edwardoberon - Take My Breath Away [V Recordings]
Emperor @the_emperor - Sunder
Stevebot - RCS Cruise Control https://stevebot.bandcamp.com/
Boards of Canada @boardsofcanada - Summer Fire 1986 Track
Analog Brothers @analogbrothersofficial - Bionic Oldsmobile
Wagon Christ @wagon-christ - Accordion McShane
Acen - Play 2092 (Part 2) https://www.discogs.com/release/13719530-Acen-Play-2092
Pangaea @pangaea - Like This (full mix)
The Halluci Nation @a-tribe-called-red - R.E.D. ft. Yasiin Bey @mos-def-official, Narcy & Black Bear

Stimming @stimming Segment 

ATARASHII GAKKO! @atarashiigakko & Warren Hue @user-309417758 - Freaks
High Contrast @highcontrast - Met Her at a Dance in Leicester (ft. UK Apache @arabingiakaukapache & Ady Suleiman @adysuleiman)
Little Big @littlebig-music - Skibidi
Parra for Cuva @parraforcuva - Cuiva
Ratboy Genius Minimix
Madlib @madlib - Road of the Lonely Ones
Frequency Horizon - Pre-Ecstatic Chaos
The Chemical Brothers @thechemicalbrothers - The Darkness that you Fear
Rafael Anton Irisarri @irisarri "Her Rituals"

Episode 113 - 90.9 FM (Salinas) Mix

At The End Of The Dream- bE AnOthEr

One of my favorite sets in a while! This party marked the end of a conference exploring artificial intelligence held at Zuzalu, an experimental pop-up city in Montenegro. 

Lots of fun and weird alignment happened for the event and the party 🌞 Not least of all, Grimes came as a speaker for the conference and decided that she’d love to perform at the party as well. She played a heavy set right after me, and the party was already high-energy when I started, so I ended up playing pretty upbeat. 

I played a mix of oldies and new faves. Hope you enjoy!

The performance also featured the ’Voxel Cube’, an art installation using a brain-computer interface to edit the visuals projected onto a mesh cube the DJ stands inside. 

The artists of the cube: 
https://instagram.com/mulabs.tech?igshid=MzRlODBiNWFlZA==
https://www.instagram.com/dimitridejonghe/

Timour @ Zuzalu, May 2023

This track is a collaboration with SeaShea https://on.soundcloud.com/CnDF4
A small opportunity arose, and I offered Seashea, whom I've admired for a long time, to play the guitar on this track. He kindly accepted, and together we created this song. I love watching Sea; he also loves the sea, so I named it accordingly. This year, Tokyo is unusually hot, with temperatures sometimes exceeding 38 degrees Celsius. In the midst of such heat, he sent a cool breeze from the opposite season in Australia. I hope that everyone who listens to it can feel refreshed.
This song travels back and forth between Japan and Australia like the wind, crossing the Pacific.

Composition and Sampling collage by Synline 
Electric guitar playing  and arrangement by SeaShea
Featured on the my new album 'Code Share'https://on.soundcloud.com/v4P9a

'Seeing The Sea' Synline=SeaShea

This track was made in GDL the city of copes amounts of tequila by Resonant dog and Lalo Beltran A.K.A Day & night

Kos Amalgama Ft. Day & Night

-7 Degrees this January 11, this track is made in Parksville . B.C

MAMBO (Original Remix)

In my universe, in my country where you will never go, there is neither weak nor strong, neither genius nor idiot, neither tall nor small, neither fat nor thin, neither rich nor poor, there is no. ..nothing and it's still TOO MUCH.
Di Lovero, not good here, nor elsewhere, nor on another planet and even less in the other world.
He is looking for what everyone should be looking for, meaning in their life.
Texts, music, arrangements, production, vocals and synthesizer interpretation by Di Lovero.
Mixing Virgile Guy

Texts de "Rien c'est encore trop" :

Na na né ni na nou na na
Na na né nou ni na né né
Na na né na ni nou na na
Na na né.

Dans un autre univers,
Dans mon pays.
Tout à l'envers,
Là on y vit.
Pa pa pa pa pa pa

Il y a aucun génie,
Ni d'abruti,
Pas de nanti,
Ni de bandit.
Cool cette vie.

Hou la hou la la hou la hou la
Hou lé Hou lé lé hou lé hou lé
Hou la hou la la hou la hou la
Hou lé hou lé lé hou lé hou lé.

