Summer of Watercolor

A song written by Leland Scott and myself. Hope you enjoy.

T. Harrell L. Scott

For Pete's Sake

制作約2時間
出だしのシーケンスから音を足して、そのあとトラックの抜き差しで組み上げました

VOID

Isolation

My little voice
knows no compliance
I need to talk
but I sit in silence
The words I want to say
are screaming in my head
but when I open up my mouth
I say something else instead

So throw your stones
through my window
let ‘em fly
into the pane
So throw your stones
straight through the glass
let in the cold
so I can be numb at last

Why am I struggling
layers are peeling
something is feeling
nothing is healing

time heals no wounds
everything sustains
when you exorcise the feelings
regrets are the remains

The Window

The Window (legacy soundtrack version)

Slow Blue Monday

December 9, 2020

Report to the United Nations Educational, Scientific and Cultural Organization from Admiral   Henrik Eduardo de la Krank XIV on behalf of the International Space Collaboration concerning Chapters 26 and 4 of the memoirs of Natt Brus, in strict keeping the directive to translate the teachings of Natt Brus into musical sound recordings. Brus’s memoir reports the following story, which took place one evening in the Gobi Desert, mere weeks after Fanny Assingham had left him for a case of plain wrap beer and a buy one get one free cheeseburger coupon. Brus presented himself at the door of a secret temple and, to the mute surprise of the door keeper, gave the password known only to those who are granted unlimited access to the sanctuary- a vast balcony looking over a crooked canyon that wound a jagged path through steep cliffs.

Alone on the balcony, Brus attempted to enter a state of astral projection. But his closed eyes were unable to shutter a sense of agitation that had suddenly overtaken him. Opening his eyes he saw the contemplative face of the Buddha, serene and close-eyed. In a rage, Brus rose and hurled the statue of the Buddha over the edge and watched it shatter into a thousand pieces. When he sat and closed his eyes again, the agitation returned. There sat the Buddha intact and as serene as before. Again Brus hurled it to the canyon floor only for it to reappear when he closed his eyes. No matter how furiously he threw it over, and no matter how badly it shattered, the Buddha reappeared. Finally, as the sun was falling below the horizon’s edge, he realized he must throw it over one last time, sit and close his eyes, and accept the Buddha’s reappearance. This last time, he resisted the agitation, did not open his eyes, no longer contemplated the statue as a thing separate from himself, and then he and the statue were passing seamlessly through space and time.

It has been independently reported that when the doorkeeper came to conduct Brus to his accommodations, Brus and the Buddha were gone without a trace.

Very Truly Yours,

Admiral Harrison Valentino von Krank III

The Buddha Balcony Incident

GROUNDED

Grounded

Mega

as is...

ラウドネスについて間違った認識などが多いように思われるので、比較音源を作りました

前半が最大ピーク-1db近くまで音量の振り幅のある-14LUFSの音源
後半が前半の音源にマキシマイザーをかけて-6LUFS以上に音圧上げたものを-14LUFSになるよう音量調整したもの（ラウドネスノーマライゼーション）

ドラムに注意して聴き比べると違いが分かりやすいかと思います

ラウドネス比較

シンセ大好きです。 オリジナルやカヴァーをYoutubeなどにアップしていきます。

VOID

From-noThing（さとヤン）

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