Techno Sets #01

Our Resident Nobel Cortex comes with a 4 Track EP representing the sound of Sensory Perception.

Inspired by Sounds of the Nature Nobel Cortex creates an EP full of groovy and constant Energy. 

Meanwhile he already has a few releases on other labels such as @nechtorecords, @malör and @prxrecords.

Cortex acts as owner and Resident artist of Sensory Perception and together with @danielwich he forms the soul of the label.

Nobel Cortex - Human Instinct EP

Artist: Daniel WIch
Title: Human Instinct EP
Label: Sensory Perception
Catalogue: SENSE002
Format: Digital
Genre: Electronic
Style: #Techno
Release date: 

Follow Nobel Cortex here:
https://www.instagram.com/nobelcortex/
https://soundcloud.com/nobelcortex
https://bandcamp.com/nobelcortex


Follow Sensory Perception here:
https://www.instagram.com/sensoryperceptionstuttgart/
https://soundcloud.com/sensoryperception
https://www.beatport.com/label/sensory-perception/93490

Nobel Cortex - Tactile Emotions (Orginal Mix)

Release date (vinyl & digital): 16th of November

TRACKLISTING
A1. Carnage
A2. Spirit Train
B1. Titan
B2. Elektra

INFO
Oscar Mulero returns to Token. Titan follows up 2018's Electric Shades EP and marks the Spaniard's fourth appearance on the label. A brace of uptempo, dance-floor focused tracks in the artist's inimitable style, the EP showcases the veteran producer's knack for memorable sonic motifs and enviable studio prowess.

As ever, the music feels fresh and modern. Driving, polyrhythmic recording Carnage sets the tone for the record-high energy and off-kilter, it's a dense workout that feels as focused as it does powerfully untethered. Hypnotic follow up Spirit Train channels the best of the heads-down end of the genre with a single delayed synth that warps across its runtime, buoyed by exquisite drum programming and bound neatly by the artist's precision engineering. Title track Titan heads up the B1 and the EP shows no sign of slowing. High energy from the start, Mulero delivers an exemplary slice of peak-time acid-Techno that finds extraordinary energy in its crisp main riff. Elektra closes out the EP and focuses heavily on groove. A single reverberating lead synth sequence does the bulk of the movement, moving in and out of the sonic periphery to build and release tension, all the while propped up by the chunky, driving drums that have powered the record throughout.

TOKEN104 - Oscar Mulero - Titan

Buy Metacollapse on Beatport: http://www.beatport.com/release/metacollapse/1186533

Vinyl/ CD: http://nachtstromschallplatten.bandcamp.com/album/metacollapse-album 

Björn Torwellen @ Metacollapse @ Elektroküche Köln 16.11.13

Underground renegade & owner of Mastertraxx, MR. Mike Humphries returns with another smashing set recorded live from the UK in 2013 !  

Techno music in its essence, hard rhythms, catchy synths and endless creativity. His unique sound is  one of the great reasons why we love him so much here at Naked Lunch !  Have a great weekend !!!!

Naked Lunch PODCAST #075 - MIKE HUMPHRIES

Tracklist:

01/ DavidChristoph - Sandman ( Andreas Kramer Remix )
02/ Ben Sims - Raw ( Original Mix )
03/ Thomas P. Heckman - Leid & Seele ( Lowkey & Kardinal remix )
04/ Peter Schmidt - Rectifier ( Original mix )
05/ GO!DIVA - Mob ( Original Mix )
06/ Angy Kore - Mato el Gato ( Sven Wittekind Remix )
07/ Johannes Heil & Len Faki - Maniac ( Original Mix )
08/ Cortechs - Ecoy ( Original Mix )
09/ Stevie wilson - Close To The Hedge ( Drumloch Remix )
10/ Peter Schmidt - Audio check In ( Original Mix )
11/ Spark Taberner - Mindfields ( Tex-Rec Remix )
12/ Clouds - Chained To A Dead Camel ( Original Mix )
13/ M.I.T.A. - Not Your Business ( Original Mix )
14/ Stevie wilson - Rotator cuff ( space djz Remix )

