Charlie Brown style talk crossed with Daffy Duck

Almost meows.  Gotta work on getting it to meow.

Ladies, gentlemen, and non binary friends, I present you with a Stockhausen crescendo.

I am a serialist and we just installed a reverb at the radio station studio where I work.

23Jan2024

17March24

I can't imagine anyone listening to the whole thing for fun.  Purely a document of some experimentation. All sounds from the Take 5.  The idea was to take modular-style feedback patching and audio-rate modulation principles and bring them to the Take 5.  It's not patch programming but Serge-ish in spirit. 

The patch (all mod routings maxed out)
Filter out to filter cutoff, twice
LFO 1 max speed (audio rate, not sure exactly)
LFO 1-->Vintage knob.  Twice.
LFO 1--> Reverb pre delay.
Audio out --> LFO 1 rate
Audio out --> Filter 1 cutoff
Audio out --> Vintage knob
DC--> LFO 1 rate
Osc 1 9:00, set to sine
Osc 2 9:00 set to sine
suboscillator off except that I turn it up a little to excite the feedback loop
ENV 2 set to fast attack 100% sustain, slow release.
ENV 1 not even used

Effects slot 1 is distortion, manually tweaking settings.
Also manually tweaking filter drive, resonance, cutoff, reverb mix, size, etc.

You have been warned.  Enjoy!

ApologiesToMyTake5

Sequential Take 5 doing "tuned feedback."  Basic arpeggio, then set very short delay times with very high feedback.  I'm using mix to bring it in and out with different settings.

TunedFeedback

Loudest Warning Panel -- Drone Exp with Analog Aliasing

25March24 - -LWAliasing

27Mar24LW1

27Mar24SomeBirds

More T5 audio rate modulation going everywhere.

30 March 24

Linnstrument plays LW Sing To Me, knocked the fine tune a bit out on one oscillator.

31March2024LWmelodyFH2

Arpeggiating LW Sing to Me, messing with filter pings through various processing and FMing.

ApologiesToMyTake5

FromTheArray23-24

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