love the instrumentation in this and that low bass

Lush harmonies and implied rhythms. Lovely

How did you sound design the "percussion"? sounds amazing!

weberalcantu.bandcamp.com/album/mirror-in-mirror

Open up your surprise gift and fall into our story – a musical, visual and literary experience which blends the digital and tangible worlds.

Audio: Fonum
Illustration: Stasia Ibragim
Text: Michael Iona
Handcrafting: mal vertieft

Product Photography : Tabea Möhlis

Mirror in mirror @ Weber & Alcantu (Album preview)

PLASTIC SEAT

This is the soundtrack for Tezurumozuru "Too far to see, too close to see"; Contemporary Dance piece.

Two taperecorders and one smartphone automatically playing "Slow" noises with no operation and accidental environment sounds.

Photo by MATSUMOTO Kazuyuki

03 #3

Dialog between two layers of Benjolin. First track of an album project.

J'ai Tellement De Choses À Te Dire

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

Endless Eternity

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Edited and remastered version of Habala, first published in 2018. 
Made with passion and modular synths.

Habala

habala

The opening track from my new album Always There, Somewhere out now on Esc.Rec. 

The album charts a journey of personal discovery through friendship. It’s a record about finding answers in each other, rather than from only within ourselves.

Limited Edition Cassette + Digital Album

Always there, somewhere

The World Recedes

vicvellam.bandcamp.com/album/1978-ldn-btn

1978*

Noxin SD02 (Senglar Version)

New album due out in now on Esc.Rec.
https://escrec.bandcamp.com/album/always-there-somewhere

Frond slows down time with his music. You could describe it as cinematic, as ambient or as modern composition, but like many contemporary artists working in these areas it’s music for deep listening - music to make space for. Memories and nostalgia are just as much source material as visions of the future. Using an ensemble of live instruments, field recordings and custom synths Frond effortlessly drifts from the abstract to the heartfelt and back again. 

For fans of Nils Frahm, Fennez, Grouper, Tim Hecker, Julianna Barwick, Simon Scott and Harold Budd.

The World Recedes

Frond

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Gustavlindsten

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Immersive love

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