Drumloch

Arnaud was born in Marseille at the 21st of December in 1984. As an electronic music enthusiast, he made his debut as a Dj at the Parties and Afters, in South of France and also in the famous "Spartacus Club". He learned musical production with "Ableton" by himself and began producing his own songs. He is exploring the various facets of minimal and techno music. With hard working, he found his way into a dark and dancefloor techno, and took the nickname "Drumloch". "Drum" is for the nature of his music and fits with different kinds of batteries that he uses (kicks, drums, toms, etc.), and "Loch" is an implied reference to the Lochness, the famous lake in Scotland, with the rumor that it was the refuge of a mysterious sea monster. Drumloch created his label named "Pragmatik Recordings" in 2012. It includes emerging talents of the Dark Techno scene. In the meantime, he works on composition and remixes for prestigious artists such as Tom Hades, Brian Burger, GO!DIVA, Albert Kraner, Elbodrop, Repressor, Sebastian Groth, Angy Kore, Mike Maass and Michael Kruck, to name a few ... At the beginning of 2013, he was hired by the prestigious Booking Agency of Subfractal in New York called "De-Konstrukt", which includes techno artists from all over the world such as Axel Karakasis, A.Paul, Sasha Carassi, Da Fresh, Lutzenkirchen, Gayle San, Alex Bau, Spektre, Dandi & Ugo, Spartaque, etc. He also got signed on the number one and most important german vinyl label named Nachtstrom Schallplatten on which he signed a collaboration with his friends Elbodrop, a Scottish duo, and was remixed by Tom Hades, Ant Prescott, Logotech & Patrick Dsp. Then two more vinyls were recorded on the same german label: on the first one he remixed one track of the pillars of German techno Thomas P. Heckmann, for his own album Dark Matters, alongside Alex Bau and Kramer & Niereich. The second one was on a double vinyl on which he realized a remix of Repressor (one of the two protagonists of the American duo Subfractal), alongside Knobs, Octave, Bjoern Torwellen, A-Brothers and Tex-Rex. In the same time, Drumloch also signed to other labels: i-Cntrl, Re-Konstrukt, I-Dark, Bass Assault Records, Elektrax Recording,s Mekanism Records, Heavy Snatch Records, Crunch Control, Darknet, Shout Records and Eklero Records. He remixed as well several EPs of international artists such as : Cortechs, Michael Schwarz, Mike Wall, GO!DIVA, Ovi M, Mikael Pfeiffer, Wave Form, Michael Kruck, Flex, Horn Porn, Mike Maas, etc. His first dates and gigs were abroad, in Holland, Spain and in Germany, including the legendary Berlin Club named "Tresor" and the "Off Sonar Festival" in Barcelona. Drumloch is currently preparing his first album for the label "Nachtstrom Schallplatten" and his first Live Act expected out in 2014. Support & Play by : Len Faki ,Dubfire, Ryuji Takeuchi ,Torten Kanzler , Spiros Kaloumenos ,Yari Greco , Albert Kraner ,Virgil Enzinger,Andy White , Niereich , Elbodrop , M.I.D.I. , Flex, A-Brothers, Albert Kraner , Morgan Tomas ,Snello ,Michael Kruck ,Monya , Sync Therapy, Cortechs, Microcheep & Mollo, Subfractal, Dolby-d, 3Phazegenerator, Skober, Hytericmaniak, Andres Gil, Gabeen, Vegim, Forest People, GO!DIVA , Electrorites , a lot of other well known established techno artists ...

https://www.facebook.com/drumlochtechno?fref=ts
https://soundcloud.com/drumloch
http://drumloch.com/
http://www.beatport.com/artist/drumloch/284214

