This track started off as a blank canvas then ended up as a western movie scene for no particular reason.

HOW THE WEST WAS LOST

Melancholic

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Title: Tears of the Sicilian Sun
Music by Michael Herter
Genre: World, Siciliana, Soundtrack
Video: https://youtu.be/igt5azwBrfI

"Tears of the Sicilian Sun" is a hauntingly beautiful composition that draws deep inspiration from the traditional folk songs of Sicily. This melancholic Siciliana weaves a tapestry of sorrow and longing, capturing the essence of a bygone era. The melody is steeped in the rich cultural heritage of the Mediterranean, evoking images of sun-drenched landscapes and the bittersweet tales of love and loss. Each note resonates with a poignant sense of nostalgia, creating a profound emotional journey that lingers long after the music fades away. Ideal for moments of introspection, "Tears of the Sicilian Sun" transports listeners to a world where the past and present intermingle, echoing the timeless spirit of Sicily.

a-moll; 4/4; 70 bpm

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Tears of the Sicilian Sun

This piece opens with a gentle warmth, its harmonies flowing like a serene stream under soft light. Rooted in A-flat major, it delicately balances serenity and quiet strength, with each phrase thoughtfully shaped to evoke introspection.

The tender yet purposeful melody weaves seamlessly through a subtle accompaniment, creating moments of poignant stillness and heartfelt resolution. Embracing simplicity, the composition allows the emotional depth of each note to shine, while gentle modulations trace a narrative of reflection and quiet hope.

Co-producer: Blaž Pavšič
Mixed and mastered by @a7-recording-studio (www.a7recordingstudio.com/)

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Prelude in A-flat major

World Premiered by Katherine Cheng	(violin) and Jeongmin Oak (piano) Kilbourn	Hall,	Eastman	School of Music Rochester,	NY | 
Friday, November	22,	2024

Program Notes:

“Tea with Debussy & Pärt in Casablanca” is a musical dream born from a vacation in Havana, Cuba. This piece imagines an encounter with the esteemed composers Arvo Pärt and Claude Debussy in the vibrant city of Casablanca, over Moroccan tea. It is not an imitation of their styles but rather a heartfelt conversation between us, infused with elements of both composers’ musical languages. Originally commissioned by Vincent Delorme for viola and piano, the piece was premiered in Montreal. The clarinet version, performed by double Grammy-nominated clarinetist Tasha Warren and pianist Yun Hao, premiered at the Mostly Modern Festival in Saratoga Springs, NY, in June 2024. Katherine Cheng, inspired by both the clarinet version and her experience performing in the sextet premiere of the first movement of my Suite “Moroccan Dances,” felt a strong connection to my compositional style. Her expressive playing and nuanced interpretation are well-suited to the music’s blend of minimalist and impressionistic elements. Katherine’s excitement about this collaboration led to the creation of this violin and piano version, marking the beginning of our artistic partnership. The piece begins with minimalist touches, a nod to Pärt’s recent works, where the piano introduces serene arpeggios that intertwine with expressive violin melodies. As the music progresses, it incorporates Debussy’s harmonic richness, weaving a tapestry of sound that captures the essence of typical Moroccan conversations—dynamic, lively, and filled with unexpected turns.

Tea with Debussy and Pärt in Casablanca for Violin and Piano - World Premiere

Modular Landscape

Forsen is swedish for the rapids. To me it's something calm about it. The nature, the water, the sounds. It's also a  childhood memory when playing in the woods. This classical piece has a touch of swedish folk music which, I think strengthens the emotion.

Tivoly

Fridacederbratt

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