December 2021 issue of the Suspect transmission for @noodsradio Bristol is focused on electronic music from Iceland or recored in Iceland. I got the idea for this show when I read the liner notes of the Alec Empire record "Low On Ice". This album was recorded in a tent in Iceland on tape and you can feel the cold when listening to it. I went through my record collection and looked for records with a similar mood and put them together for you in the radio show.

01. Bjarki - Plastic Memories (!K7 Records)
02. Hermigervill - Augun Endurgerð (HG Hljómplötur) 
03. Ozy - Alone In The Car (Force Inc. Music Works)
04. Exos - Listen To My Voice (Delsin)
05. Futuregrapher - Þrymur BA-7 (Möller Records)
06. Oz Artists - Matrix Noise (Æ Recordings)
07. Bjarki - Fresh Jive (трип) 
08. Volruptus & Jensen Interceptor - Alien Realm (Sweaty Records)
09. Kuldaboli - Sálinni blæðir út (feat. Djöfullinn Sjálfur) (Sweaty Records) 
10. Ben Frost - Metal On Skin (Self-Released)
11. Futuregrapher - Stars Came Down (Möller Records)
12. Ólafur Arnalds & Nils Frahm - Wide Open (Erased Tapes Records)
13. Alec Empire - 22-24 (Mille Plateaux)

Suspect Radio

Suspect Radio 028 - December 2021 (Iceland Special)

About:
JacqNoise-
In her compositions, JacqNoise is looking for the spot where rhythms cross each other’s paths. She is deconstructing sounds in order to understand the symphony and the themes that are reflected in it.


Andreas Krach-
 Andreas Krach spends sleepless nights with crunchy electronic sounds, deriving from circuit bent instruments, no-input mixers and analogue synthesizers. Lots of analogue synthesizers. Besides creating exotic sound he also  built the bulky bleep machine "Krach der Robotter" that haunts clubs and venues on a regular basis.

Links:
JacqNoise-
www.facebook.com/jacqsbook/
www.instagram.com/jacqnoise/

Andreas Krach-
www.facebook.com/KrachDerRoboter
www.instagram.com/andreas_krach/

Data Cult Audio 0250 - JacqNoise and Andreas Krach

@frimout 
Studio Pandora is a free-to-visit hybrid between an off- and online stage in TivoliVredenburg. In the former smoking area on the sixth floor podcasts about music are developed, DJs are given free reign and a stage is created for conversations about culture and/or Utrecht. Studio Pandora was created thanks to the experiences of TivoliVredenburg in recent times. A souvenir of the COVID era, which artist Dewy Elsinga has turned into a colourful and warm headquarter, by which we’d like to offer a kickstart to starting, experimenting and often local creatives.

Studio Pandora can be attended in real life for free or seen and listened to (live) via www.studiopandora.nl

Interview & Live Performance By Max Frimout in Studio Pandora

Slicer - Rrrecils2001 [endless knot preview]

Up-tempo percussion with captivating rhythms and colourful synths. This mix features various broken beats, hypnotic techno and pounding drums supported by my own unreleased productions.

Teqmun // @MaxiRadio 26-02-2022

Re-performing on a patch I made for Modulistic in Roelofarendsveen 14/05/22

Modulistic Set 140522

READ > https://inverted-audio.com/premiere-teqmun-caterpillar-cravings

Tijmen Blokzijl’s first release as @teqmun-tijmen-b is filled with exquisite minute details that blend the synthetic and the organic. The producer crafts glitchy ambient and slow-motion pointillism, all of which have a place within this neatly contained sonic world.

Phototropism

Teqmun - Caterpillar Cravings [Sann Odea]

I want to say thank you to:
Federico Ferrarini and Ginevra Gadioli for the occasion. I hope I fullfilled your expectations.
Alessandro Cailotto for being such a great sound partner. Palazzo Camozzini for the wonderful location.
Antoine for suggesting me articles about black and white holes and dynamic of fluids, which I haven't understand completely, but from which I got a lot of suggestions.
V.E.R-V. team for letting me use the #Soundbox for the mixing process, and for being what I think can be called family.

Step by step... I am not stopping here. I am thirsty as hell.  

Here it is a couple of ideas I was writing down to understand better what I had into my mind. 
The final is a "redshifting".

"Vesseldata - the data. Information in samples, pixels, concepts, transferred through digital roads, similar to wormholes. Is it possible to saturate the information ? If the channels multiplies, and the space expands, is 'too much' still 'too much' ? Does it find a new way of being, a complex texture knowable as unique, a precise mixture ? Where is the limit between new feelings and apathy ?
The data here is stretched, intensively elaborated, destroyed in grains and melted in new morphologies. Lost atoms, running towards death or towards new life.

In a May morning I was walking inside Saint Michele cemetery in Venice and, as I felt someone was silently whispering to me, I turned my head, looking the way I just passed. An idea strucked me: what if I knew all of them, all the people buried there, as we were confidants for a long time, feeling the love coming from my memories of them.
I felt immediatly pushed to the ground, as if my body was suddenly attracted by the earth, as if the pressure of the atmosphere became incredibly high. I felt as there were a magnet at the center of the earth squeezing me down and my eyes became heavy. The shadows became more evidents than the light lingus. 
Levi-Strauss once wrote that probably the best way to know a society is to know its relationship with the deads and death.
Now I was in a city.

Is the cemetery a portal ? Like a black hole, is it connected to a white hole somewhere else, as some theories suggest ? Similirarly, are our PC and smartphone screens a portal for another place? Are the sum of all datas a physical space ? But most importantly: is death the line towards new state of being or a new form? Is coming into this world a trasformation into the form and matter called "human" ? 
Here the thoughts relate to Federico's opera: the cellula, the sun, thousand of lines and elements sucked inside the magnetic center of the opera. A red wormhole cracking its way to the unknown. 
He was painting about Life, among the other things; I was composing about Death, among the other things. "

Wormhole/Vesseldata

hello, i am very excited to be part of glitch with friends: volume i

this also marks the launch of the https://www.glitch.cool website, which is an assemblage of artists orbiting the glitch aesthetic, where we'll be posting visuals, music, blogs, tutorials, resources, etc.

enjoy 👂

this is the dreams

Inge, Kyra & Max Frimout - Firmicus (Live)

A miniature for 'Écouter le monde', a project ideated by Monica Fantini. For RFI the series 'Les sons de la terre', for which I compose 'Les sons de la terre dans la lagune vénitienne'.

Special thanks to Luca, Tommaso and their parents, for their enthusiastic support and kindness, and for accepting me in their fields during 2020 september evenings. The smells, lights and laughs will always be part of me, in those places that -by now-, in addition to those of my youth, I call home.
Al cuor non si comanda.

Inge, Kyra & Max Frimout - Firmicus (Live)

Max Frimout

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