/////////////////////////////////////////

Art Style: Techno

Web >> http://artstyletechno.hu/
Mixlr >> http://mixlr.com/art-style-techno
Youtube >> http://www.youtube.com/ArtStyleTechno
Soundcloud >> http://soundcloud.com/art-style-techno
Mixcloud >> http://www.mixcloud.com/ArtStyleTechno
Facebook >> http://www.facebook.com/ArtStyleTechno

Our Partner: live4p.com / Hungary http://www.live4p.com/

Art Style: Techno | Hell Industry | Process 14 [Part 1] : Drumloch [ARTSTYLETECHNO.HU]

TRACKLIST:

1) Electromcfly - E-500 - Concepto Hipnotico

2) Altsdadt Echo - 1940/Concrete/Schaeffer - Blank Code

3) Mikael Jonasson - Fierce - Ground Factory Records

4) Angel Costa - Asylum - Brood Audio

5)  Flex - Sativa - Nachstrom Schallplatten

6)  Klinika - Space It All (Deh-Noizer Remix) - Unreleased

7)  Atie Horvat - Shifer (Forest People Remix) - Dystopian Rhythm

8)  Damien Deroma - Straight Line (Skober Remix) - Achromatiq

9)  Jason Fernandes - Drip Feed - Subfigure

10)  Hans Bouffmyhre - Sanction - Sleaze

11)  Dandi & Ugo - Mont Spake (Lorenzo D’lanni Remix) - Cypher

12)  Bodyscrub - Glass Tools - Alleanza

13)  Andres Gil & Dezzet - Modulated Thing - Android Muziq

14)  Miniminds - Residual Effect (Snello Remix) - Driving Forces

15)  Xenoscapes - Tethys Orbitis (Ungar Remix) - Concepto Hipnotico

16)  Milkplant - Pantycontrol - From 0-1


BIO:

In the mid 90′s, Garrett Dillon fell in love with electronic music via acts like The Prodigy, Aphex Twin, Autechre, and Underworld. In 1997 he attended his first warehouse rave in Detroit and immediately fell in love with the pounding kick drums and dark synths of techno.

Soon after, Garrett (more commonly known as Dillon) spent time immersing himself in the techno culture via DJing, promoting events, and producing his own music. He took a hiatus from 2004-2010, but came back just as dark techno was once again on the rise. In 2011 he started booking events again, and in 2012 co-founded his label, Dystopian Rhythm, with Margin Walker.

Since then he has focused more on music production, with releases on Concepto Hipnotico, Resorted Recordings, Business Class Records, Ex-Tract, his own Dystopian Rhythm, and several others.


INTERVIEW:

1) You've been involved in the Detroit Techno scene for a while now, but a lot more active releasing music and playing shows recently; what's the driving force that spurred you on?

I’ve been involved in either attending, performing or throwing events in Detroit for 16 years now, although I did take an extended break from 2004 - 2009 (the MNML years). While I attempted, and failed, at starting a label back in 2001, I felt the urge to try again once techno started coming back. It gave me new life to hear quality music being released and played after soooo many years of bleeps and bloops and 808 woodblocks. Real, powerful techno inspires me. The quality of techno today is, in my opinion, the best its ever been.

2) You co-own Dystopian Rhythm Records with Mike Clark; in a short span of time you guys have issued a number of quality vinyl releases. Along with Blank Code it would appear that you guys are pushing a new wave of dark Detroit Techno to the masses. From an inside perspective, what are your thoughts on this growth and unfolding?

I feel very honored to be part of the techno resurgence in Detroit. This city has given me so much in the past, and while it feels like most everyone previously involved in techno moved away to Berlin, there are a few of us still pushing quality techno out. I believe techno has new life, and it will continue to grow (again) here in the birthplace of techno.

3) Given the dire economic situation in Detroit oftentimes the media portrays the city as a barren post apocalyptic wasteland, and although it's a tough town, clearly it still supports quality Techno music outside of the Movement weekend. Is there a solid, fresh scene into what you guys at Dystopian Rhythm are doing?