Zay ray may nay nay nay ray may
Vay day tchou day day day zay nay
Lay vay nay ray ray ray nay vay
Ray zay tchou.

La bas y a pas de forts,
De fragiles moins encore.
On ne voit pas d'heureux
Ni de gens malheureux.
Tou tou tou tou tou tou

Le mal comme le bien,
N'y sont plus bons à rien.
La pauvreté a fui,
La richesse aussi.
Tou tou tou tou tou tou

Le prolétariat,
Les syndicats,
Le patronat,
A l'agonie,
ça c'est fini.

Point de fraternité,
Ni de liberté,
Et d'égalité.
Stop à l'idiotie,
Dans ma galaxie.

Dans mon bel univers,
Qu'est tout à l'envers.
Dans ma galaxie,
Ou tout est permis.
Il n'y a rien et c'est encore trop.

Rien c'est encore trop

Soundcloud.com/maxnewmandj

MAX NEWMAN- COSTA DEL SOL (Iberican mix)

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

Premiere: LVND - Competent (Original Mix) || Concrete Jungle

Feel empowered, feel strong, fulfill all your wishes.
Rise up and run free to the deep and bouncy beats of LVND.

Maintain your momentum with the powerful and diverse remixes of
AmuAmu, Jati Div, Lorikeet, Soble & zijn.

And remember:
Take it all you can, cause you're so competent!

➟ Release: Competent EP
➟ Artist: LVND
➟ Label: Concrete Jungle
➟ Cat-No.: CJ007
➟ Release Date: 2024-03-15
➟ Distribution: Proton LLC, Concrete Jungle
➟ Format: Digital

⟣ Stream or Buy ⤵
➟ https://concretejungle.fanlink.tv/lvndcompetentep

Artist ⤵

⟣  LVND
•  Soundcloud: https://soundcloud.com/land-musica
•  Facebook: https://www.facebook.com/landmusica
•  Instagram: https://www.instagram.com/landmusiki/
•  Spotify: https://tinyurl.com/ynsefxbe

Label ⤵

⟣ Concrete Jungle
•  Soundcloud: https://soundcloud.com/concretejunglecollective
•  Facebook: https://www.facebook.com/concretejunglecollective
•  Instagram: https://www.instagram.com/concretejunglecollective/
•  Spotify: https://tinyurl.com/yrcn5d3m
•  Homepage: www.concretejunglecollective.de

Mastering ⤵

⟣ Tilmann Eimicke | Haunted Water
•  Soundcloud: soundcloud.com/haunted_water
•  Instagram: instagram.com/haunted_water_music/
•  Spotify: tinyurl.com/29gt29mp

Cover Artwork ⤵

⟣ Moritz Dycke | zijn:
•  Soundcloud: soundcloud.com/medi-zijn
•  Instagram: www.instagram.com/medi_zijn_/
•  Spotify: tinyurl.com/28e3gv8w

______________________________________________________________________________

With Love ⤵

⟣ BeYond Collective:
•  Soundcloud: https://soundcloud.com/beyondcollectiveberlin
•  Facebook: facebook.com/beyondcollectiveberlin
•  Instagram: instagram.com/beyond_collective_berlin
•  Spotify: tinyurl.com/2xcynbu3

Competent (Original Mix)

Get it here!

Premiere: LVND - Competent (Original Mix) || Concrete Jungle

my first ACID track done while living in London... 
Thank you, London, you are an amazing city, my second home.

⭐ follow YUKA YU
Official Website: www.yukayumusic.com
SoundCloud: www.soundcloud.com/yukaswat
YouTube: www.youtube.com/yukayumusic
Instagram: www.instagram.com/_yukaswat
Facebook: www.facebook.com/YukaYuMusic
RA: ra.co/dj/yukayu
Twitter: twitter.com/yukaswat

Artwork credit: 
Kenita-Lee McCartney (Wemba Wemba Wiradjuri Neri Neri Wotjoboluk Boon Wurrung)
Matakupaat Arts
“Yuka" 2019

Acid Rain (Original Mix)

Welcome to the intersection of sky . sea . and sound ~

Episode 113 - 90.9 FM (Salinas) Mix

Frequency Horizon

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ॐ ★ HIZAQ ★ ॐOutside studio★ॐ

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