I am playing guitar for the first time in a long time. My fingers hurt.

Written and performed by Kyo

Grand Slam

Vibin'

Sunset

Image created by me.
https://www.deviantart.com/leehon/art/Indissoluble-Kindness-910105440

Harsh Hiatus

Here is something a bit different. I was working one day and made this tune up in my head. I attempted to record it and hope you all enjoy it to some degree. I haven't played the flute in a long time, so I'm a bit rusty, but anyway...

Farewell to the Redcoats

'Deep Roots' is a bright and upbeat Jazz Fusion track.

Or Is It All An Illusion

Deep Roots

Judas

https://northfieldlenox898138798.wordpress.com/

Same Old Liar Tape

Be Sure To Like Listen And Follow https://soundcloud.com/user-705706912?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Sitting Around Making Mistakes THC 23 eddyoffline & the junez

In the quiet of his mind and heart, a guitarist's fingers explore the strings, conjuring a bending bluesy vibe. Slowly, the rhythm intensifies, emotions surge, and the room reverberates with electrifying energy. A soulful shockwave erupts, and the mellow tune drifts into a spiraling destiny.

SOULFUL SHOCKWAVE

Maybe

My interpretation of "Socialite", the song written and performed by Richie Kotzen & his band / from his Album "Mother Head's Family Reunion" (1994). It's a song of poetic irony against so-called 'Socialite'. 

This cover mainly consists of 2 versions; 
1) 00:00 Intro-Verse-Chorus-Bridge sections (& Outro) that basically follow the Original Studio Version.
2) 02:36 Interlude-Guitar Solo sections that basically follow the Live Version (“Live in Sao Paulo”, 2001) >>  Solo 1 (Clean) starts at : 03:34 & Solo 2 (Distortion): 04:50- .

- I first covered this song about 25 years ago with my band...I've loved its various rhythm pattern especially drumming in this song and it's been one of my drum practice pieces since then.  
I'd completed the first half of this cover (studio version sections) about half a year ago...but couldn't find a vocalist this time and decided to make an instrumental version, then let it alone since I wanted to record the latter half but couldn't have time...anyway, finally I could make it last week...
-Vocal parts are substitute by my humble Keys (Synth Organ). 

Hope you enjoy. Any feedback would be appreciated.

[Music Info]
The song was originally performed by Richie Kotzen  (Guitars, Lead and Backing Vocals, Wurlizer Piano, Hammond Organ, Clavinet and Bass Guitar) and Atma Anur (Drums) .
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Cover: 
- Rhythm Guitar on the left : Fender USA CS Telecaster (w/ DiMarzio Hum-backer on the rear PU) 
w/ Marshall-JVM(50W), Boss Vintage CE-1 (for booster-use or splitter-use only), Maxon RTC 600 (only for the Bridge sections), Boss MT-2 Metal Zone or Sobbat DB-3 & Maxon AD-9, Partially w/ MXR Phase 90.
-Rhythm Guitar on the right: Fender Japan Stratocaster (w/DiMargio Hum-backer on the rear PU ),
w/ Fender Vibro-King Custom Amp (60W), The Electro Harmonix Big Muff Pi, Boss CS-2,  Maxon AD-9 & Partially with Jen Crybaby Wah or  MXR Phase90 & Boss DD-7 (ping pong delay).
-Additional Guitar Fills & Guitar Solo: Fender USA Stratocaster ‘58, w/ Marshall-JVM(50W), Sobbat DB-3 & Maxon AD-9, Partially w/Boss Vintage CE-1 (Only for Clean solo).
- Bass Guitar: Fender USA '66 Precision-Bass , w/Boss CS-2,‘59 Bassman LTD Amp. Partially w/MXR Phase 90.
- Electric Piano and Organ: Korg Software Synth (Wurlitzer, Clavinet & Hammond B3 Emulators) w/ Kurzweil PC88 & Pedal Boards (incl. MXR Phase90, Boss BF-2).
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
Except the Keys, all instruments were played and recorded in the studio (live, open-mic rec).
- Mixing: DAW
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Cover art is borrowed from the Album "Mother Head's Family Reunion". All credits must belong to the artist.

(Ain't No) Socialite - Richie Kotzen Cover (Instrumental Extended Version)

Los Angeles-based underground Performance-Art group.  Breaking concrete, Lexicon loops, folksy harmony vocals, psychedelic textures, distorted towers, juxtaposition, holographic lyrics, and a spoonful of sugar.

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