I’m never one to sugar-coat Detroit. It’s raw and unforgiving. There probably isn’t another place like it in America. Fortunately that doesn’t keep people from coming out on the weekends. Nothing compares to the scale of Movement and the multitude of options for after-parties that weekend, but I do feel that there is new life the other 51 weeks during the year. Attendance seems to be picking up overall, and our Dystopian Rhythm events always have a nice sized and lively crowd (as you can hear in some of our live recordings). We have a great core of supporters, and we're wining over some of the newer kids who previously thought they didn't like techno.

4) The tracks you produce tend toward peak time bangers; in the studio what do you use to make it all happen? It seems people can't get enough of your hi hats, what's your trick?

Ableton is forever my workhorse. I’ve owned Ableton since version 1.5, and I’ve never strayed since. It changed everything for me. I do have a bad habit of buying, trying, and selling gear that I think is going to fit into my production setup. I always try to get external hardware mixed in (the latest being the Elektron Analog Four), but for the most part I’m in the digital realm. Ableton, Native Instruments Komplete, and a few other plugins here and there.

I forgot who the first person was to mention the hi-hats, but its seemed to take on a life of its own. I do think people don’t EQ the highs in their tracks nearly as much as they should. Wether its nice, crisp highs, or a distorted synth up in the high octaves, it always sounds better when given a bit more push. Without it, tracks sometimes just sound flat.

I'm also trying to not pigeonhole myself into only making peak-time tunes, although that will always be the bulk of what I do. I even have a (slightly heavier) dub techno inspired track coming out soon (with some killer remixes from Justin Schumacher and Uun).

5) Personally, and label-wise what can we expect from you in the near future?

Dystopian Rhythm is picking up steam. We have a lot of good things in the works. Our next five EP’s are lined up (the next being Virulent’s EP which comes out on the 27th), and we’re currently signing tracks for a V/A for DRR010 - our tenth release. We have some big names, some surprises, and some lesser known talent that we believe deserve more recognition. Our podcast also hit our one year anniversary recently. Mike has done a great job with that (he lines up all the guests).

As far as me personally, expect for my production to pick up in both quality and quantity very quickly. I just moved to a new studio setup, and the difference compared to my prior setup is unreal. Its amazing what having a properly arranged room can do. On the DJ side of things, I’m still open to play some gigs, but I tend to hibernate more in the winter, so I expect the focus to remain on producing.

Thanks for having me as a guest, and be sure to keep up to date with my label and I at www.dystopianrhythm.com

Garrett Dillon - From 0-1 Studio Session Vol 064

https://www.beatport.com/release/can-u-feel/3997124

Fhase 87 - Can U Feel - (X Erie)

Gabriel D'Or & Bordoy  - XV

Reactium (Kaiser Remix)

Release Date 26.01
Digital only 
W+P by Dominique Slva
Remix By Neo & The Sixth Sense
 
Support the artist:
https://on.soundcloud.com/uZhAqput1cCp7e1w8

Support

BT Premiere: Dominique Slva - Million Dollar Geisha [AR019]

I. / The Pilgrim's March
II. Crimson Harvest
III. Belshazzar
IV. \ Bishop Sacrifice

Release Date:  July 5th, 2024
Format: 12" / Digital
Artwork & Design by George Kalofolias
Mastering by Joe Farr
© RENEGADE METHODZ 2024

BUY RM12

RM12 / Boyd Schidt & Hecate Legacy - Crimson Harvest EP [Snippets]

Lucas Sosa (AR) - 0 Chucu (Original Mix)

Quantum [MYSTR01]

premiere of "Solitude (@invite-1 Remix)" by @kaiserksr_it
taken from EP "Solitude", released soon on @monocoderecords

EP Details:
https://novafuture.blog/2019/02/17/kaiser-solitude-ep-monocode/

Kaiser - Solitude (Invite Remix) [MDC001 | A2 | Premiere]

Just here... listening to hard hypnotic grooves... beautiful harmonies... huge BASS... A great DJ set can connect you with something

Garrett Dillon - From 0-1 Studio Session Vol 064

From0to1

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